It Happened Here
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It Happened Here is a 1966 British film set during World War II, about the possible effects of a successful German invasion of the United Kingdom. The film was directed by Kevin Brownlow, who later became a prominent film historian, and Andrew Mollo, who was to become a leading military historian. The film was conceived by Brownlow, then only eighteen, in 1956. He turned to Mollo, a sixteen-year-old history buff, to help him with the design of costumes and sets; Mollo was intrigued by the project, and became his collaborator.
Production and staff
The film was in the making for the next eight years. The Guinness Book of World Records (as of 2003) lists It Happened Here as the film with the longest ever production schedule. It was shot in black and white, giving it a grainy, newsreel feel. It had a cast of hundreds, all volunteers, with only one professional actor among them (Sebastian Shaw).The key role of Pauline, a nurse evacuated from Salisbury to London, was played by Pauline Murray, the Irish wife of a doctor in Wales. According to the IMDb website she was born in Dublin, Ireland, on 30 August 1922 and died on 31 December 1994 in Kingston, England. Her only other film credit is, according to the IMDb, playing the part of "Marion", an Englishwoman, in the award winning 1948 Danish war film [Støt står den danske sømand] (Perilous Expedition) - about Danish sailors in the service of the Allies, which was directed by pioneer Danish film-maker [Bodil Ipsen] and by [Lau Lauritzen]. This movie won the award for "best Danish film" at the 1949 Danish film critics event - Bodil Festen, the Danish "Oscars", held in Copenhagen, Denmark.
According to [DVD Times], Murray worked as a doctor's receptionist, we might speculate that this was possibly for her husband, and she would later describe herself as looking “like a vicious moron”, but as DVD Times puts it "this is unfair and it’s interesting to compare her to other British leading ladies of the time. The early sixties, of course, had seen the ‘Free Cinema’ movement spill over into features and a British New Wave of sorts prompting films such as A Taste of Honey and Poor Cow. By coincidence Tony Richardson’s Woodfall Film Productions (central to the new wave) stumped up the money to allow It Happened Here to be completed on a less amateur level, yet the results are quite different. Murray may share the resilience of a Rita Tushingham or Carol White, but she’s a tougher breed, altogether more human."
In a contemporary review of a showing of the movie at the Little Carnegie theatre at 146 West 57th Street in New York City, published in the New York Times on August 9, 1966, titled "If the Finest Hour Had Failed: Little Carnegie Offers 'It Happened Here' Occupation of England by Nazis Depicted", Bosley Crowther wrote "The acting by unfamiliar people is beautifully natural and restrained, particularly that of Pauline Murray in the principal role. Through her human and subtle generation of an ungrudging sympathy, one becomes involved in her dilemma and is caught up all the way in the despair, uncertainty and terror of her experiences."
Stanley Kubrick, who was intrigued by the project, donated film stock from to Brownlow to help him finish the film. Most of the equipment used in the production was borrowed. Director Tony Richardson helped to pay for the final production. Though the cast was almost entirely amateur, It Happened Here helped to launch the career of its cinematographer, Peter Suschitzky, who went on to work on such films as The Rocky Horror Picture Show and The Empire Strikes Back.
