Jane Eyre
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- This article is about Jane Eyre, the novel. For other versions, see Jane Eyre (musical) or Jane Eyre (opera)
Charlotte Brontë first published Jane Eyre under the pseudonym Currer Bell, and it was an instant success, earning the praise of many reviewers, including William Makepeace Thackeray, to whom Charlotte Brontë dedicated her second edition.
The story is that of a governess, Jane Eyre. Despite her plainness, she captures the heart of her enigmatic employer, Edward Rochester, but soon discovers he has a secret that could jeopardize any hope of happiness between them.
Plot summary
The narrator and main character, Jane Eyre, is a poor orphan with a joyless life as a child in the opening chapters. Her wealthy aunt, the widowed Mrs. Reed, have agreed to take care of Jane after her parents' deaths. However, she and her children are unkind to Jane, never failing to emphasize how she is below them. Jane's plain, intelligent, and passionate nature, combined her occasional "visions" or vivid dreams, certainly does not help to secure her relatives' affections.
When tensions escalate, Jane is sent to Lowood, a boarding school run by the inhumane Mr. Brocklehurst. She is soon is branded a liar, which hurts her even more than malnutrition and cold, but Miss Temple, the teacher Jane admires, later clears her of these charges. She also finds her only friend in Helen Burns, who is very learned and intelligent, has a patient and philosophical mind, and believes firmly in God. She is also hated by Mr. Brocklehurst who claims she is a bad child because she is imcompetent and often late. She accepts these faults, and teaches Jane to do so in order to improve her fiery temper and character. While Jane responds to the injustices of the world with a barely contained burning temper, Helen accepts earthly sufferings, including her own premature death from consumption (TB), with calmness and a martyr-like attitude.
After a serious typhoid fever epidemic occurring simultaneously with Helen's death, the conditions in Lowood improve as Jane slowly finds her place in the institution, eventually becoming a teacher. When Miss Temple marries and moves away, Jane decides to change careers. She is desperate to see the world beyond Lowood and puts out an advertisement in the local paper, soon securing a position as governess in Thornfield Hall.
At first, life is very quiet with Jane teaching a young French girl, Adélè, and spending time with the old housekeeper, Mrs. Fairfax. But everything changes when the owner of the manor—brooding, Byronic, fiery Edward Rochester—arrives. Though on rough footing at first, he and Jane slowly become acquainted with and respect each other. Mr. Rochester creates an elaborate set-up by seemingly courting a proud local beauty named Miss Blanche Ingram until Jane cannot bear it any longer. Mr. Rochester then admits that his courtship of Miss Ingram was a ruse to arouse Jane's jealousy and that it is she whom he truly loves. His feelings are returned, and they become engaged despite their differences in social status, age, and experience. Jane is young and innocent at nineteen years old, while Rochester is nearly forty—worldly, and thoroughly disillusioned with life and religion. Jane is determined to stay modest, plain, and virtuous, and Rochester is almost equally determined to offer her expensive presents and finery. The former has the moral high ground, though, and the weeks before the wedding are spent mostly as she wishes.
The wedding ceremony is interrupted by a lawyer, who declares that Mr. Rochester is already married. His mad wife Bertha Mason, a Creole from Jamaica whom he had to marry to secure an estate, resides in the attic of Thornfield Hall, and her presence explains all sorts of mysterious events that have taken place during Jane's stay in Thornfield. Mr. Rochester offers to take her abroad to live with him, but Jane is not willing to sacrifice her morals or self-respect for earthly pleasures, let alone accept the status of mistress, even though Rochester insists Jane will break his heart if she refuses him. Torn between her love for Rochester and her own integrity and religion, Jane flees Thornfield in the middle of the night, with very little money and nowhere to go.
