Analog-to-digital converter

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An analog-to-digital converter (abbreviated ADC, A/D or A to D) is an electronic circuit that converts continuous signals to discrete digital numbers. The reverse operation is performed by a digital-to-analog converter (DAC).

Typically, an ADC is an electronic device that converts a voltage to a binary digital number. However, some non-electronic or only partially-electronic devices, such as shaft encoders, can also be considered as ADCs.

Resolution

The resolution of the converter indicates the number of discrete values it can produce over the range of voltage values. It is usually expressed in bits. For example, an ADC that encodes an analog input to one of 256 discrete values (0..255) has a resolution of eight bits, since

[2^8 = 256].

Resolution can also be defined electrically, and expressed in volts. The voltage resolution of an ADC is equal to its overall voltage measurement range divided by the number of discrete values. Some examples may help:

• Example 1
• *Full scale measurement range = 0 to 10 volts
• *ADC resolution is 12 bits: 2¹² = 4096 quantization levels
• *ADC voltage resolution is: (10-0)/4096 = 0.00244 volts = 2.44 mV

• Example 2
• *Full scale measurement range = -10 to +10 volts
• *ADC resolution is 14 bits: 2¹⁴ = 16384 quantization levels
• *ADC voltage resolution is: (10-(-10))/16384 = 20/16384 = 0.00122 volts = 1.22 mV

In practice, the resolution of the converter is limited by the signal-to-noise ratio of the signal in question. If there is too much noise present in the analog input, it will be impossible to accurately resolve beyond a certain number of bits of resolution, the "effective number of bits" (ENOB). While the ADC will produce a result, the result is not accurate, since its lower bits are simply measuring noise. The S/N ratio should be around 6 dB per bit of resolution required.

Response type

Linear ADCs

Most ADCs are of a type known as linear, although analog-to-digital conversion is an inherently non-linear process (since the mapping of a continuous space to a discrete space is a non-invertible and therefore non-linear operation). The term linear as used here means that the range of the input values that map to each output value has a linear relationship with the output value, i.e., that the output value k is used for the range of input values from

m(k + b)

to

m(k + 1 + b),

where m and b are some constants. Here b is typically 0 or −0.5. When b = 0, the ADC is referred to as mid-rise, and when b = −0.5 it is referred to as mid-tread.

Non-linear ADCs

If the probability density function of a signal being digitized is uniform, then the signal-to-noise ratio relative to the quantization noise is the best possible. Because of this, it's usual to pass the signal through its CDF before the quantization. This is good because the regions that are more important get quantized with a better resolution. In the dequantization process, the inverse CDF is needed.

This is the same principle behind the companders used in some tape-recorders and other communication systems, and is related to entropy maximization. (Never confuse companders with compressors!)

For example, a voice signal has a laplacian distribution. This means that the region around 0 carries more information than the regions with higher amplitudes. Because of this, logarithmic ADCs are very common in voiced communication systems to increase the dynamic range of the representable values while retaining fine-granular fidelity in the low-amplitude region.

An 8 bit a-law or the μ-law logarithmic ADC covers the wide dynamic range and has a high resolution in the critical low-amplitude region, that would otherwise require a 12 bit linear ADC.

Accuracy

An ADC has several sources of errors. Quantization error and (assuming the ADC is intended to be linear) non-linearity is intrinsic to any analog-to-digital conversion. There is also a so-called aperture error which is due to a clock jitter and reveals when digitizing a signal (not a single value).

These errors are measured in a unit called the LSB, which is an abbreviation for least significant bit. In the above example of an eight-bit ADC, an error of one LSB is 1/256 of the full signal range, or about 0.4%.

Quantization error

Quantization error is due to the finite resolution of the ADC, and is an unavoidable imperfection in all types of ADC. The magnitude of the quantization error at the sampling instant is between zero and half of one LSB.

In the general case, the original signal is much larger than one LSB. When this happens, the quantization error is not correlated with the signal, and has a uniform distribution. Its RMS value is the standard deviation of this distribution, given by [}} \mathrm \approx 0.289 \ \mathrm]. In the eight-bit ADC example, this represents 0.113 % of the full signal range.

Non-linearity

All ADCs suffer from non-linearity errors caused by their physical imperfections, causing their output to deviate from a linear function (or some other function, in the case of a deliberately non-linear ADC) of their input. These errors can sometimes be mitigated by calibration, or prevented by testing.

