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Greil Marcus

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Greil Marcus (2006)
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Greil Marcus (2006)

Greil Marcus (born 1945) is an American author, music journalist and cultural critic. He is notable for producing scholarly and literary essays that place rock music in a much broader framework of culture and politics than is customary in pop music journalism.

Marcus was born in San Francisco. He earned an undergraduate degree in American Studies from the University of California at Berkeley, where he also did graduate work in political science. He has been a rock critic and columnist for Rolling Stone (where he was the first reviews editor, at $30 a week) and other publications, including Creem, the Village Voice and Artforum.

His 1975 book Mystery Train re-defined the parameters of rock music criticism. The book places rock 'n'roll within the context of American cultural archetypes from Moby Dick to Jay Gatsby to Stagger Lee. Marcus's "recognition of the unities in the American imagination that already exist" inspired countless rock scribes.

His next book was equally ambitious: (1989, developed from an earlier essay) stretched his trademark riffing across a millennium of Western civilization. Positing punk rock as a transhistorical cultural phenomenon, Marcus illuminated hidden connections between entities as diverse as the Sex Pistols, the Dadaists, and medieval heretics.

In 1991, Marcus published Dead Elvis, a 1991 collection of writings about Elvis Presley, followed by 1993's Ranters and Crowd Pleasers, an examination of post-punk political pop. In 1997, using old Dylan bootlegs as a typically obscure starting point, Marcus delved once more into the American subconscious with his obsessive Invisible Republic: Bob Dylan's Basement Tapes.

From 1983 to 1989, Marcus was on the Board of Directors for the National Book Critics Circle. He writes the column "Elephant Dancing" for Interview. His new book, The Shape of Things to Come: Prophecy in the American Voice, will be published in the fall of 2006.

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