She wanders for a few days and finally finds safe haven, under an alias, with a vicar, St. John Rivers, and his two sisters. They bond, and in due course Jane is given a position as village schoolteacher. Later, St. John learns Jane's true identity, and, in an incredulous coincidence, it transpires that he and his sisters are actually her cousins. Additionally, Jane conveniently inherits a large sum of money from an uncle who lived abroad. The cousins are left without inheritance because of an old family feud, but she promptly splits the money so that all four of them are now financially secure. This gives St. John the means to pursue his true calling, to go to India as a missionary, but not without proposing marriage to Jane in order for her to accompany him. Though this is her opportunity to choose a husband of high morals, she knows St. John does not truly love her. Counter to her protest, he insists they are to be married if they are to go to India. Jane nearly succumbs to his proposal, but at the last minute, in another supernatural fashion, she hears Rochester's voice calling her in the wind, and feels the need to respond to it.
Jane immediately travels to Thornfield Hall, only to find it abandoned and ruined by a devastating fire. She learns that Mr. Rochester lost a hand, an eye, and the sight of the other eye as a result of trying to unsuccessfully save Bertha from the flames, of which she was the cause. Upon acquiring the knowledge of his location, at a cabin called Ferndean, she sets off for it. She and Mr. Rochester reconcile and marry, for he has adopted love and religion. She writes in the perspective of ten years after their marriage, during which she gave birth to a son and Mr. Rochester gained part of his sight back. Jane's long quest to find love and a sense of belonging is finally fulfilled. The book ends with a look at the noble missionary death of St. John Rivers far away in India, most likely representing the righteousness of the path Jane did not take.
Background
The early sequences, in which the orphaned Jane is sent to Lowood, a harsh boarding school, and witnesses the death of a close friend, Helen Burns, are based on the author's own experiences: two of her sisters died in childhood as a result of the conditions at their school, the Clergy Daughters School at Cowan Bridge. These chapters contain what is considered by many to be some of the most beautiful rhetoric in the English language.
Criticism
Some speculate that Rochester's wife, Bertha, the daughter of a Jamaican planter, is emphatically characterised as being in an advanced stage of syphilitic infection: e.g. "her vices sprang up fast and rank," "her excesses had prematurely developed the germs of insanity," etc. This would possibly entail that Rochester was also syphilitic, a train of logical consequences which Brontë fails to follow to the conclusion . However, Rochester tells Jane that he was tricked into marrying Bertha by her family, who wanted to get rid of her because she was insane. If Bertha was indeed syphilitic, she may have contracted the disease before she met Rochester.However, others think that the "mad wife" is merely a plot contrivance, in place to force Jane to make a very difficult decision and to teach her a valuable lesson about herself ("I have no family or friends, who cares what happens to me? Who cares if I breach moral and ethics? — I care. I matter.") . Bertha Mason is more a powerful symbol than an actual medical case. Also, it is clearly stated that Bertha was not faithful in her marriage .
Wide Sargasso Sea
Perhaps the harshest critique of Jane Eyre comes from a proposed "prequel" Wide Sargasso Sea (1966), by Jean Rhys, which places Bertha Mason at the center of the story.In this novel, Bertha, or Antoinette, is driven insane by Mr. Rochester's rejection of both her and her Creole heritage.
Wide Sargasso Sea was also adapted as a play by Melbourne theatre collective Whistling in the Theatre.
Related works
The relationship between Rochester and Bertha also inspired Daphne du Maurier's novel Rebecca as well as the famous film adaptation, Rebecca starring Lawrence Olivier.Another, more recent, use of Jane Eyre has been in The Eyre Affair by Jasper Fforde. In 2002, Sharon Shinn published a science fiction novel adapted from the plot of Jane Eyre, Jenna Starborn.
The novel's plot also served as the basis for the (1943) horror movie I Walked with a Zombie.
Film and television adaptations
Jane Eyre has engendered numerous film and television adaptations [link]:
Notable film versions
- 1996: Jane Eyre, directed by Franco Zeffirelli and starring William Hurt as Rochester, Charlotte Gainsbourg as Jane, supermodel Elle Macpherson as Blanche Ingram, Anna Paquin as the young Jane, and Geraldine Chaplin as Miss Scatcherd.
