Béla Fleck
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Béla Fleck (born July 10, 1958 in New York City, New York) is an American virtuoso banjo player. He is most well known for his work with the band Béla Fleck and the Flecktones, which he has described as "a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz."[PBS Interview with Béla Fleck]
- 1 Life and early career
- 2 Bela Fleck and the Flecktones
- 3 Other recordings
- 4 Discography
- 4.1 Solo/With Various
- 4.2 With The
- 4.3 With
- 4.4 With
- 4.5 With Dreadful Snakes
- 4.6 With
- 4.7 With
- 4.8 With
- 4.9 With Strength In Numbers
- 4.10 With Tasty Licks
- 4.11 With
- 4.12 With
- 4.13 With
- 5 Grammy awards
- 6 Grammy Nominations
- 7 Notes and references
- 8 References
- 9 External links
Life and early career
Fleck, who is named after famous Hungarian composer Béla Bartok, was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973).[PBS Interview with Béla Fleck][Interview with Bela, 21Apr96] Later, Fleck would enroll in New York City's High School of Music and Art where he studied French horn. Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle and Mark Schatz in Tasty Licks. It is with Tasty Licks that Fleck played on his first major album. During this period, Fleck released his first solo album (1979): Crossing the Tracks. It was Fleck's first foray into progressive-bluegrass composition.[5]Fleck would play on the streets of Boston with bassist Mark Schatz until the two formed in 1981. Fleck toured with Spectrum until 1981. That year, Fleck was asked by Sam Bush and company to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, "Drive." It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
Bela Fleck and the Flecktones
After a 1988 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck and the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Saxophonist Jeff Coffin joined the group with the album Left of Cool.With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, and spoken word, as well as composition and arranging.
Other recordings
In 2001, Fleck collaborated with long-time friend and playing-partner Edgar Meyer to record Perpetual Motion, an album of classical material played on the banjo along with an assortment of accompanists, including John Williams, Evelyn Glennie, Joshua Bell and Gary Hoffman. The album includes such staggeringly difficult selections as Chopin's Etude Op. 10 No. 4 in C# minor, Debussy's Doctor Gradus ad Parnassum, and Paganini's Moto Perpetuo (from which is derived the name), as well as more lyrical pieces such as the first movement of Beethoven's Moonlight Sonata, two of Chopin's mazurkas, and two Scarlatti keyboard sonatas. Perpetual Motion won two Grammy's at the Grammy Awards of 2002 for Best Classical Crossover Album and Best Arrangement for Fleck and Meyer's arrangement of Doctor Gradus ad Parnassum. Fleck and Meyer have also composed a Banjo concerto that has been played numerous times with the Nashville Symphony Orchestra.Fleck names Chick Corea, Charlie Parker, and the aforementioned Earl Scruggs as influences. He regards Scruggs as "certainly the best" banjo player of the three-finger style.[PBS Interview with Béla Fleck]
Solo and with the Flecktones, Fleck has appeared at Telluride Bluegrass Festival, Montreal Jazz Festival, Toronto Jazz Festival and Newport Folk Festival, among others.
He has also appeared as a sideman with artists ranging from Tony Rice to Ginger Baker.