Film content
The film opens with the statement: "The conquest of England was swift and brutal. Due to pressure from the eastern front, German troops are removed from England, and the garrisoning of England is largely carried out by British volunteers". The story focuses on a young Irish nurse, Pauline, who is forcibly evacuated from her village by the Nazis and their collaborators, and is witness to a massacre of the fascist forces by a group of British partisans. She makes her way to London, where she becomes a collaborator herself, only gradually learning about what this really means to the British people. She is witness to friends of hers being taken away for harboring a partisan, the treatment of the Jews under German rule, and, in a climactic section, discovers that she has taken part in a euthanasia program and killed a group of foreign slave laborers who have contracted tuberculosis (portrayed by real patients with tuberculosis). The film ends with Pauline being captured and forced to work for the partisans as they retake England. In a chilling finale, she is witness to them executing a large group of Germans and collaborators, reminiscent of the massacre of a group of English villagers shot by the Nazis in the beginning of the film for failing to evacuate their village.Release and criticism
After eight years of production, the film's initial release was stormy. Many people were upset by the idea that the villains in the story were not normally Nazis but their British collaborators. The film seemed to be saying that fascism can rise anywhere under the right circumstances, and that people everywhere could fall under its spell. Jewish groups protested the inclusion of seven minutes of footage of British fascist leader Colin Jordan, speaking against the Jews and for euthanasia. In response, seven minutes of the film were cut from the original release, though these were restored thirty years later, after Brownlow regained the rights to the film.Bibliography of works referring to "It Happened Here" (from "The Encyclopedia of Fantastic Film and Television" at http://www.eofftv.com/index.shtml)
- Amateur Cine World vol.20 no.4 [August 1956] p.359 [UK] illustrated production notes [Swastika over London]
- Amateur Cine World vol.8 no.18 [29 October 1964] p.577 [UK] review
- Amateur Film Maker vol.2 no.9 [April 1961] p.8 [UK] article
- American Cinematographer vol.38 no.7 [July 1957] p.454 [USA] article
- American Cinematographer vol.47 no.3 [March 1966] p.190 [USA] production notes
- American Cinematographer vol.80 no.9 [September 1999] pp.20, 22, 24 [USA] illustrated article [Revisiting a fictional past by David E. Williams]
- L'Avant-Scène du Cinéma no.66 [January 1967] pp.59-62 [France] credits, synopsis
- Cahiers du Cinéma no.168 [July 1965] p.62 [France] review
- Cahiers du Cinéma no.188 [March 1967] p.64 [France] review
- Cinéaste vol.6 no.4 [January 1975] pp.36-37 [USA] review
- Cinéma no.91 [December 1964] p.32 [France] review
- Cinéma no.113 [February 1967] pp.98-101; 120-122 [France] article; review
- Classic Images no.300 [June 2000] pp.43-44 [USA] video review [Video Views by John Nangle]
- Classic Images no.302 [August 2000] pp.30-31 [USA] video review [Sam Rubin's Classic Clinic by Sam Rubin]
- Eyepiece vol.17 no.5 [October 1996] p.31 [UK] note
- Film vol.15 no.51 [18 December 1960] p.3 [Poland] article
- Film (BFFS) no.32 [July 1962] p.26 [UK] note
- Film (BFFS) no.41 [January 1965] p.28 [UK] review
- Film Daily vol.128 no.152 [8 August 1966] p.15 [USA] review
- Films and Filming vol.11 no.4 [January 1965] p.52 [UK] review
- Films and Filming vol.12 no.10 [July 1966] p.8 [UK] review
- Films and Filming vol.22 [August 1976] pp.38-39 [UK] review [by Derek Elley]
- Films in Review vol.17 no.9 [November 1966] p.592 [USA] review
- Historical Journal of Film, Radio and Television vol.20 no.2 [June 2000] pp.227-251 [USA] illustrated article [Kevin Brownlow's historical films: It Happened Here [1965] and Winstanley [1975] by John C. Tibbetts]
- The Hollywood Reporter vol.191 no.47 [8 August 1966] p.3 [USA] review
- Jeune Cinéma no.19 [December 1966] p.39 [France] review
- Kine Weekly no.3058 [12 May 1966] pp.7; 15 [UK] note; review
- Monthly Film Bulletin vol.33 no.389 [June 1966] p.88 [UK] credits, synopsis, review
- Monthly Film Bulletin vol.43 [June 1976] p.127 [UK] review [by Geoff Brown]
- Motion Picture Herald vol.236 no.7 [17 August 1966] p.579 [USA] review
- The Nation vol.268 [25 January 1999] pp.43-44 [USA] review [Parades gone by by Stuart Klawans]
- Positif no.81 [February 1967] p.63 [France] review
- Sight and Sound vol.34 no.1 [December 1964] p.38 [UK] review
- Sight and Sound vol.34 no.3 [July 1965] p.138 [UK] article
- Sight and Sound vol.4 no.9 [September 1994] p.60 [UK] video review
- Video Watchdog no.64 [2000] pp.49-50 [USA] review [by Rebecca Umland and Sam Umland]
- The Village Voice vol.44 [12 January 1999] p.98 [USA] review [by J. Hoberman]
- British National Film Catalogue vol.4 [June 1967] credits
External links
- [It Happened Here] reviewed at DVD Talk.com
- ["The World Hitler Never Made"]
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