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Guy Debord

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Guy Debord (December 28, 1931 – November 30, 1994) was a writer, film maker, hypergraphist and founding member of the groups Lettrist International and Situationist International (SI). He was also briefly a member of Socialisme ou Barbarie.

Contents

Life

Debord was born into a bourgeois family in Paris. His father died early, and he was raised by his grandmother in a series of Mediterranean towns. He was a headstrong youth, and after graduating high school he dropped out of the University of Paris where he had been studying law. He became a revolutionary poet, writer and film-maker in the neighborhood of Saint Germain des Pres in the 1950s. In the 1960s he led the Situationist movement, which influenced the Paris uprising of 1968. His book Society of the Spectacle (1967) was a major anti-ideological catalyst for the uprising. In the 1970s Debord disbanded the Situationist movement, and resumed filmmaking with financial backing from the movie mogul Gerard Lebovici. His two best films date from this period: a film version of Society of the Spectacle (1973) and the autobiographical "In Girum Imus Nocte Et Consumimur Igni". After the dissolution of the Situationist movement Debord became increasingly self-isolated, and his writings more pessimistic. His lifelong alcoholism began to take a toll on his health. Apparently to end the suffering from a form of polyneuritis brought on by his excessive drinking, he committed suicide, by shooting himself in the heart, at his cottage in Champot on November 30, 1994.

Works

Guy Debord's best known works are his theoretical books, Society of the Spectacle and [Comments on the Society of the Spectacle]. In addition to these he wrote a number of autobiographical books including "Memoires", "Panegyrique", "Cette Mauvaise Reputation..." and "Considerations sur L'assassinat de Gerard Lebovici". He was also the author of numerous short pieces, sometimes anonymous, for the journals "Potlatch", "Les Levres Nues" and "Internationale Situationniste".

In broad terms, Debord's theories attempted to account for the spiritually debilitating modernisation of both the private and public spheres of everyday life by economic forces during the post-WW2 modernisation of Europe. He rejected as the twin faces of the same problem both the market capitalism of the West and the state capitalism of the Eastern block. Alienation, Debord postulated, could be accounted for by the invasive forces of the 'spectacle' – the seductive nature of capitalism. Debord's analysis developed the notions of "reification" and "fetishism of the commodity" pioneered by Karl Marx and Georg Lukács. This analysis probed the historical, economic and psychological roots of 'the media'. Central to this school of thought was the claim that alienation is more than an emotive description or an aspect of individual psychology: rather, it is a consequence of the mercantile form of social organization which has reached its climax in capitalism.

The Situationist International, a political/artistic movement organized by Debord and his colleagues and represented by a journal of the same name, attempted to create a series of strategies for engaging in class struggle by reclaiming individual autonomy from the spectacle. These strategies, including "Derive" and "Detournement", drew on the traditions of Dada and Surrealism.

The SI initially drew membership from the Lettrists – a post-Surrealist group of writers and poets dedicated to the destruction of bourgeois values by reducing the written word to onomatopoeic syllables. However, the SI broke with the formal aims of the Lettrists and, after subsuming much of their membership, were fully established in their own right by 1959. After an intense period of theoretical analysis, publication and the expulsion of most of its few members, the SI dissolved itself in 1972.

Debord's first book, Memoires, was bound with a sandpaper cover so that it would destroy other books placed next to it.

Debord has been the subject of numerous biographies, works of fiction, artworks and songs, many of which are catalogued in the excellent bibliography by Shigenobu Gonzalves, "Guy Debord ou la Beaute du Negatif".

Films

[Howlings in favor of Sade] [On the passage of some persons through a rather short period of time] [Critique of separation] [The Society of the Spectacle] [Refutation of all judgements whether hostile or in praise which up to now where given on the film 'The Society of the Spectacle'] [We turn in circles in the night and are consumed by fire] This film, which was meant to be Debord's last one, is largely autobiographical but begins with a thorough and pitiless critique of the spectator [Guy Debord - his art and his time]

Bibliography

Works by Debord

Further reading

See also

External links

 

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