In 2005, while the Flecktones were on hiatus, Fleck undertook several new projects, including recording with African traditional musicians, cowriting a documentary film called 'Bring it Home' about the Flecktone's first year off in 17 years and their reunion after that time, coproducing Song of the Traveling Daughter, the debut album by Abigail Washburn, a young female banjo player who mixes bluegrass and Chinese music, and perhaps most notably forming the Acoustic Fusion supergroup TRIO! with fellow virtuosos Jean-Luc Ponty and Stanley Clarke
Discography
Solo/With Various
- Crossing the Tracks (Rounder Records, 1979)
- Natural Bridge (Rounder Records, 1982)
- Double Time (Rounder Records, 1984)
- Inroads (Rounder Records, 1986)
- Daybreak (Compilation, Rounder Records, 1987)
- Drive (Rounder Records, 1988)
- Places (Compilation, Rounder Records, 1988)
- Tales From The Acoustic Planet (Warner Brothers, 1995)
- Tales from the Acoustic Planet Vol 2, the Bluegrass Sessions (Warner Brothers, 1999)
- Perpetual Motion (Sony Classical, 2001)
With The
- Béla Fleck And The Flecktones (Warner Brothers, 1990)
- Flight of the Cosmic Hippo (Warner Brothers, 1991)
- UFO TOFU (Warner Brothers, 1992)
- Three Flew Over The Cuckoo's Nest (Warner Brothers, 1993)
- Live Art (Warner Brothers, 1996)
- Left of Cool (Warner Brothers, 1998)
- Greatest Hits of the 20th Century (Compilation, Warner Brothers, 1999)
- Outbound (Columbia Records, 2000)
- Live at the Quick (Columbia Records, 2002)
- Little Worlds (Columbia Records, 2003)
- Ten From Little Worlds (Selections from ''Little Worlds, Columbia Records, 2003)
- The Hidden Land (2006)
With
- Tabula Rasa (Water Lily Acoustics, 1996)
With
- Aras (Silvery Wave, 1996)
With Dreadful Snakes
- The Dreadful Snakes (Rounder Records, 1983)
- Snakes Alive! (Rounder Records)
With
- Uncommon Ritual (Sony, 1997)
With
- Music For Two (Sony, 2004).
With
- Bela Fleck with the New Grass Revival: Deviation (Rounder 1984)
- Sam Bush: Late as Usual (Rounder 1984)
- On the Boulevard (Sugar Hill 1984)
- New Grass Revival (EMI 1986)
- Hold to a Dream (Capitol 1987)
- Live, 1983 recording (Sugar Hill 1989)
- Friday Night in America (Capitol 1989)
- Anthology (Capitol 1989)
- Best of New Grass Revival (Liberty 1994)
- Grass Roots: The Best of the New Grass Revival (Capitol 2005)
With Strength In Numbers
With Tasty Licks
- Tasty Licks (Rounder Records, 1978)
- Anchored to the Shore (Rounder Records, 1979)
With
- Solo Banjo Works (Rounder Records, 1992)
With
- Fiddle Tunes For Banjo (Rounder Records, 1981)
With
- Before These Crowded Streets (RCA, 1998)
- Live Trax Vol. 1: 12.8.98 Centrum Centre, Worcester, MA (2004)
Grammy awards
- 1995
- *Best Country Instrumental Performance, "Hightower" (single) by Asleep at the Wheel with Béla Fleck and Johnny Gimble
- 1996
- *Best Pop Instrumental Performance, "The Sinister Minister" (track) by Béla Fleck and the Flecktones
- 1998
- *Best Instrumental Composition, "Almost 12" (track) by Béla Fleck, Future Man, and Victor Lemonte Wooten
- 2000
- *Best Country Instrumental Perfomance, 'Leaving Cottondale' (track) by Alison Brown and Béla Fleck
- *Best Contemporary Jazz Album, Outbound by Béla Fleck and the Flecktones
- 2001
- *Best Instrumental Arrangement, 'Claude Debussy "Doctor Gradus Ad Parnassum" from Children's Corner' Béla Fleck and Edgar Meyer (Béla Fleck with Joshua Bell and Gary Hoffmann).
