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Kilroy was here

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This article is about the popular culture expression. For the Styx album, see Kilroy Was Here (album).
Typical KILROY WAS HERE graffiti
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Typical KILROY WAS HERE graffiti

Kilroy was here is an American popular culture expression, often seen in graffiti. Its origins are indistinct, but recognition of it and the distinctive doodle of "Kilroy" peeking over a wall is almost ubiquitous among U.S. residents who lived during World War II.

The same doodle also appears in other cultures, but the character peeping over the wall is not named Kilroy but Foo. Australian children often write "Foo was here" under the illustration, a habit possibly inherited from the United Kingdom, where such graffiti are known as "chads". In Chile, the graphic is known as a "sapo" [frog] this may refer to the character's peeping, a habit associated with frogs due to their protruding eyes.

Explanations of origin

The phrase appears to have originated through World War II United States servicemen, who would draw the doodle and the text "Kilroy Was Here" on the walls or elsewhere they were stationed, encamped, etc. Brewer's Dictionary of Phrase and Fable notes that it was particularly associated with the Air Transport Command, at least when observed in the UK.

While the origins of the slogan are obscure, those of the cartoon are less so. It almost certainly originated as "Chad", in the UK before the war; a creation of the cartoonist George Edward Chatterton. Presumably, the two merged together during the 1940s, with the vast influx of Americans into Britain. The "Chad" cartoon was very popular, being found across the UK with the slogan "What, no …?" or "Wot, no …?" underneath, as a satirical comment on shortages and rationing. (One sighting, on the side of a British 1st Airborne Division glider in Operation Market Garden, had the plaintive complaint "Wot, no engines?")

One theory identifies James J. Kilroy, an American shipyard inspector, as the man behind the signature. During World War II he worked at the Bethlehem Steel Shipyard in Quincy, Massachusetts, where he claimed to have used the phrase to mark rivets he had checked. The builders, whose rivets J. J. Kilroy was counting, were paid depending on the number of rivets they put in. They found that they could erase the chalk marks J. J. Kilroy made and get paid double. J.J. Kilroy decided to use a yellow crayon, which was harder to erase; the cheating stopped. At the time, ships were being sent out before they had been painted, so when sealed areas were opened for maintenance, soldiers found an unexplained name scrawled. Thousands of servicemen may have potentially seen his slogan on the outgoing ships and Kilroy's omnipresence and inscrutability sparked the legend. Afterwards, servicemen could have begun placing the slogan on different places and especially in new captured areas or landings. At some later point, the graffiti (Chad) and slogan (Kilroy was here) must have merged.(Michael Quinion. 3 April 1999.[link])

Author Charles Panati says, “The mischievous face and the phrase became a national joke”. He continued to say, "The outrageousness of the graffiti was not so much what it said, but where it turned up."

Kilroy was the most popular of his type in World War II, as well as today. Clem (Canadian), Overby (Los Angeles- late 1960s), Chad (British- WW II), and Mr. Foo (British- WW II) never reached the popularity Kilroy did. The ‘major’ Kilroy graffito fad ended in the 1950s, but today people all over the world scribble ‘Kilroy was here’ in schools, trains, and other similar public areas.

The New York Times reported this as the origin in 1946, with the addition that Kilroy had marked the ships themselves as they were being built — so, at a later date, the phrase would be found chalked in places that no graffiti-artist could have reached (inside sealed hull spaces, for example), which then fed the mythical significance of the phrase — after all, if Kilroy could leave his mark there, who knew what else he could do?

Legends

There are many legends attached to the Kilroy graffiti. One states that Hitler himself believed that Kilroy was some kind of American super spy because the graffiti kept turning up in secure Nazi installations, presumably having been actually brought on captured Allied military equipment. Another states that Stalin was the first to enter an outhouse especially built for the leaders at the Potsdam conference. Upon exiting, Stalin asked an aide, "Who is this Kilroy?" Another legend states that a German officer, having seen frequent "Kilroys" posted in different cities, told all of his men that if they happened to come across a "Kilroy" he wanted to question him personally.

Engraving of Kilroy on the WWII Memorial in Washington DC
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Engraving of Kilroy on the WWII Memorial in Washington DC

The graffiti is supposedly located on various significant and/or difficult-to-reach places such as on the torch of the Statue of Liberty, on the Marco Polo Bridge in China, in huts in Polynesia, on a high girder on the George Washington Bridge in New York, at the peak of Mt. Everest, on the underside of the Arc de Triomphe, scribbled in the dust on the moon, inside a restricted outhouse at the Potsdam conference, in WWII pillboxes scattered around Germany, around the sewers of Paris, and, in tribute to its origin, in the WWII Memorial in Washington D.C.

The Transit Company of America held a competition in 1946 offering a real trolley car to the man who could verify he was the "real Kilroy". J. J. Kilroy brought his co-workers with him to prove that he was undeniably the true Kilroy. The other forty or so men who showed up were not able to establish they were the "real" Kilroy. Kilroy gave his prize to his nine children to play with in their front yard.

Kilroy in popular culture

Kilroy schematic
Seriemagasinet No. 1/1948, featuring Kilroy.
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Seriemagasinet No. 1/1948, featuring Kilroy.

Alternate Interpretations

The People's Almanac, by David Wallechinsky and Irving Wallace (1975) suggests an alternate interpretation of Kilroy:
A Freudian Kilroy theory hypothesizes that Kilroy is a modern version of the ancient Oedipal legend. Kilroy, according to this theory, actually means "kill roi" (roi is the French word for king); king and father are identical, so Kilroy is an expression of the Oedipal urge to kill one's father. The accompanying urge to marry one's mother is symbolized by Kilroy's appearance in inaccessible, taboo places.

External links

 


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