Bang on a Can

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Bang on a Can is a musical organization based in New York City which was founded in 1987 by three American composers who remain its artistic directors: Julia Wolfe, David Lang, and Michael Gordon. It is a major force in the presentation of new concert music, and has presented hundreds of musical events worldwide.

It is perhaps best known for its Marathon Concerts during which an eclectic mix of pieces are performed in succession over the course of many hours while audience members are welcome to come and go as they please.

Bang on a Can's People's Commissioning Fund supports the creation of new musical compositions by pooling contributions from numerous member-commissioners whose donations range from $5 to $5,000. To date, the organization has commissioned:

1998 — Virgil Moorefield, Pamela Z, Dan Plonsey
1999-2000 — Marc Mellits, Edward Ruchalski, Miya Masaoka, Toby Twining
2001 — Jeffrey Brooks, Sussan Deyhim, James Fei, Keeril Makan
2002 — Eve Beglarian, John King, Matthew Shipp
2003 — Annea Lockwood, Ingram Marshall, Thurston Moore
2004 — Cynthia Hopkins, Carla Kihlstedt, J.G. Thirlwell
2005 — Yoav Gal, Annie Gosfield, John Hollenbeck

In 2002, Bang on a Can began the yearly Summer Institute of Music, a program at the Massachusetts Museum of Contemporary Art (MASS MoCA) for young composers and performers. This program is sometimes referred to by the nickname "Banglewood" in reference to the nearby, but far more traditional Tanglewood Music Festival.

The three artistic directors occasionally collaborate by jointly composing a large work, often without revealing which sections each contributed. Examples include:

The Carbon Copy Building — a "comic book opera" with words and drawings by MacArthur Grant recipient Ben Katchor. It was the winner of the 2000 Obie Award for Best New American Work.
Lost Objects — a contemporary oratorio, with a libretto by Deborah Artman. It is a fusion of baroque music and modern soundscapes, rendered in performance by the original instruments ensemble Concerto Köln with four electronic instruments, three solo vocalists, a choir, and a live remix generated by DJ Spooky.
The New Yorkers — a staged multimedia concert with additional contributions by filmmakers and visual artists including: Ben Katchor, Bill Morrison, Doug Aitken, and William Wegman.
Shelter — a multi-media work that in the words of librettist Deborah Artman, "evokes the power and threat of nature, the soaring frontier promise contained in the framing of a new house, the pure aesthetic beauty of blueprints, the sweet architecture of sound and the uneasy vulnerability that underlies even the safety of our sleep."

In the past, Bang on a Can released recordings on Composers Recordings Inc. (CRI), Sony Classical, Point Music (Universal), and Nonesuch, but now the majority of its recordings are found on its own record label, Cantaloupe Music.

Bang on a Can is associated with the whimsical SPIT Orchestra, and a preeminent chamber ensemble, the Bang on a Can All-Stars which in 2005 was named "Ensemble of the Year" by the Musical America International Directory of the Performing Arts. The personnel and instrumentation of the Bang on a Can All-Stars is Evan Ziporyn, clarinet and saxophone; Mark Stewart, electric guitar; Wendy Sutter, cello; Robert Black, double bass; Lisa Moore, keyboards; and David Cossin percussion.

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