- *Best Classical Crossover Album, Perpetual Motion, with Béla Fleck, Edgar Meyer, and others
Grammy Nominations
- 1986
- *Best Country Instrumental, "Seven by Seven", by New Grass Revival
- 1987
- *Best Country Instrumental, "Metric Lips", by New Grass Revival
- 1988
- *Best Bluegrass Album, "Drive", by Béla Fleck
- 1989
- *Best Country Instrumental, "Bigfoot", by New Grass Revival
- 1990
- *Best Jazz Album, "Béla Fleck & the Flecktones", by Béla Fleck and the Flecktones
- 1991
- *Best Jazz Album, "Flight of the Cosmic Hippo", by Béla Fleck and the Flecktones
- *Best Jazz Instrumental or Instrumental Composition, "Blu-bop", by Béla Fleck and the Flecktones
- 1992
- *Best Jazz Instrumental or Instrumental Composition, "Magic Fingers", Béla Fleck and the Flecktones
- 1994
- *Best Spoken Word for Children, "The Creation", by Amy Grant with Béla Fleck
- 1995
- *Best Country Instrumental, "Cheeseballs in Cowtown", by Béla Fleck
- 1996
- *Best World Music Album, "Tabula Rasa", by Béla Fleck et al
- 1998
- *Best Pop Instrumental, "Big Country", by Béla Fleck and the Flecktones
- *Best Country Instrumental, "The Ride", by Jerry Douglas with Béla Fleck
- 1999
- *Best Bluegrass Album, "Tales from the Acoustic Planet: Volume 2: the Bluegrass Sessions", by Béla Fleck
- 2000
- *Best Pop Instrumental, "Zona Mona", by Béla Fleck and the Flecktones
- 2002
- *Best Country Instrumental Performance, "Bear Mountain Hop", from The Country Bears Soundtrack (with Bela Fleck)
[4]
- Tabula Rasa (Water Lily Acoustics, 1996)
With
- Aras (Silvery Wave, 1996)
With Dreadful Snakes
- The Dreadful Snakes (Rounder Records, 1983)
- Snakes Alive! (Rounder Records)
With
- Uncommon Ritual (Sony, 1997)
With
- Music For Two (Sony, 2004).
With
- Bela Fleck with the New Grass Revival: Deviation (Rounder 1984)
- Sam Bush: Late as Usual (Rounder 1984)
- On the Boulevard (Sugar Hill 1984)
- New Grass Revival (EMI 1986)
- Hold to a Dream (Capitol 1987)
- Live, 1983 recording (Sugar Hill 1989)
- Friday Night in America (Capitol 1989)
- Anthology (Capitol 1989)
- Best of New Grass Revival (Liberty 1994)
- Grass Roots: The Best of the New Grass Revival (Capitol 2005)
With Strength In Numbers
With Tasty Licks
- Tasty Licks (Rounder Records, 1978)
- Anchored to the Shore (Rounder Records, 1979)
With
- Solo Banjo Works (Rounder Records, 1992)
With
- Fiddle Tunes For Banjo (Rounder Records, 1981)
With
- Before These Crowded Streets (RCA, 1998)
- Live Trax Vol. 1: 12.8.98 Centrum Centre, Worcester, MA (2004)
Grammy awards
- 1995
- *Best Country Instrumental Performance, "Hightower" (single) by Asleep at the Wheel with Béla Fleck and Johnny Gimble
- 1996
- *Best Pop Instrumental Performance, "The Sinister Minister" (track) by Béla Fleck and the Flecktones
- 1998
- *Best Instrumental Composition, "Almost 12" (track) by Béla Fleck, Future Man, and Victor Lemonte Wooten
- 2000
- *Best Country Instrumental Perfomance, 'Leaving Cottondale' (track) by Alison Brown and Béla Fleck
- *Best Contemporary Jazz Album, Outbound by Béla Fleck and the Flecktones
- 2001
- *Best Instrumental Arrangement, 'Claude Debussy "Doctor Gradus Ad Parnassum" from Children's Corner' Béla Fleck and Edgar Meyer (Béla Fleck with Joshua Bell and Gary Hoffmann).
