Highcolour
Encyclopedia : H : HI : HIG : Highcolour
| Color depth |
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8-bit color 15/16 bit: Highcolor 24/32 bit: Truecolor Web-safe color |
| Related |
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RGB color model Palette |
15 bit highcolour
In 15 bit highcolour, one of the bits of the two bytes is ignored, and the remaining 15 bits are split between the red, green, and blue components of the final colour, like this:
| Bit | 15 | 14 | 13 | 12 | 11 | 10 | 09 | 08 | 07 | 06 | 05 | 04 | 03 | 02 | 01 | 00 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Data | x | R | R | R | R | R | G | G | G | G | G | B | B | B | B | B |
Each of the RGB components has 5 bits associated, giving 2^5 = 32 intensities of each hue. This allows 32768 possible colours for each pixel.
16 bit highcolour
When all 16 bits are used, one of the hues (usually green, more on next paragraph) gets an extra bit, allowing a 64 levels of intensity for that hue, and a total of 65536 available colours. There is a problem with doing this because the green channel can have a different value than the other two. Suppose we wish to encode the 24-bit color rgb(40,40,40) with 16 bits. 40 in binary is 00101000. The red and blue channels will take the 4 most significant bits, and will have a value of 0010, or 2 out of 32. The green channel, with 5 bits of precision, will have a value of 00101, or 5 out of 64. Because of this, the color rgb(40,40,40) will have a slight green tinge when displayed in 16 bits.
The reason why green is usually chosen for the extra bit in 16 bits is because human eye has its highest sensitivity for green shades. You can convince yourself of that by looking at the following picture (note: this will work only if your display is truecolour, e.g. 24 or 32 bits) where we show off dark shades of red, green and blue using 128 levels of intensities for each hue (7 bits); if you're not visually impaired, bring your eyes closer to the screen for a moment: you can easily see the lines of green, while you have difficulties to see the lines of red, and you almost can't distinguish the lines of blue. More rarely, some systems support having the extra bit of colour depth on the red or blue channel, usually in applications where that color is more prevalent (photographing of skin tones or skies, for example).
Other notes
Unlike Planar or Chunky graphics, there is no need for a colour look-up table (CLUT, or palette) when in Highcolour mode, because there are enough available colours per pixel to represent graphics and photos reasonably satisfactorily.See also
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