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Cat on a Hot Tin Roof

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This is an article about the play. For the movie adaptions, see Cat on a Hot Tin Roof (film)
Cat on a Hot Tin Roof is a play by Tennessee Williams. The play won the Pulitzer Prize for Drama in 1955.

It is the story of a Southern family in crisis, focusing on the turbulent relationship of a wife and husband, Maggie "The Cat" and Brick Pollitt, and their interaction with Brick's family over the course of one evening gathering at the family estate in Mississippi, ostensibly to celebrate the birthday of patriarch and tycoon "Big Daddy" Pollitt. Maggie, through wit and beauty, has escaped a childhood of desperate poverty to marry into the wealthy Pollitt family, but finds herself suffering in an unfulfilling marriage. Brick, an aging football hero, has neglected his wife and further infuriates her by ignoring his brother's attempts to gain control of the family fortune. Brick's indifference, and his nearly continuous drinking, date back to the recent suicide of his friend Skipper. Although Big Daddy has cancer and will not celebrate another birthday, his doctors and his family have conspired to keep this information from him and his wife. His relatives are in attendance and attempt to present themselves in the best possible light, hoping to receive the definitive share of Big Daddy's enormous wealth.

Themes

The central theme of the play is mendacity, a word Brick uses to describe his disgust with the world. Moreover it revolves around the lies in the aging and decaying Southern society. With one exception, the entire family lies to Big Daddy and Big Momma, as do the doctors. Big Daddy lies to his wife. Will Maggie be willing to lie to her father-in-law in order to gain his favor? Brick will not lie to his father, but is he lying about the nature of his relationship with or his feelings for his deceased friend?

The play alludes to the presence of homosexuality in Southern society and examines the complicated rules of social conduct in this culture. The Hays Code required that the film could not be clear that Brick had sexual desire for his buddy, and thus toned down the original play's critique of homophobia and sexism.

Tennessee Williams himself was unclear about the nature of Brick's feelings for his friend Skipper while developing different versions of the play.

There are two versions of the play, one of which was influenced by director Elia Kazan, who directed the play on Broadway, and another which was performed for the first time in London, England.

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