- *Best Classical Crossover Album, Perpetual Motion, with Béla Fleck, Edgar Meyer, and others
Grammy Nominations
- 1986
- *Best Country Instrumental, "Seven by Seven", by New Grass Revival
- 1987
- *Best Country Instrumental, "Metric Lips", by New Grass Revival
- 1988
- *Best Bluegrass Album, "Drive", by Béla Fleck
- 1989
- *Best Country Instrumental, "Bigfoot", by New Grass Revival
- 1990
- *Best Jazz Album, "Béla Fleck & the Flecktones", by Béla Fleck and the Flecktones
- 1991
- *Best Jazz Album, "Flight of the Cosmic Hippo", by Béla Fleck and the Flecktones
- *Best Jazz Instrumental or Instrumental Composition, "Blu-bop", by Béla Fleck and the Flecktones
- 1992
- *Best Jazz Instrumental or Instrumental Composition, "Magic Fingers", Béla Fleck and the Flecktones
- 1994
- *Best Spoken Word for Children, "The Creation", by Amy Grant with Béla Fleck
- 1995
- *Best Country Instrumental, "Cheeseballs in Cowtown", by Béla Fleck
- 1996
- *Best World Music Album, "Tabula Rasa", by Béla Fleck et al
- 1998
- *Best Pop Instrumental, "Big Country", by Béla Fleck and the Flecktones
- *Best Country Instrumental, "The Ride", by Jerry Douglas with Béla Fleck
- 1999
- *Best Bluegrass Album, "Tales from the Acoustic Planet: Volume 2: the Bluegrass Sessions", by Béla Fleck
- 2000
- *Best Pop Instrumental, "Zona Mona", by Béla Fleck and the Flecktones
- 2002
- *Best Country Instrumental Performance, "Bear Mountain Hop", from The Country Bears Soundtrack (with Bela Fleck)
[4]
- Uncommon Ritual (Sony, 1997)
With
- Music For Two (Sony, 2004).
With
- Bela Fleck with the New Grass Revival: Deviation (Rounder 1984)
- Sam Bush: Late as Usual (Rounder 1984)
- On the Boulevard (Sugar Hill 1984)
- New Grass Revival (EMI 1986)
- Hold to a Dream (Capitol 1987)
- Live, 1983 recording (Sugar Hill 1989)
- Friday Night in America (Capitol 1989)
- Anthology (Capitol 1989)
- Best of New Grass Revival (Liberty 1994)
- Grass Roots: The Best of the New Grass Revival (Capitol 2005)
With Strength In Numbers
With Tasty Licks
- Tasty Licks (Rounder Records, 1978)
- Anchored to the Shore (Rounder Records, 1979)
With
- Solo Banjo Works (Rounder Records, 1992)
With
- Fiddle Tunes For Banjo (Rounder Records, 1981)
With
- Before These Crowded Streets (RCA, 1998)
- Live Trax Vol. 1: 12.8.98 Centrum Centre, Worcester, MA (2004)
Grammy awards
- 1995
- *Best Country Instrumental Performance, "Hightower" (single) by Asleep at the Wheel with Béla Fleck and Johnny Gimble
- 1996
- *Best Pop Instrumental Performance, "The Sinister Minister" (track) by Béla Fleck and the Flecktones
- 1998
- *Best Instrumental Composition, "Almost 12" (track) by Béla Fleck, Future Man, and Victor Lemonte Wooten
- 2000
- *Best Country Instrumental Perfomance, 'Leaving Cottondale' (track) by Alison Brown and Béla Fleck
- *Best Contemporary Jazz Album, Outbound by Béla Fleck and the Flecktones
- 2001
- *Best Instrumental Arrangement, 'Claude Debussy "Doctor Gradus Ad Parnassum" from Children's Corner' Béla Fleck and Edgar Meyer (Béla Fleck with Joshua Bell and Gary Hoffmann).
