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Faust

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Faust (Latin Faustus) is the protagonist of a popular German tale of a pact with the Devil, assumed to be based on the figure of the German magician and alchemist Dr. Johann Georg Faust (approximately 14801540). It has been used as the basis for many different fictional works, most notably by Christopher Marlowe, Johann Wolfgang von Goethe, Klaus Mann, Thomas Mann, Hector Berlioz, Oscar Wilde and Mikhail Bulgakov.

General plot

The story concerns the fate of a learned gentleman named Faust, who in his quest for forbidden or advanced knowledge of material things, summons the Devil (represented by Mephistopheles, often also referred to as Mephisto), who offers to serve him for a period of time, at the cost of his soul — perhaps meant to represent the loss of his integrity. In the fulfillment of Faust's increasingly frightening desires, Mephistopheles functions almost as a genie. However, at the end of the story, they quarrel over their bargain and Mephistopheles kills Faust.

Origin

While most scholars believe the story of Faust originated in northern Germany, committed to print in 1587 with the publishing of a little chapbook bearing the title Historia von D. Iohan Fausten, other scholars are quick to note that historia is Latin for Geschichte (German word for story or history) and Iohan is Latin for Johann. The choice of languages may imply the existence of an even earlier, independent source in Latin, such as that which Jacob Bidermann used for his treatment of the legend of the Damnation of the Good Dick of Paris, Cenodoxus.

There are other theories of origin for Faust. In the late fourteenth or early fifteenth century a Dutch play attributed to Anna Bijns appeared which may offer a template for the Faust legend. Mary of Nijmeghen dramatizes the story of a young woman convinced by a demon, One-Eyed Moenen, to sell her soul to learn the seven liberal arts. She lives a dissolute life for some time until, moved by a morality play, she regrets her bargain and seeks forgiveness. Unlike Faustus, Mary repents and, after a long penitence, receives her reward in heaven.

In either case, the little chapbook, already in circulation in Northern Germany, found its way to England where it was translated into English by a certain "P. F., Gent[leman]" in 1592 as The Historie of the Damnable Life, and Deserved Death of Doctor Iohn Faustus (unpreserved). It was this work that Christopher Marlowe used for his somewhat more ambitious play, The Tragical History of Doctor Faustus (published c. 1600). Additionally, Marlowe borrowed from Acts and Monuments by John Foxe, on the exchanges between Pope Adrian and a rival pope. Another possible inspiration of Marlowe's version is John Dee (1527-1609), who practised forms of alchemy and science and developed Enochian magic.

Along with Jacob Bidermann's Cenodoxus (published c. 1602), Marlowe's version served to inspire Goethe's later Faust, which may be considered the more definitive classic work.

History

The Faust tale is a variation of the story about a negotiated pact between man and the devil, involving human hubris and diabolic cunning; the oldest extant version is the tale of Theophilus of Adana.

The origin of the protagonist's name and persona remains unclear. It is widely assumed to be based on the figure of the German magician and alchemist Dr. Johann Georg Faust (approximately 14801540), a dubious magician and alchemist probably from Knittlingen, Württemberg, who obtained a degree in divinity from Heidelberg University in 1509. According to one account Faust's poor reputation became legendary while he was in prison, where in exchange for wine he "offered to show a chaplain how to remove hair from his face without a razor; the chaplain provided the wine and Faustus provided the chaplain with a salve of arsenic, which removed not only the hair but the flesh."(Barnett) Martin Luther and Philipp Melanchthon are said to have alleged Faust's companionship with the devil.

However, it is also possible that the name "Faust" (German for "fist") is related to Italian "fausto". Fausto is possibly derived from the Latin adjective "faustus", meaning "auspicious" or "lucky". There may also be a connection with the fustum (Latin for "doctor's staff") of Aesculapius and other doctors of the time, an item likely to have figured prominently in the Legend of the Damnation of the Good Doctor of Paris, Cenodoxus, which also was an influence on Goethe's version.

The name of "Faust" has since become attached to any number of legendary tales about a charlatan alchemist (some claim "astrologer and necromancer"), whose pride, vanity, and vile hucksterism would inevitably lead to his doom. Similarly, the adjective "faustian" has come to denote any acts or constellations that involve human hubris leading to doom.

In Polish folklore there exists a tale with a Pan Twardowski in a role similar to Faust's, which seems to have originated roughly at the same time. It is unclear if and to what extent the two tales have a common origin or influenced each other. The figure of Pan Twardowski is supposedly based on a 16th century German emigrant to Kraków, then the Polish capital, possibly John Dee or Edward Kelley. According to Melanchthon, the historic Johann Faust had studied in Kraków, as well.

Works which retell or allude to the Faust tale

Drama

Opera

Classical Music

Popular Music

Musical \"Faustian pacts\"

Poetry

Prose fiction

Film

Musicals

Anime and manga

Video games

Comic books

Nonfiction

Television

Pen name

"Minister Faust" is a pen name for Canadian writer, broadcaster and activist Malcolm Azania; as Minister Faust, he wrote the science fiction novel and social satire The Coyote Kings of the Space-Age Bachelor Pad.

See also

Sources

Doctor Faustus by Christopher Marlowe, Edited and with and introduction by Sylvan Barnett (1969, Signet Classics)

External links

[A wiki page about Faust]. Includes scene by scene commentary.

 


From Wikipedia, the Free Encyclopedia. Original article here. Support Wikipedia by contributing or donating.
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