Elegy to the Memory of an Unfortunate Lady
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The "Elegy to the Memory of an Unfortunate Lady" is a poem in heroic couplets by Alexander Pope, first published in his Works of 1717. Though only 82 lines long, it has become one of Pope's most celebrated pieces.
The work begins with the poet asking what ghost beckons him onward with its "bleeding bosom gor'd"; it is the spirit of an unnamed woman (the "lady" of the title) who acted "a Roman's part" (i.e., committed suicide) due to loving "too well." The speaker eulogizes her sacrifice and then for several lines berates and curses her uncle (who is also her guardian) for being a "mean deserter of [his] brother's blood" and having no compassion on the lady. There follows a description of her foreign burial in a "humble grave" unattended by friends and relatives, which Pope sums up in the striking couplet:
- "A heap of dust alone remains of thee;
- 'Tis all thou art, and all the proud shall be!"
- (lines 73-4)
Readers' reactions to this work have been varied, and some have offered severe criticisms. John Wesley in "Thoughts on the Character and Writings of Mr. Prior" (1782) compared the poet Matthew Prior with Pope, mostly to the detriment of the latter; in this essay, Wesley says of Pope:
- "As elegant a piece as he ever wrote was, 'Verses to the Memory of an Unfortunate Lady.' But was ever anything more exquisitely injudicious? First, what a subject! An eulogium on a self-murderer! And the execution is as bad as the design: It is a commendation not only of the person, but the act!"
A different kind of criticism, one on artistic grounds, is made by Maynard Mack in his important biography Alexander Pope: A Life. Mack acknowledges that there are beautiful passages in the poem, but also finds that it is marked by a certain incoherence between elements and attitudes which are not fully reconciled, such as the idea of Roman suicide vs. that of Christian burial, or the strange curse on the uncle and all his posterity for his unspecified crimes. Johnson also anticipates some of this artistic censure in judging that "the tale [in the poem] is not skilfully told."
Though Mack's critique is effective and arguably well justified, most critics would not deny the emotional impact of Pope's "Elegy," and even Johnson acknowledges that the poem "must be allowed to be written in some parts with vigorous animation, and in others with gentle tenderness." It is frequently included in anthologies that include Pope's best-known poems or those of his era, and the "Elegy's" effective phrasing is often remembered and quoted.
References
- John Butt, ed., The Poems of Alexander Pope: A Reduced Version of the Twickenham Text. New Haven: Yale University Press, 1963, pp. 262-4. ISBN 0300000308. (Used for poem text and date originally published.)
- John Wesley, "Thoughts on the Character and Writings of Mr. Prior" and "Journals" in Wesley's Works as given in "The Master Christian Library" v. 8 (by [Ages Software]).
- Maynard Mack, Alexander Pope: A Life. NY: Norton, 1985, pp. 312-19. ISBN 0393305295.
- Samuel Johnson, "Pope" [partial excerpt from Lives of the Poets], in Donald Greene, ed., Samuel Johnson: The Major Works. Oxford: Oxford University Press, 1984, p. 739. ISBN 0192840428.
External link
- Project Gutenberg e-text of [The Poetical Works of Alexander Pope, Volume 1] (includes the "Elegy").
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