- *Best Classical Crossover Album, Perpetual Motion, with Béla Fleck, Edgar Meyer, and others
Grammy Nominations
- 1986
- *Best Country Instrumental, "Seven by Seven", by New Grass Revival
- 1987
- *Best Country Instrumental, "Metric Lips", by New Grass Revival
- 1988
- *Best Bluegrass Album, "Drive", by Béla Fleck
- 1989
- *Best Country Instrumental, "Bigfoot", by New Grass Revival
- 1990
- *Best Jazz Album, "Béla Fleck & the Flecktones", by Béla Fleck and the Flecktones
- 1991
- *Best Jazz Album, "Flight of the Cosmic Hippo", by Béla Fleck and the Flecktones
- *Best Jazz Instrumental or Instrumental Composition, "Blu-bop", by Béla Fleck and the Flecktones
- 1992
- *Best Jazz Instrumental or Instrumental Composition, "Magic Fingers", Béla Fleck and the Flecktones
- 1994
- *Best Spoken Word for Children, "The Creation", by Amy Grant with Béla Fleck
- 1995
- *Best Country Instrumental, "Cheeseballs in Cowtown", by Béla Fleck
- 1996
- *Best World Music Album, "Tabula Rasa", by Béla Fleck et al
- 1998
- *Best Pop Instrumental, "Big Country", by Béla Fleck and the Flecktones
- *Best Country Instrumental, "The Ride", by Jerry Douglas with Béla Fleck
- 1999
- *Best Bluegrass Album, "Tales from the Acoustic Planet: Volume 2: the Bluegrass Sessions", by Béla Fleck
- 2000
- *Best Pop Instrumental, "Zona Mona", by Béla Fleck and the Flecktones
- 2002
- *Best Country Instrumental Performance, "Bear Mountain Hop", from The Country Bears Soundtrack (with Bela Fleck)
[4]
- Bela Fleck with the New Grass Revival: Deviation (Rounder 1984)
- Sam Bush: Late as Usual (Rounder 1984)
- On the Boulevard (Sugar Hill 1984)
- New Grass Revival (EMI 1986)
- Hold to a Dream (Capitol 1987)
- Live, 1983 recording (Sugar Hill 1989)
- Friday Night in America (Capitol 1989)
- Anthology (Capitol 1989)
- Best of New Grass Revival (Liberty 1994)
- Grass Roots: The Best of the New Grass Revival (Capitol 2005)
With Strength In Numbers
With Tasty Licks
- Tasty Licks (Rounder Records, 1978)
- Anchored to the Shore (Rounder Records, 1979)
With
- Solo Banjo Works (Rounder Records, 1992)
With
- Fiddle Tunes For Banjo (Rounder Records, 1981)
With
- Before These Crowded Streets (RCA, 1998)
- Live Trax Vol. 1: 12.8.98 Centrum Centre, Worcester, MA (2004)
Grammy awards
- 1995
- *Best Country Instrumental Performance, "Hightower" (single) by Asleep at the Wheel with Béla Fleck and Johnny Gimble
- 1996
- *Best Pop Instrumental Performance, "The Sinister Minister" (track) by Béla Fleck and the Flecktones
- 1998
- *Best Instrumental Composition, "Almost 12" (track) by Béla Fleck, Future Man, and Victor Lemonte Wooten
- 2000
- *Best Country Instrumental Perfomance, 'Leaving Cottondale' (track) by Alison Brown and Béla Fleck
- *Best Contemporary Jazz Album, Outbound by Béla Fleck and the Flecktones
- 2001
- *Best Instrumental Arrangement, 'Claude Debussy "Doctor Gradus Ad Parnassum" from Children's Corner' Béla Fleck and Edgar Meyer (Béla Fleck with Joshua Bell and Gary Hoffmann).
- *Best Classical Crossover Album, Perpetual Motion, with Béla Fleck, Edgar Meyer, and others
Grammy Nominations
- 1986
- *Best Country Instrumental, "Seven by Seven", by New Grass Revival
- 1987
- *Best Country Instrumental, "Metric Lips", by New Grass Revival
- 1988
- *Best Bluegrass Album, "Drive", by Béla Fleck
- 1989
- *Best Country Instrumental, "Bigfoot", by New Grass Revival
- 1990
- *Best Jazz Album, "Béla Fleck & the Flecktones", by Béla Fleck and the Flecktones
- 1991
- *Best Jazz Album, "Flight of the Cosmic Hippo", by Béla Fleck and the Flecktones
- *Best Jazz Instrumental or Instrumental Composition, "Blu-bop", by Béla Fleck and the Flecktones
- 1992
- *Best Jazz Instrumental or Instrumental Composition, "Magic Fingers", Béla Fleck and the Flecktones
- 1994