Important parameters for linearity are integral non-linearity (INL) and differential non-linearity (DNL).

Aperture error

Imagine that we are digitizing a sine wave [x(t)=A \sin 2 \pi f_0 t]. Provided that the actual sampling time uncertainty due to the clock jitter is [\Delta t], the error caused by this phenomenon can be estimated as [E_ \le |x'(t) \Delta t| \le 2A \pi f_0 \Delta t].

One can see that the error is relatively small at low frequencies, but can become significant at high frequences.

This effect can be ignored if it is relatively small as compared with quantizing error. Jitter requirements can be calculated using the following obvious formula: [\Delta t < \frac], where q is a number of ADC bits.

ADC resolution	Input frequency
	44.1 kHz	192 kHz	1 MHz	10 MHz	100 MHz
8	28.2 ns	6.48 ns	1.24 ns	124 ps	12.4 ps
10	7.05 ns	1.62 ns	311 ps	31.1 ps	3.11 ps
12	1.76 ns	405 ps	77.7 ps	7.77 ps	777 fs
14	441 ps	101 ps	19.4 ps	1.94 ps	194 fs
16	110 ps	25.3 ps	4.86 ps	486 fs	48.6 fs
18	27.5 ps	6.32 ps	1.21 ps	121 fs	12.1 fs
24	430 fs	98.8 fs	19.0 fs	1.9 fs	190 as

This table shows, for example, that it is not worth using a precise 24-bit ADC for sound recording if we don't have an ultra low jitter clock. One should consider taking this phenomenon into account before choosing an ADC.

Sampling rate

The analog signal is continuous in time and it is necessary to convert this to a flow of digital values. It is therefore required to define the rate at which new digital values are sampled from the analog signal. The rate of new values is called the sampling rate or sampling frequency of the converter.

A continuously varying bandlimited signal can be sampled (that is, the signal values at intervals of time T, the sampling time, are measured and stored) and then the original signal can be exactly reproduced from the discrete-time values by an interpolation formula. The accuracy is however limited by quantization error. However, this faithful reproduction is only possible if the sampling rate is higher than twice the highest frequency of the signal. This is essentially what is embodied in the Shannon-Nyquist sampling theorem.

Since a practical ADC cannot make an instantaneous conversion, the input value must necessarily be held constant during the time that the converter performs a conversion (called the conversion time). An input circuit called a sample and hold performs this task—in most cases by using a capacitor to store the analogue voltage at the input, and using an electronic switch or gate to disconnect the capacitor from the input. Many ADC integrated circuits include the sample and hold subsystem internally.

Aliasing

All ADCs work by sampling their input at discrete intervals of time. Their output is therefore an incomplete picture of the behaviour of the input. There is no way of knowing, by looking at the output, what the input was doing between one sampling instant and the next. If the input is known to be changing slowly compared to the sampling rate, then it can be assumed that the value of the signal between two sample instants was somewhere between the two sampled values. If, however, the input signal is changing fast compared to the sample rate, then this assumption is not valid.

If the digital values produced by the ADC are, at some later stage in the system, converted back to analog values by a digital to analog converter or DAC, it is desirable that the output of the DAC be a faithful representation of the original signal. If the input signal is changing much faster than the sample rate, then this will not be the case, and spurious signals called aliases will be produced at the output of the DAC. The frequency of the aliased signal is the difference between the signal frequency and the sampling rate. For example, a 2 kHz sinewave being sampled at 1.5 kHz would be reconstructed as a 500 Hz sinewave. This problem is called aliasing.

To avoid aliasing, the input to an ADC must be low-pass filtered to remove frequencies above half the sampling rate. This filter is called an anti-aliasing filter, and is essential for a practical ADC system.

Although aliasing in most systems is unwanted, it should also be noted that it can be exploited to provide simultaneous down-mixing of a band-limited high frequency signal (see frequency-mixer).

