Opentopia Directory Encyclopedia Tools

Blake's 7

Encyclopedia : B : BL : BLA : Blake's 7


Blake's 7 was a BBC science fiction television series created by Terry Nation that ran four seasons from January 2, 1978 to December 21, 1981.

The series

The series was created by Terry Nation, who had previously worked on Doctor Who and created the Doctor's most famous adversaries, the Daleks. It was made in the United Kingdom and was produced and broadcast by the BBC. Blake's 7 resembled other BBC science fiction shows (such as Doctor Who), but was characterised by a darker tone and often defied the traditional sharply-defined ethical stances associated with this type of drama, with considerable blurring of the distinction between the "good" and the "bad" guys (and gals).

Loosely based on the Robin Hood legend, the show followed the exploits of a group of outlaw revolutionaries, led by a patriot-hero named Roj Blake (Gareth Thomas), who fought the fascist interstellar Terran Federation in the second century of the third calendar. Blake's 7 was watched by 10 million viewers at its peak, an enormous number for a space opera.

The show is noted for its strong focus on character; Blake and his band of outlaws were all highly individual, distinctive, and flawed, as often at each others' throats and in pursuit of their own private agendas as they were facing down their common enemies in the Federation. It also featured a remarkable attrition rate among its main characters, in violation of accepted practice for a drama of its nature. Unlike many mainstream TV dramas, the morally ambiguous or evil characters (specifically, Avon and the ruthless but charismatic Servalan) proved to be the most interesting, and both soon gathered dedicated fan followings.

According to actress Jacqueline Pearce, who played Servalan, Terry Nation originally intended her character to be a man, but halfway through writing the script he realised that it would be more interesting if the gender was reversed. Servalan was also meant to make only one appearance, but Pearce's commanding performance, great beauty and unusual close-cropped hairstyle made Servalan an instant hit and Pearce became a regular cast member.

The show's fascination with and careful study of dictatorial societies has made it a surprise hit in several Eastern European countries as a sort of pop culture Nineteen Eighty-Four. Characters working for the evil Federation were often portrayed as being motivated by their own concepts of duty and loyalty, as well as the overpowering pressure exerted by society. Tactics studied from the Soviet Union during the Stalin era (such as forced psychiatric treatments and show trials) were intermixed with papier-mache giant spiders and fur-suited aliens.

Blake's 7 was also remarkable for its range of influences; dialogue inspired by Casablanca and The Importance of Being Earnest was mixed with Spaghetti Western nihilism and pure camp, as well as the odd plot and a major character stolen from Shakespeare. (Most of the cast had classical training, and actor Michael Keating played his character, Vila Restal, as if channelling Feste, the brilliant but flawed jester in Twelfth Night.)

One striking characteristic of the show was its highly effective use of cliffhangers at the end of each season, a feature used to maximum effect in the fourth season's last episode, "Blake". This was deliberately written to be open-ended in case the series returned, but also to be final in case it did not.

Another notable (and often satirised) aspect of the show was the light construction of its sets. The "wobbly set syndrome" was particularly apparent during the numerous fight scenes—one presumes the actors had to be very careful to avoid colliding with the walls. Many scenes set on the surface of other worlds were filmed in quarries; fans of the show can now go on a Blake's 7 quarry location tour of the UK. James Follett, writer of two episodes Dawn of the Gods and Stardrive later stated that the budget of only £60,000 per episode allowed for very little expenditure on location shoots.

Blake's 7's major legacy to future TV space opera was the use of moral ambiguity and dysfunctional main characters to create tension, as well as long-term plot arcs to hold episodes together. Most (though not always all) of these traits were seen in Lexx, Andromeda, Deep Space 9, Babylon 5, Farscape, the reimaged Battlestar Galactica and Firefly rather than the "feel good" tone and unconnected episode structure of early Star Trek or the series' main contemporary, Doctor Who. Blake's 7 was also arguably unique in TV SF in that it had a major influence on written SF, with the revival of written space opera in the '90s coming from the UK at the hands of writers such as Stephen Baxter, Alastair Reynolds, and Iain M. Banks. These authors are all of the generation that watched Blake's 7, and their work features morally ambivalent, often sarcastic and driven characters, whose usually violently-terminated lives are spent in vast and baroque spacecraft.

