Lamia (mythology)
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- For other uses, see Lamia (disambiguation).
On the fringes of Greek mythology Lamia was one of the monstrous bogeys that terrified children and the naive, like her daughter Scylla, or Empousa. The Lamia had the head and torso of a woman, but the lower half of her body was serpentine. Laimos is the gullet, and she had a cannibal appetite for children that could be interpreted as a dangerous erotic appetite for men: harlots might be named "Lamia", Karl Kerényi noted (Kerényi 1951 p 40), and the connection between Demetrius of Phaleron and the musically talented courtesan named Lamia was notorious: Plutarch, Life of Demetrius xxv.9, Aelian, Varia Historia XII.xvii.1, and Athenaeus, Deipnosophistae III.lix.29. .
Lamia's parentage
Diodorus Siculus (xx.41) made of Lamia the daughter of Poseidon and Lybie—no more than a personification of Libya—and a queen of Libya herself, whom Zeus loved, Aristophanes tells (in Peace). Hera either turned her into a monster—if she was not already one of Hecate's brood—or when Hera killed all of Lamia's children save Scylla, the grief turned her into a monster. Lamia had the gift to be able to take her eyes out and then put them back in, the mark of a Sibyl possessed with the second sight: compare the Graeae and the Norns. A paternalistic embroidery on this archaic mytheme is that this gift was the gift of Zeus, and by a further explanatory improvisation, that Lamia was "cursed" with the inability to close her eyes so that she would always obsess over the image of her dead children.Horace, in Ars Poetica (l.340) imagined the impossibility of retrieving the living children she had engulfed. Roman mothers used to threaten their children with this story; some such nurse's tale of Lamia in her tower was referred to by Tertullian (Against Valentinius ch.iii).
Further passing references to Lamia were made by Plutarch, (On Curiosity 2); Strabo (i.II.8); and Aristotle, Ethicsvii.5.
Late visions of Lamia
Many lurid details were conjured up by later writers, assembled in the Suda, expanded upon in Renaissance poetry and collected in Bulfinch and in Brewer's Dictionary of Phrase and Fable: Lamia was envious of other mothers and ate their children. In Renaissance emblems she had the body of a serpent and breasts and head of a woman, like the image of hypocrisy. She was usually female, but Aristophanes suggests her hermaphroditic phallus, perhaps simply for monstrosity's sake (Peace l..758). Blood-drinking female vampire-spirits were called Lamiai: compare the medieval succubus.The 19th century editors of Lempriere's Dictionary were of the opinion that Lamia is the model for Lamiae -- small African monsters whose hisses were pleasing but who destroyed children -- and that these are what are today called lemures. Modern mythographers find no connection.
John Keats described the Lamia in Lamia and Other Poems, presenting a description of various colors of Lamia that was based on Burton's, in The Anatomy of Melancholy.
More recently, the Lamia surfaced in popular culture with an appearance in The Lamb Lies Down on Broadway, the rock opera by Genesis. A song called "The Lamia" describes three snakes with female faces devouring the protagonist in a ritualistic fashion. The lyrics, composed by Peter Gabriel, explore the disturbing sexual connotations of the Lamia's cannibalism in a surprisingly tender fashion.
Modern folk traditions
In the modern Greek folk tradition, the Lamia has survived and retained many of her traditional attributes. John Cuthbert Lawson comments, "....the chief characteristics of the Lamiae, apart from their thirst for blood, are their uncleanliness, their gluttony, and their stupidity" (Lawson, Modern Greek Folklore and Ancient Greek Religion: A Study in Survivals). The contemporary Greek proverb, "τίς Λάμιας τά σαρώματα" ("the Lamia's sweeping"), epitomises slovenliness; and the common expression, "τό παιδί τό ἔπνιξε ἠ Λάμια" ("the child has been strangled by the Lamia"), explains the sudden death of young children (ibid). As in Bulgarian folklore and Basque legends, the Lamia in Greece is often associated with caves and damp places.Lamia in Popular Culture
- Lamia's kind of creature was portrayed as a major villain in Hercules: The Legendary Journeys known as the "she-demon".
- In , Maggie Moschet (a spoiled royal lamia who could manipulate time) fights the player(s) along with her husband Jack Moschet (a furry Gigas that manipulated ice) as a tag-team boss in Moschet Manor. They do not seem evil, they are merely trying to exact revenge on the player(s) (who has slain all of their Tonberry Chefs). Still, they are hostile, and are consciously trying to kill the protagonist(s). Maggie must be incapacitated first, otherwise she will continue to heal her husband just before he is KO'd, and debuff the player(s) with her Slow spells.
- In Flyff, lamias known as the Vice and WormVeduques are spawned in Mas Dungeon. There is also a massive one known as SerusUriel. She is responsible for the recent contamination of the cave, which led to mutants that now prey on humans who enter there. Once she spots you, she chases you down with breakneck speed, making escaping the fight close to impossible.
References
- Robert Graves, 1960. The Greek Myths 61.
- Karl Kerényi, 1951. The Gods of the Greeks pp 38–40. Edition currently in print is Thames & Hudson reissue, February 1980, ISBN 0500270481.
External links
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- In Flyff, lamias known as the Vice and WormVeduques are spawned in Mas Dungeon. There is also a massive one known as SerusUriel. She is responsible for the recent contamination of the cave, which led to mutants that now prey on humans who enter there. Once she spots you, she chases you down with breakneck speed, making escaping the fight close to impossible.