La Traviata
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La traviata, an opera in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, takes as its basis the novel La dame aux Camélias by Alexandre Dumas, fils, published in 1848. First performance: Teatro la Fenice, Venice, March 6, 1853. The title means literally The Woman who Strayed, or perhaps more poetically The Lost One.
The opera is based on the same novel that also forms the basis of various versions of the movie Camille. The films Pretty Woman and Moulin Rouge! also use the story as a base.
Plot
- Place: Paris and vicinity.
- Time: about 1700. (Many modern producers of La traviata set the opera in the 19th century.)
- Flora Bervoix, (mezzo-soprano)
- Annina, (soprano)
- Gastone, (tenor)
- Barone Douphol, (baritone)
- Marchese d'Obigny, (bass)
- Dottor Grenvil, (bass)
- Giuseppe, (tenor)
- Domestico di Flora, (bass)
- Commissionario, (bass)
A few months later, Alfredo and Violetta together lead an idyllic existence in a country house outside of Paris — Violetta has fallen in love with Alfredo in spite of herself. She has completely abandoned her former life. When Alfredo discovers, however, that Violetta has sold her belongings to support this country life, he rushes to Paris to rectify the situation. In Alfredo's absence, his father comes to Violetta and tells her that their relationship has destroyed Alfredo's future and the fortunes of Alfredo's sister (Violetta's reputation as a courtesan has compromised the Germont name). With growing remorse she listens to the pathetic words of the older Germont and, through his influence, leaves Alfredo, giving as explanation a desire for her old, wild existence.
In order to overcome her grief, Violetta plunges more deeply than ever into dissipation. Some time later, Alfredo confronts Violetta at a party and disgraces her before the other guests by throwing money at her — money he says he owes her for services rendered while they lived together in the country. (He does not know of his father's visit and believes that Violetta has left him for another man.) Violetta, overcome with sickness and sorrow, faints. Germont enters and chastises Alfredo for treating a woman so disrespectfully. Baron Douphol, Violetta's escort, challenges Alfredo to a duel. Violetta regains consciousness and pleads her love for Alfredo.
A few months after the party, tuberculosis (or "consumption" in 19th-century opera vernacular) has confined Violetta to her bed. Old Germont sends her a letter stating that he has informed Alfredo of the sacrifice Violetta made for Alfredo and his sister. Alfredo (returning from exile after wounding the Baron in their duel), hastens to her side, understanding at last that Violetta had sacrificed herself for his sake, and begs her forgiveness. She dies in his arms.
Structure
ACT I
Violetta's home. Ensemble of the guests.- Drinking song -- Brindisi, Alfredo and Violetta: Libiamo ne' lieti calici -- "Let's drink from the happy goblets"
- Alfredo's profession of love: Di quell'amor ch'é palpito -- "In that throbbing love"
- Chorus: Si ridesta in ciel l'aurora -- "The dawn reawakens in the sky"
- Scene and aria of Violetta: É strano -- "It is strange"
- Ah, forse lui -- "Perhaps he is the one" and Sempre libera -- "Always free"
ACT II
At a country house.- Alfredo's scene: Lunge da lei per me non v'ha diletto -- "Far from her there's no joy"
- Aria: De miei bollenti spiriti -- "Of my ardent spirit"
- Scene and duet, Violetta, Germont's father: Mademoiselle Valery?
- Pura siccome un angelo, Iddio mi dié una figlia -- "Pure as an angel, God gave me a daughter"
- Scene, Violetta, Alfredo: Che fai? -- "What are you doing?"
- Scene of Alfredo and aria of Germont: Di Provenza il mar, il suol -- "Of Provence the sea, the land"
ACT III
(Sometimes played as the second scene of Act II.) At Flora's house.- Scene and masked gipsy chorus: Noi siamo zingarelle -- "We are gipsy girls"
- Chorus of bull-fighters: Di Madride noi siam mattadori -- "From Madrid we are matadors"
- Scene between Violetta, Germont and Alfredo. Violetta: Questa donna conoscete? -- "Do you know this woman?"
ACT IV
Bedchamber of Violetta.- Scene between Violetta, Annina and physician. Violetta reads the letter of Germont. Addio del passato -- "Farewell! past days of joy"
- Scene and duet, Violetta, Alfredo: Oh mia Violetta, oh joy -- "Oh, my Violetta, oh joy" and Parigi, o cara, noi lasceremo -- "Paris, oh dear one, we will leave"
- Aria, Violetta: Gran Dio! non posso -- "Great God, I cannot"
- Finale, Germont, Violetta, Alfredo, with Violetta's death.
Lyrics
- Atto Primo/Un Di Felice, Eterea
Mi balenaste innante,
E da quel dì tremante
Vissi d'ignoto amor.
Di quell'amor ch'e palpito
Dell'universo, Dell'universo intero,
Misterioso, Misterioso altero,
Croce e, Croce e delizia
Croce e delizia, delizia al cor.
Misterioso, Misterioso altero,
Croce e delizia al cor.
Croce e delizia al cor.
Delizia, delizia al cor.
Delizia, delizia al cor.
Croce e delizia, delizia al cor
Croce e delizia al cor.
External links
- [Free eBook: Ah! Fors' é Lui] at Project Gutenberg: A public domain mp3 recording.
- [Vocal score at VARIATIONS]: Public domain vocal score (scanned from a 1899 edition)
- [Orchestra score at VARIATIONS]: Public domain orchestra score (scanned from an old edition)
References
- Plot adapted from The Opera Goer's Complete Guide by Leo Melitz, 1921 version.
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