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James McNeill Whistler

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James Abbott McNeill Whistler (July 14, 1834July 17, 1903) was an American-born, British based painter and etcher.

Whistler was born in Lowell, Massachusetts in the United States. His father, George Washington Whistler, was invited to Russia in 1842 to build a railroad and James learned French in school while there. He also attended the United States Military Academy at West Point for several years. His departure from this academy seems to have been due to a failure in a chemistry exam; as he himself put it later: "If silicon were a gas, I would have been a general one day." In European society, he later presented himself as an impoverished Southern aristocrat, although to what extent he truly sympathized with the Southern cause during the American Civil War remains unclear.

He is best known for his nearly black-and-white full-length portrait of his mother, titled Arrangement in Gray and Black: Portrait of the Artist's Mother, but usually referred to as Whistler's Mother. Though American, Whistler lived and worked mainly in Britain and France.

Whistler's painting The White Girl (1862) caused controversy when exhibited in London and, later, at the Salon des Refusés in Paris. The painting epitomises his theory that art should essentially be concerned with the beautiful arrangement of colors in harmony, not with the accurate portrayal of the natural world, as recommended by the critic John Ruskin.

In 1878 Whistler sued Ruskin for libel after the critic condemned his painting [Nocturne in Black and Gold: The Falling Rocket], writing:

For Mr. Whistler's own sake, no less than for the protection of the purchaser, Sir Coutts Lindsay [founder of the Grosvenor Gallery] ought not to have admitted works into the gallery in which the ill-educated conceit of the artist so nearly approached the aspect of willful imposture. I have seen, and heard, much of Cockney impudence before now; but never expected to hear a ask two hundred guineas for flinging a pot of paint in the public's face
Though suing for one thousand pounds plus costs, Whistler won a mere farthing in nominal damages. The cost of the case, together with huge debts from building his residence, "The White House" in Tite Street, Chelsea, (designed with E.W. Godwin, 1877–8) bankrupted him.

Symphony in White, No. 1: The White Girl ((1862)).
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Symphony in White, No. 1: The White Girl ((1862)).

Friendly with various French artists, he illustrated the book Les Chauves-Souris with Antonio de La Gandara. He also knew the impressionists, notably Edouard Manet, and was a leading figure in the Aesthetic movement.

Whistler shared his lover, Joanna Hiffernan, with Gustave Courbet, as a model. Historians speculate that Courbet's painting of her as L'Origine du monde led to the breakup of the friendship between Whistler and Courbet.

He was well-known for his biting wit, especially in exchanges with his friend Oscar Wilde. Both were figures in the café society of Paris at the turn of the 20th century. Whistler's famous riposte to Wilde's statement, "I wish I'd said that", "You will Oscar, you will", is sometimes attributed to Wilde himself, and may be apocryphal.

Whistler had two main proteges. Wilde is the most famous, but the other was impressionist painter Walter Sickert, who was later suspected of being Jack the Ripper. Whistler had a falling out with both Wilde and Sickert. He successfully sued Sickert in the 1890s over a minor legal issue in France. When Wilde was publicly acknowledged to be a homosexual in 1895, Whistler publicly mocked him. Another significant influence was upon Arthur Frank Mathews, whom Whistler met in Paris in the late 1890s. Mathews took Whistler's Tonalism to San Francisco. spawning a broad use of that technique among turn of the century California artists.

Once, after he had suffered a heart attack, a Dutch newspaper incorrectly reported Whistler dead. He wrote to the newspaper, saying that reading his own obituary induced a "tender glow of health".

Whistler's belief that art should concentrate on the arrangement of colors led many critics to see his work as a precursor of abstract art.

Detail of Arrangement in Grey and Black, No 1 (Whistler's Mother) (1871).
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Detail of Arrangement in Grey and Black, No 1 (Whistler's Mother) (1871).

A gifted engraver, Whistler produced numerous etchings, lithographs and dry-points. His lithographs, drawings on the stone in many instances, and in others his drawings on "lithographie paper", are perhaps half as numerous as his etchings. Some of the lithographs are of figures slightly draped; two or three of the very finest are of Thames subjects — including a "nocturne" at Limehouse; while others depict the Faubourg St Germain in Paris, and Georgian churches in Soho and Bloomsbury in London.

He is buried at St Nicholas's Church in Chiswick, London.

