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Land of the Dead

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Land of the Dead (2005) (earlier script titles: Dead City, Dead Reckoning) is the fourth in George A. Romero's "Dead Series" started by Night of the Living Dead, which continued with the sequels Dawn of the Dead and Day of the Dead. Romero also used the Universal logo of the 1930's as a way of paying tribute to the classic Universal horror films of that period.

It is the first movie in the series to receive an MPAA rating for its theatrical release. Romero had said for years that he would film two versions; an R rated cut for the theatres and first DVD, and an unrated cut for the second DVD release. Both DVDs were released in the US on October 18 2005. Rumors suggested that Romero shot alternate, less explicit, gore scenes for the theatrical release, but this is not entirely accurate. The more extreme instances of gore were obscured by foreground elements filmed on bluescreen, so that these overlayed elements could be easily removed for the unrated DVD. Other ways to obscure blood in order to get an R-rating were achieved by simply trimming the grislier shots by a few seconds, or by digitally repainting blood so that it is more black than red, or digitally painting the blood out altogether. The Canadian provinces of British Columbia, Manitoba, and Ontario gave both the theatrical version and DVD version a rating of 18A. In the UK the BBFC gave it a 15 certificate for the theatrical version and an 18 for the unrated version.

The script for the movie was released on the Internet, but was removed after Universal Studios took action.

Plot

Some time ago, an unimaginable catastrophe destroyed much of human civilization. The recently dead, for an unknown reason, had returned to life and taken the lives of their living brothers and sisters. These "zombies" multiplied rapidly by adding to their ranks with every new victim. Many years later, the dead greatly outnumber the living. The still-living in the vicinity have fled to the city of Pittsburgh, Pennsylvania, where a feudal-like government has taken over. Bordered on three sides by a large river and on the other by an electric barricade, the city has become a sanctuary against the undead threat. Fiddler's Green, the center of this fortress city, is where the rich and powerful live in luxury while the rest of humanity live in poverty around them. Paul Kaufman (Dennis Hopper), a tyrannical businessman rules with an iron fist and overwhelming firepower.

In order to ensure his dominance and upscale lifestyle, Kaufman financed the construction of Dead Reckoning, a heavily armored vehicle that can venture out into the zombie-populated territory with relative ease. Armed with heavy remote-controlled external machine guns and video cameras to spot zombies on the sides, Dead Reckoning primarily functions as a moving fireworks display base: zombies are fascinated by fireworks, and (just like humans) will stare up at the sky gaping at them while ignoring the humans moving through the streets around them. Riley Denbo (Simon Baker), the designer of Dead Reckoning and leader of the expeditions to retrieve salvagable goods, has decided to retire and leave the safety of Fiddlers Green. Unlike Kaufman, Riley is respected by the citizens of the fortress city for his work to protect them from a dangerous world. However, after a series of incidents, Riley winds up in jail with his best friend Charlie Houk, a slow witted member of the Dead Reckoning team, and Slack (Asia Argento), a female soldier who has been pressed into prostitution.

Meanwhile, Cholo DeMora (John Leguizamo), the cocky second in command of the Dead Reckoning team, having been denied the opportunity to buy an apartment in Fiddler's Green by Kaufman, has gone renegade. Having his dreams shattered by Kaufman - for whom he has been secretly employed (one of his tasks being the disposal of the corpses of Kaufman's murdered enemies) Cholo is out to even the score. He threatens to destroy Fiddler's Green with Dead Reckoning, which he manages to hijack along with the rest of the crew - unless his demands are met. Kaufman turns to Riley to stop Cholo, which is how Riley, Slake, and the handicapped Charlie are released from prison. A trio of soldiers, Pilsbury, Motown, and Manolete, are assigned to assist them, but their mission is to recapture Dead Reckoning, whether Riley and his allies want them to or not. Manolete is quickly bitten, and Motown tries to kill Riley only to be killed by a zombie, while Pilsbury changes sides and starts helping Charlie and Slack. As Riley finally catches Cholo, he convinces him to allow him to take Dead Reckoning and leave the city to head north, leaving Cholo and his "partner in crime," Fox, with a truck to go west. Shortly after this Cholo is bitten by a zombie. Riley and his crew then notice fires in the city and head back to try and save the city.