Dither

In A to D converters, performance can be improved using dither. This is a very small amount of random noise (white noise) which is added to the input before conversion. Its amplitude is set to be about half of the least significant bit. Its effect is to cause the state of the LSB to randomly oscillate between 0 and 1 in the presence of very low levels of input, rather than sticking at a fixed value. Rather than the signal simply getting cut off altogether at this low level (which is only being quantized to a resolution of 1 bit), it extends the effective range of signals that the A to D converter can convert, at the expense of a slight increase in noise - effectively the quantization error is diffused across a series of noise values which is far less objectionable than a hard cutoff. The result is an accurate representation of the signal over time. A suitable filter at the output of the system can thus recover this small signal variation.

An audio signal of very low level (w.r.t. the bit depth of the ADC) sampled without dither sounds extremely distorted and unpleasant. Without dither the low level always yields a '1' from the A to D. With dithering, the true level of the audio is still recorded as a series of values over time, rather than a series of separate bits at one instant in time.

A virtually identical process, also called dither or dithering, is often used when quantizing photographic images to a fewer number of bits per pixel - the image becomes noisier but to the eye looks far more realistic than the quantized image, which otherwise becomes banded. This analogous process may help to visualize the effect of dither on an analogue audio signal that is converted to digital.

Dithering is also used in integrating systems such as electricity meters. Since the values are added together, the dithering produces results that are more exact than the LSB of the analog-to-digital converter.

Oversampling

Usually, signals are sampled at the minimum rate required, for economy, with the result that the quantization noise introduced is white noise spread over the whole pass band of the converter. If a signal is sampled at a rate much higher than the Nyquist frequency and then digitally filtered to limit it to the signal bandwidth, the signal-to-noise ratio due to quantization noise will be lower than if the whole available band had been used. With this technique, it is possible to obtain an effective resolution larger than that provided by the converter alone.

ADC structures

These are the most common ways of implementing an electronic ADC:

• A direct conversion ADC or flash ADC has a comparator that fires for each decoded voltage range. The comparator bank feeds a logic circuit that generates a code for each voltage range. Direct conversion is very fast, but usually has only 8 bits of resolution (256 comparators) or less, as it needs a large, expensive circuit. ADCs of this type have a large die size, a high input capacitance, and are prone to produce glitches on the output (by outputting an out-of-sequence code). They are often used for video or other fast signals.

• A successive-approximation ADC uses a comparator to reject ranges of voltages, eventually settling on a final voltage range. The way successive approximation works is through constantly comparing the input voltage to a known reference voltage until the best approximation is achieved. At each step in this process, a binary value of the approximation is stored in a successive approximation register (SAR).The SAR uses a reference voltage (which is predetermined and reflects the conditions for which the ADC is used for) for comparisons. For example if the input voltage is 100V and the reference voltage is 150V, in the 1st clock cycle the voltage out is negative (in the sense that 100V is less than 150V). In the 2nd clock cycle the voltage might increase by say 30V (the increment being predetermined) to 130V. This value is still negative. The 3rd clock cycle results in 160V, in which case the output is positive (as the output exceeds the input voltage). The result of this would be in the binary form 110. The 1’s refer to the times the voltage was negative and the 0’s refer to the positives (note in this case it is a 3-bit ADC, as the clock runs 3 times). This is also called bit-weighting conversion, and is similar to a binary search. By increasing the number of bit cycles and decreasing the increment rise it is possible to construct an accurate ADC. ADCs of this type have good resolutions and quite wide ranges. They are more complex than some other designs.
• A delta-encoded ADC has an up-down counter that feeds a digital to analog converter (DAC). The input signal and the DAC both go to a comparator. The comparator controls the counter. The circuit uses negative feedback from the comparator to adjust the counter until the DAC's output is close enough to the input signal. The number is read from the counter. Delta converters have very wide ranges, and high resolution, but the conversion time is dependent on the input signal level, though it will always have a guaranteed worst-case. Delta converters are often very good choices to read real-world signals. Most signals from physical systems do not change abruptly. Some converters combine the delta and successive approximation approaches; this works especially well when high frequencies are known to be small in magnitude.

• A ramp-compare ADC (also called integrating, dual-slope or multi-slope ADC) produces a saw-tooth signal that ramps up, then quickly falls to zero. When the ramp starts, a timer starts counting. When the ramp voltage matches the input, a comparator fires, and the timer's value is recorded. Timed ramp converters require the least number of transistors. The ramp time is sensitive to temperature because the circuit generating the ramp is often just some simple oscillator. There are two solutions: use a clocked counter driving a DAC and then use the comparator to preserve the counter's value, or calibrate the timed ramp. A special advantage of the ramp-compare system is that comparing a second signal just requires another comparator, and another register to store the voltage value.