Selected works

Image:Whistler James Portrait of Whistler with Hat (1858).jpg|Portrait of Whistler with Hat (1858) Image:Whistler James La Vieille aux loques 1858.jpg|La Vieille aux loques (1858) Image:James Abbot McNeill Whistler 001.jpg|At the Piano (1858-1859) Image:Whistler James Brown and Silver Old Battersea Bridge 1859.jpg|Brown and Silver Old Battersea Bridge (1859) Image:Whistler - Drawing Jo.jpg|Etching of Whistler's beloved, Joanna Hiffernan (c.1860) Image:Whistler James Harmony in Green and Rose The Music Room 1861.jpg|Harmony in Green and Rose The Music Room (1861) Image:Whistler James Grey and Silver Battersea Beach 1863.jpg|Grey and Silver Battersea Beach (1863) Image:Whistler James Symphony in White no 1 (The White Girl) 1862.jpg|Symphony in White no 1 (The White Girl) (1862) Image:James Abbot McNeill Whistler 008.jpg|La Princesse du Pay de la Porcelaine (1863-1864) Image:James Abbot McNeill Whistler 013.jpg|Symphonie in White No. 2, Girls in White (1864) Image:James Abbot McNeill Whistler 007.jpg|Harmony in blue and silver: Trouville (1865) Image:Whistler James The Beach at Selsey Bill 1865.jpg|The Beach at Selsey Bill (1865) Image:Whistler James Symphony in White No 3 1866.jpg|Symphony in White No 3 (1866) Image:Whistler James Nocturne in Blue and Gold Valparaiso Bay 1866.jpg|Nocturne in Blue and Gold: Valparaiso Bay (1866) Image:Whistler James Variations in Pink And Grey Chelsea 1871.jpg|Variations in Pink And Grey Chelsea (1871) Image:Whistler James Arrangement in Grey and Black 1871.jpg|Arrangement in Grey and Black: Portrait of the Artist's Mother (1871) Image:Whistler James Symphony in Grey and Green The Ocean 1866-72.jpg|Symphony in Grey and Green The Ocean (1866-72) Image:James Abbot McNeill Whistler 002.jpg|Arrangement in Gray, Portrait of the Artist (Selfportrait) (1872) Image:James Abbot McNeill Whistler 003.jpg|Arrangement in Gray and Black no 2 (Portrait of Thomas Carlyle) (1873) Image:Whistler James Harmony in Grey and Green Miss Cicely Alexander 1873.jpg|Harmony in Grey and Green Miss Cicely Alexander (1873) Image:Whistler James Harmony in Yellow and Gold The Gold Girl Connie Gilchrist 1873.jpg|Harmony in Yellow and Gold The Gold Girl (Connie Gilchrist) (1873) Image:Whistler James Arrangement in Gray and Black No2 1873.jpg|Arrangement in Gray and Black No2 (1873) Image:James Abbot McNeill Whistler 010.jpg|Nocturne in Gray and Gold, Westminster Bridge (c. 1871-1874) Image:James Abbot McNeill Whistler 012.jpg|Nocturne in Black and Gold, The falling Rocket (1874) Image:James Abbot McNeill Whistler 006.jpg|Nocturne in Blue and Gold: Old Battersea Bridge (c. 1872-1875) Image:Whistler James Chelsea Wharf Grey and Silver 1875.jpg|Chelsea Wharf Grey and Silver (1875) Image:Whistler Grau und Gold - Schnee in Chelsea.jpg|Grey and Gold - Snow in Chelsea (1876) Image:Whistler James Nocturne Trafalgar Square Chelsea Snow 1876.jpg|Nocturne Trafalgar Square Chelsea Snow (1876) Image:Whistler James Arrangement in White and Black 1876.jpg|Arrangement in White and Black (1876) Image:Whistler James Arrangement in Yellow and Grey Effie Deans 1877.jpg|Arrangement in Yellow and Grey Effie Deans (1877) Image:Whistler James Venetian Scene 1879.jpg|Venetian Scene (1879) Image:Whistler James The Staircase Note in Red 1880.jpg|The Staircase Note in Red (1880) Image:James Abbot McNeill Whistler 011.jpg|Nocturne in Pink and Grey, Portrait of Lady Meux (1881-1882) Image:James Abbot McNeill Whistler 004.jpg|Arrangement in light pink and black, portrait of Théodore Duret (1883) Image:Whistler James An Orange Note 1884.jpg|An Orange Note (1884) Image:Whistler James Pink Note The Novelette 1884.jpg|Pink Note The Novelette (1884) Image:Whistler James Mother of Pearl and Silver The Andalusian 1888-1900.jpg|Mother of Pearl and Silver The Andalusian (1888-1900)

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