Plot summary

Avon and Blake
Enlarge
Avon and Blake

The series begins when Roj Blake is arrested by the Federation, convicted on trumped-up charges of child molestation, and sent to a remote penal colony planet called Cygnus Alpha. On the prisoner transport ship London, he meets most of his future crew, whom he convinces to join him in a mutiny to take over the London. The mutiny fails, but before Blake and his cohorts can be executed, the London comes upon a mysterious unidentified starship, apparently derelict from a space battle. After several crewmembers attempt to board it and are killed by the ship's automated defenses, the London's captain decides to send Blake's group over to defuse them or die in the attempt. They manage to take over the mysterious and highly advanced ship, name it the Liberator, and set out to topple the Federation. At least, that is Blake's goal. His other crew members, particularly Kerr Avon, follow him with various degrees of reluctance.

By the end of the second season, Gareth Thomas (Blake) sought an exit from the series. His character is written out, with Blake being lost in an escape pod after Liberator is damaged in a ferocious battle with invaders from the Andromeda Galaxy over the Federation's central computer complex, known as Star One. (Terry Nation proposed that the invaders would be revealed as the Daleks, but the BBC was not happy with tying together its two sci-fi franchises in this way.) Jenna, another original crewmember, is also lost. Del Tarrant, a mercenary who has been posing as a Federation officer, is introduced to replace Blake, although Avon clashes even more frequently with Tarrant than he did with Blake. Avon eventually rises in dominance until he becomes the de facto leader of the group, now comprising Tarrant, Cally, Vila and young weapons expert Dayna Mellanby. The shadow of Blake remains strong over them, however, and they search for him sporadically throughout the remainder of the series.

Scorpio
Enlarge
Scorpio

Liberator is destroyed at the end of the third series, and the group soon acquires a new ship named Scorpio, a new recruit in the form of shady gunslinger Soolin and a home base on the planet Xenon. The fight against the Federation continues, growing more desperate for both sides: the Federation was significantly weakened after the loss of Star One and the Intergalactic War that followed, allowing Servalan (the Supreme Commander of its military forces) to seize power and sweep aside any remaining positive qualities the Federation may have had. She is later deposed and forced to operate on the fringes of the Federation in a lesser position under the alias "Commissioner Sleer".

Servalan
Enlarge
Servalan

In a climax that ensured the show a lasting place in the history of television, the crew at last finds Blake working as a bounty hunter on a backwater planet named Gauda Prime. Mistakenly believing that Blake has betrayed them, Avon kills Blake (blood is shown). Federation Troopers overrun the remainder, shooting all except Avon (it is not clear whether they are dead). Surrounded, Avon raises his own weapon, and as the picture cuts to black, a flurry of gunfire is heard and the end credits roll.

Here, at least, Blake's 7 is thankfully free of "Stormtrooper effect". The Federation troopers summarily efficiently demolish Avon and his followers in a few accurate shots with their standard issue paraguns.

Blake's death is shown in surprisingly graphic detail, considering that the episode ended at around 20:10 (well before the watershed for violence). The blood and gore was added at Gareth Thomas's insistence (it was in his contract), to prevent any assumption (by audience or future casting directors) that Blake was only wounded and could return.

The Scorpio crew in the final episode "Blake". From left to right: Soolin, Dayna, Avon, Vila, and Tarrant, with Orac in center. Slave is not shown.
Enlarge
The Scorpio crew in the final episode "Blake". From left to right: Soolin, Dayna, Avon, Vila, and Tarrant, with Orac in center. Slave is not shown.

There is a lot of confusion about the exact intention behind the final episode. Script editor Chris Boucher, who wrote the episode, has stated that it was deliberately left open-ended in case there was a fifth season. For those actors who were available, their characters would survive, while for those who were not, their characters would be confirmed as dead.

The series did return in the late 1990s as two radio plays (The Sevenfold Crown and The Syndeton Experiment) broadcast on BBC Radio. These were set in the Season 4 time-frame prior to the events on Gauda Prime. Paul Darrow (Avon), Michael Keating (Vila), Jacqueline Pearce (Servalan), Steven Pacey (Tarrant) and Peter Tuddenham (voice of Orac/Slave) reprised their original roles, with replacements Paula Wilcox and Angela Bruce as Soolin and Dayna.

In spite of (or perhaps because of) the cliffhanger ending, so-called "post Gauda Prime" stories about possible resolutions are a particularly popular topic in Blake's 7 fan fiction. The proposed sequel miniseries would centre on Avon, the only crewmember still standing in the final shot. It would reveal that Avon had not died, but was taken prisoner. The sequel would take place after Avon had been left to rot in prison for twenty years, forgotten or become a myth to the outside world, because most believed he was dead. Avon's return would be a parallel to the escape from Elba of Napoleon. But much fan fiction finds ways to keep Avon and all his followers alive here, including letting paraguns have a stun mode.

A complete list of episodes with capsule summaries can be found at the list of Blake's 7 episodes.