- 1997: Jane Eyre, with Ciaran Hinds as Rochester and Samantha Morton as Jane.
- 1944: Jane Eyre, with a screenplay by John Houseman and Aldous Huxley. It features Orson Welles as Rochester, Joan Fontaine as Jane and a very young (and uncredited) Elizabeth Taylor as Helen Burns.
Notable television versions
- 2006: Jane Eyre, with Toby Stephens as Rochester, Ruth Wilson as Jane, and Georgie Henley as Young Jane.
- 1983: Jane Eyre, with Timothy Dalton as Rochester and Zelah Clarke as Jane.
- 1973: Jane Eyre, with Michael Jayston as Rochester and Sorcha Cusack as Jane. This version is to be released, for the first time since its original broadcast, on DVD in June 2006.
- 1970: Jane Eyre, starring George C. Scott as Rochester and Susannah York as Jane.
Additional versions
- The first Hollywood talkie version of the novel was released in 1934. It starred Colin Clive and Virginia Bruce.
- It was released in 1956 in Hong Kong as Mei gu or The Orphan Girl.
- It was also released in Mexico first in 1963 as El Secreto and later in 1978 as Ardiente Secreto.
- A number of adaptations appeared on British and American television in 1946, 1956, 1961, and 1963.
- A 1952 live television version was presented by "Westinghouse Studio One (Summer Theatre)" starring Kevin McCarthy as Mr. Rochester.
- A musical version with a book by John Caird and music and lyrics by Paul Gordon opened at the Brooks Atkinson Theatre on December 10, 2000. It closed on June 10, 2001.
Quotes
- "I am glad you are no relation of mine. I will never call you aunt as long as I live." (Ch 4)
- "Do you think I am an automaton? A machine without feelings? ...Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong -- I have as much soul as you -- and full as much heart... I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirit -- just as if both had passed through the grave, and we stood at God's feet, equal -- as we are" (252)
- "Women are supposed to be very calm generally; but women feel just as men feel; they need exercise for their faculties and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex." (Ch 12)
- "I think he was swearing, but am not certain; however, he was pronouncing some formula which prevented him from replying to me directly." (Ch 12)
- "It’s a mere rehearsal of Much Ado about Nothing. Ladies, keep off, or I shall wax dangerous.'" (Rochester, Ch 20)
- "Because," he said, "I sometimes have a queer feeling with regard to you--especially when you are near to me, as now: it is as if I have a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land, come broad between us, I am afraid that cord of communion will be snapped; and then I've a nervous notion I should take to bleeding inwardly." (Rochester, Ch 23)
- "My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness" (Rochester, Ch 23)
- "I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself." (Ch 27)
- "'I scorn your idea of love,' I could not help saying, as I rose up and stood before him, leaning my back against the rock. 'I scorn the counterfeit sentiment you offer; yes, St. John, and I scorn you when you offer it.'" (Ch 34)
- "I recalled the voice I had heard; again I questioned whence it came, as vainly as before; it seemed in me--not in the external world. I asked, was it a mere nervous impression--a delusion? I could not conceive or believe: it was more like an inspiration." (Ch 36)
- "Reader, I married him." (Ch 38)
External links
- [Brontë Parsonage Museum Website]
- [News magazine of the Brontë Parsonage Museum]
- [Jane Eyre message board]
- [Literary Encyclopedia]
- [The Victorian Web]
- [Defining Romanticism: The Implications of Nature Personified as Female in Mary Shelley's Frankenstein and Charlotte Bronte's Jane Eyre]
- [Complete Summary]
- [Jane Eyre] – complete book in HTML one page for each chapter.
- [Bronte Sisters Links: the biggest online link-database regarding the Bronte Sisters, their lives and works]
- [News and information about the Brontës using a blog format.]
- [Brontëana: Brontë Studies Weblog]
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