• A pipeline ADC (also called subranging quantizer) uses two or more steps of subranging. First, a coarse conversion is done. In a second step, the difference to the input signal is determined with a digital to analog converter (DAC). This difference is then converted finer, and the results are combined in a last step. This type of ADC is fast, has a high resolution and only requires a small die size.

• A Sigma-Delta ADC (also known as a Delta-Sigma ADC) oversamples the desired signal by a large factor and filters the desired signal band. Generally a smaller number of bits than required are converted using a Flash ADC after the Filter. The resulting signal, along with the error generated by the discrete levels of the Flash, is fed back and subtracted from the input to the filter. This negative feedback has the effect of noise shaping the error due to the Flash so that it does not appear in the desired signal frequencies. A digital filter (decimation filter) follows the ADC which reduces the sampling rate, filters off unwanted noise signal and increases the resolution of the output. (sigma-delta modulation, also called delta-sigma modulation)

Nonelectronic ADCs usually use some scheme similar to one of the above.

Commercial analog-to-digital converters

These are usually integrated circuits.

Most converters sample with 6 to 24 bits of resolution, and produce fewer than 1 megasample per second. Mega- and gigasample converters are available, though (Feb 2002). Megasample converters are required in digital video cameras, video capture cards, and TV tuner cards to convert full-speed analog video to MPEG digital video files. Commercial converters usually have ±0.5 to ±1.5 LSB error in their output.

The most expensive part of an integrated circuit is the pins, because they make the package larger, and each pin has to be connected to the integrated circuit's silicon. To save pins, it's common for slow ADCs to send their data one bit at a time over a serial interface to the computer, with the next bit coming out when a clock signal changes state, say from zero to 5V. This saves quite a few pins on the ADC package, and in many cases, does not make the overall design any more complex. (Even microprocessors which use memory-mapped IO only need a few bits of a port to implement a serial bus to an ADC.)

Commercial ADCs often have several inputs that feed the same converter, usually through an analog multiplexer. Different models of ADC may include sample and hold circuits, instrumentation amplifiers or differential inputs, where the quantity measured is the difference between two voltages.

Application to music recording

ADCs are integral to much current music reproduction technology, since much music production is done on computers; even when analog recording is used, an ADC is still needed to create the PCM data stream that goes onto a compact disc.

The current crop of AD converters utilized in music can sample at rates up to 192 kilohertz. Many people in the business consider this an overkill and pure marketing hype, due to the Nyquist-Shannon sampling theorem. Simply put, they say the analog waveform does not have enough information in it to necessitate such high sampling rates, and typical recording techniques for high-fidelity audio are usually sampled at either 44.1 kHz (the standard for CD) or 48 kHz (more typical for computer use). However, this kind of bandwidth headroom allows the use of cheaper or faster anti-aliasing filters.

Other applications

AD converters are used virtually everywhere where an analog signal has to be processed, stored, or transported in digital form. Fast video ADCs are used, for example, in TV tuner cards. Slow on-chip 8, 10, 12, or 16 bit ADCs are common in microcontrollers. Very fast ADCs are needed in digital oscilloscopes, and are crucial for new applications like software defined radio.

See also

• Digital signal processing
• quantization (signal processing)
• quantization noise
• Modem

External links and book references

• [Learning by Simulations] A simulation showing the effects of sampling frequency and ADC resolution.
• ["Understanding analog to digital converter specifications"] article by Len Staller 2005-02-24.
• ["Understanding Flash ADCs"] Tutorial on how flash analog-to-digital converters (ADCs) work.
• S. Norsworthy, R. Schreier, G. Temes, Delta-Sigma Data Converters. ISBN 0-7803-1045-4.
• Mingliang Liu, Demystifying Switched-Capacitor Circuits. ISBN 0-750-67907-7.
• Behzad Razavi, Principles of Data Conversion System Design. ISBN 0-780-31093-4.
• David Johns, Ken Martin, Analog Integrated Circuit Design. ISBN 0-471-14448-7.
• Phillip E. Allen, Douglas R. Holberg, CMOS Analog Circuit Design. ISBN 0-195-11644-5.

 

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