Locations

These notable locations appeared in Blake's 7: In reality, Blake's 7 included location filming in England, mostly in and around London and the Home Counties.

Cast

The second season cast of Blake's 7. From left to right: Gan, Cally, Blake, Vila, Avon, Jenna. Orac and Zen are not shown.
Enlarge
The second season cast of Blake's 7. From left to right: Gan, Cally, Blake, Vila, Avon, Jenna. Orac and Zen are not shown.

Music and sound effects

Theme tune

Blakes 7's theme tune was written by Australian composer Dudley Simpson, who had been a regular composer of music for the BBC's Doctor Who for over a decade previously. The same recording of Simpson's theme tune was used for the opening titles of the entire four seasons of the show; for season 4, a new recording was used for the closing titles, which featured a somewhat less bombastic and more easy listening-style of arrangement.

Incidental music

Simpson also provided the incidental music for 51 of the 52 episodes, the exception being the Season A episode Duel. This was because it was directed by the late Douglas Camfield, who bore a personal grudge against Simpson, and refused to use him#redirect .

\"Special sound\"

In addition to conventional incidental music and traditional acoustic "foley effects", Blakes 7 featured considerable use of what the BBC credits called "special sound". This involved an extensive array of electronically generated sound effects, ranging from spot foley-style effects for various props (e.g. operation the Liberator & Scorpio teleport, engine sounds, handguns, flight-console buttons etc) to background "atmospheres" (ambient textures present throughout in certain sets or locations), and occasionally even crossing over into the realm of incidental music (e.g. on the episodes "Duel" and "Gambit"). All the special sounds for Blakes 7 were provided by the BBC Radiophonic Workshop: Richard Yeoman-Clark working from the beginning of the series up until "Gambit", whereupon new Workshop recruit Elizabeth Parker took over, staying in this role for the remainder of the show's run.

Trivia

:Humans: Roj Blake, Kerr Avon, Jenna Stannis, Vila Restal, Olag Gan, Cally (6)
:Computers: Zen (1)
By the end of the series, the lineup had become
:Humans: Kerr Avon, Vila Restal, Del Tarrant, Dayna Mellanby, Soolin (5)
:Computers: Orac, Slave(2)
Using this system, the total does actually add up to seven with fair consistency throughout the series. Kerr Avon and Vila Restal were the only members of the seven to remain throughout the entire run of the series. However, this means that at the end of Season A and part of the way through Season B, there were in fact eight members, as both Gan and Orac were on board at the same time.
* Gan killed early in Season B (replaced in the count by Orac; thereafter never more than five humans at one time)
* Blake and Jenna lost at the end of Season B (replaced in the count by Dayna and Tarrant)
* Zen destroyed and Cally killed at the end of Season C/start of Season D (replaced in the count by Slave and Soolin, respectively).
Travis, one of the main villains of the first two seasons, is killed at the end of Season B. He is never replaced by a recurrent character, as Servalan, the other main villain, henceforth has a tendency to quickly lose her sidekicks either by accident or by design.

End-of-season cliffhangers

Revival?

In 2003 there was a revival movement (led by Andrew Mark Sewell and Simon Moorhead of B7 Enterprises) to create a new miniseries of the show entitled Blake's 7: Legacy. Series star Paul Darrow (who played Avon) was involved for a time but has since left the project. On 31 October 2005 a press release from B7 Enterprises announced the appointment of Drew Kaza as Non-Executive Chairman of the company. The same press release also listed the projects the company has in development: Blake's 7: Legacy, a two part, three hour mini-series to be written by Ben Aaronovitch and D. Dominic Devine; Blake's 7: The Animated Adventures, a 26-part children's animated adventure series to be written by Ben Aaronovitch, Andrew Cartmel, Marc Platt and James Swallow; as well as two further children's series unrelated to Blake's 7. Blake's 7 Enterprises have since renamed themselves B7 Productions/B7 Media.

Video and DVD releases

The entire series has been released by the BBC on VHS video (initially as a set of four heavily abridged compilation tapes, then subsequently all 52 episodes, with 2 episodes per tape). Between 2003 and 2006, BBC Worldwide released the entire series on DVD (Region 2, U.K.), in the form of season boxsets.

See also

External links

 


From Wikipedia, the Free Encyclopedia. Original article here. Support Wikipedia by contributing or donating.
All text is available under the terms of the GNU Free Documentation License See Wikipedia Copyrights for details.

Search Titles
0123456789
ABCDEFGHIJ
KLMNOPQRST
UVWXYZ?

E-mail this article to:

Personal Message: