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Jacques Rivette

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Jacques Rivette (born March 1, 1928) is a French film director.

With Jean-Luc Godard, Jacques Rivette is considered to be the most experimental of the French New Wave directors. Like Godard, he had a background in film criticism, but he also loved popular American cinema, especially genre directors such as Robert Aldrich and Frank Tashlin.

Rivette's stories progress in unconventional ways - often following multiple plot lines that can be romantic, mysterious, and comic all at once and employing extensive improvisation. As a result, his films are often extremely long ( the infamous Out 1 clocked in at 13 hrs, although a 4 1/2 hour cut was later produced.) and many of them are rarely seen.

Biography

Jacques Rivette was born in Rouen. In 1950, Rivette joined the Ciné-Club du Quartier Latin, and began to write film criticism for the Gazette du Cinema, a small film journal. During this time, he made his first short films, Aux Quatre Coins (1950), Le Quadrille (1950), and Le Divertissment (1952). In 1952, Rivette began to write for Cahiers du cinéma with several other young critics who would form the core of the French New Wave: Eric Rohmer, Jean-Luc Godard, François Truffaut, and Claude Chabrol. Rivette championed American directors of the 1940s and 1950s, specifically the work of Howard Hawks, John Ford, Nicholas Ray, and Fritz Lang. In 1958, he began to work on his first feature using the borrowed equipment and short ends of film stock. He finished Paris Nous Appartient two years later.

Celine and Julie Go Boating is perhaps Rivette's most famous and best loved work. His other important films include Out 1, L'Amour fou, Paris Nous Appartient, and La Belle Noiseuse.

Filmography

External links

 


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