Meanwhile, in the zombie-infested outside world, something unusual is going on. Zombies seem to have resumed aspects of their past lives: a former brass band blows ineffectively on their aging horns, a cheerleader carries her pompoms, a dead couple walk hand-in-hand. A leader has risen among their ranks; "Big Daddy", a former gas station owner (whose name tag reads "Big Daddy") who continues to amble out to the pumps every time a fellow zombie causes the bell to ring, takes center stage as the undead protagonist. Unusually aware and intelligent, Big Daddy (in a continuance of the "Bub" plot-line from Day of the Dead) directs some of his fellow zombies to use firearms and overcome the more rudimentary human defenses. The zombies are beginning to learn, adapt, and even to communicate with primitive moans and grunts. In retaliation for the constant raids carried out by Dead Reckoning, Big Daddy ultimately leads the zombies in a massive assault on the human city, when Big Daddy realizes that the zombies can simply walk on the bottom of the riverbed, underneath the water. The center of the carnage takes place at Fiddler's Green. Kaufman witnesses his kingdom disintegrating before his very eyes as the zombies overcome the humans in a bloody massacre. As the zombies overtake the city, the humans discover the electric fence defenses used to keep the zombies out have become walls preventing their escape.

As retribution after being shot by Kaufman, Big Daddy trails the fleeing despot to an underground garage where Kaufman plans to escape in a Lincoln Continental. Big Daddy finds Kaufman's car next to a gas pump and, in a moment of zombie "revelation," begins pumping gas into the cab through a hole in the windshield. Apparently satisfied, he lumbers out of the garage.

Now a member of the undead, Cholo has located Kaufman. Cholo shoots at Kaufman (poorly) before grappling with him, then prepares to carry out his revenge with an infective bite. However, Big Daddy is not finished and displays his intelligence once again when he rolls a burning object toward Kaufman's gasoline-soaked vehicle. It explodes, finishing Kaufman and hurling the undead Cholo away from the blast (as can be seen in frame-by-frame viewing).

Meanwhile, Denbo and Dead Reckoning have fought to free the inhabitants of the now-overtaken city. At the electric fence, the crew discovers a massacre; with nowhere to run, impoverished and elite alike became a walking dead smorgasbord. After destroying the fence with rockets from Dead Reckoning, the crew finds that most of the city's lower-class inhabitants had hidden elsewhere and were unharmed. After the zombies destroy the class system created by Kaufman by killing most of the city's elite ranks, the playing field is leveled and the zombies withdraw.

Surprisingly, the film actually has a fairly upbeat ending: much of the population of the haven-city has survived, and without Kaufman's tyranny, they will rebuild. Riley orders Pretty Boy (Joanne Boland), the navigator of Dead Reckoning (and a rarity in a Romero zombie film, a second female character,) to refrain from shooting Big Daddy with the vehichle's weaponry as the zombies leave, because he realizes that like them, he's "just looking for a place to go." Riley and his friends leave the city in Dead Reckoning, striking out for the north. As they leave, they fire all of Dead Reckoning's fireworks (which they won't need anymore now that they have lost their captivating effect on the undead) in a display of celebration.

Cast


MPAA rating:
Rated R for pervasive strong violence and gore, language, brief sexuality and some drug use.

Reaction

Roger Ebert gave the film three stars for what he considered its skillful and creative allusions, something that he argued was pervasive among Romero's previous three installments that contained numerous satirical metaphors to the reality of American life. In this installment Ebert noted the similarities between the fireworks mesmerizing the zombies and the shock and awe tactics applied during the 2003 Invasion of Iraq and the movie's distinction between the rich and poor, those that live in Fiddler's Green and those that live in the slums, something he considered Romero's take on the alleged rising gap between rich and poor in America.

Overall critical reaction was mostly positive. The film earned a 75% positive rating at the Rotten Tomatoes movie-review compilation website (though the so-called "Cream of the Crop" critics' reactions were more mixed, giving the film a 68% rating overall).http://www.rottentomatoes.com/m/land_of_the_dead/.

Trivia

Sequel

See also

External links


Films directed by George A. Romero
Night of the Living Dead | There's Always Vanilla | The Crazies | Season of the Witch | Martin | Dawn of the Dead | Knightriders | Creepshow | Day of the Dead | Monkey Shines | Two Evil Eyes | The Dark Half | Bruiser | Land of the Dead

The Living Dead films
Official Romero directed films
Night of the Living Dead • Dawn of the Dead • Day of the Dead • Land of the Dead
Unofficial sequel/spin-offs
Italian Zombi series: Zombi 2 • Zombi 3 • Zombi 4 (aka Oltre la Morte or After Death)
Other:  • Children of the Living Dead
Remakes
Night of the Living Dead (1990) • Dawn of the Dead (2004) • Night of the Living Dead 3-D • Day of the Dead (2007)
Return of the Living Dead series
Return of the Living Dead • Return of the Living Dead Part II • Return of the Living Dead 3 • ' • '
Spoofs/parodies
Night of the Living Bread • Shaun of the Dead

 


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