- *Best Spoken Word for Children, "The Creation", by Amy Grant with Béla Fleck
- 1995
- *Best Country Instrumental, "Cheeseballs in Cowtown", by Béla Fleck
- 1996
- *Best World Music Album, "Tabula Rasa", by Béla Fleck et al
- 1998
- *Best Pop Instrumental, "Big Country", by Béla Fleck and the Flecktones
- *Best Country Instrumental, "The Ride", by Jerry Douglas with Béla Fleck
- 1999
- *Best Bluegrass Album, "Tales from the Acoustic Planet: Volume 2: the Bluegrass Sessions", by Béla Fleck
- 2000
- *Best Pop Instrumental, "Zona Mona", by Béla Fleck and the Flecktones
- 2002
- *Best Country Instrumental Performance, "Bear Mountain Hop", from The Country Bears Soundtrack (with Bela Fleck)
[4]
- Fiddle Tunes For Banjo (Rounder Records, 1981)
With
- Before These Crowded Streets (RCA, 1998)
- Live Trax Vol. 1: 12.8.98 Centrum Centre, Worcester, MA (2004)
Grammy awards
- 1995
- *Best Country Instrumental Performance, "Hightower" (single) by Asleep at the Wheel with Béla Fleck and Johnny Gimble
- 1996
- *Best Pop Instrumental Performance, "The Sinister Minister" (track) by Béla Fleck and the Flecktones
- 1998
- *Best Instrumental Composition, "Almost 12" (track) by Béla Fleck, Future Man, and Victor Lemonte Wooten
- 2000
- *Best Country Instrumental Perfomance, 'Leaving Cottondale' (track) by Alison Brown and Béla Fleck
- *Best Contemporary Jazz Album, Outbound by Béla Fleck and the Flecktones
- 2001
- *Best Instrumental Arrangement, 'Claude Debussy "Doctor Gradus Ad Parnassum" from Children's Corner' Béla Fleck and Edgar Meyer (Béla Fleck with Joshua Bell and Gary Hoffmann).
- *Best Classical Crossover Album, Perpetual Motion, with Béla Fleck, Edgar Meyer, and others
Grammy Nominations
- 1986
- *Best Country Instrumental, "Seven by Seven", by New Grass Revival
- 1987
- *Best Country Instrumental, "Metric Lips", by New Grass Revival
- 1988
- *Best Bluegrass Album, "Drive", by Béla Fleck
- 1989
- *Best Country Instrumental, "Bigfoot", by New Grass Revival
- 1990
- *Best Jazz Album, "Béla Fleck & the Flecktones", by Béla Fleck and the Flecktones
- 1991
- *Best Jazz Album, "Flight of the Cosmic Hippo", by Béla Fleck and the Flecktones
- *Best Jazz Instrumental or Instrumental Composition, "Blu-bop", by Béla Fleck and the Flecktones
- 1992
- *Best Jazz Instrumental or Instrumental Composition, "Magic Fingers", Béla Fleck and the Flecktones
- 1994
- *Best Spoken Word for Children, "The Creation", by Amy Grant with Béla Fleck
- 1995
- *Best Country Instrumental, "Cheeseballs in Cowtown", by Béla Fleck
- 1996
- *Best World Music Album, "Tabula Rasa", by Béla Fleck et al
- 1998
- *Best Pop Instrumental, "Big Country", by Béla Fleck and the Flecktones
- *Best Country Instrumental, "The Ride", by Jerry Douglas with Béla Fleck
- 1999
- *Best Bluegrass Album, "Tales from the Acoustic Planet: Volume 2: the Bluegrass Sessions", by Béla Fleck
- 2000
- *Best Pop Instrumental, "Zona Mona", by Béla Fleck and the Flecktones
- 2002
- *Best Country Instrumental Performance, "Bear Mountain Hop", from The Country Bears Soundtrack (with Bela Fleck)
[4]
Notes and references
References
- [3] [Bela Fleck: Biography]
- [4] [The Flecktone Zoo: by Wendell Norman]
- [5] [Bela Fleck, Official Biography]
External links
- [Béla Fleck and the Flecktones World Headquarters Web Site]
- [Béla Fleck - The Official Website]
- [Béla Fleck and the Flecktones live recordings]
| Béla Fleck and the Flecktones |
| Béla Fleck - Victor Wooten - Future Man - Jeff Coffin - Howard Levy |
| Discography |
|---|
| Studio releases: Béla Fleck and the Flecktones - Flight of the Cosmic Hippo - UFO Tofu - Three Flew Over the Cuckoo's Nest - Left of Cool - Greatest Hits of the 20th Century - Outbound - Little Worlds - The Hidden Land |
| Live releases: Live Art - Live at the Quick |
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