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Lawrence Halprin

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Lawrence Halprin (born July 1, 1916 in New York City) is a prolific and accomplished American landscape architect and educator.

Lawrence Halprin
Lawrence Halprin


Biography

Halprin grew up in New York and spent three of his teenage years in Palestine on a kibbutz. He earned a degree in plant sciences from Cornell University. In 1935 Halprin returned to the US to attend the Harvard Graduate School of Design under Walter Gropius, Marcel Breuer, and landscape architect Christopher Tunnard. In 1943 Halprin was commissioned in the US Navy as a Lieutenant Junior Grade. He was assigned to the destroyer Morris in the Pacific which was struck by a kamikaze attack. After surviving the destruction of the Morris, Halprin was sent to San Francisco on leave. It was here he would stay following his discharge.

Following an apprenticeship with landscape architect Thomas Dolliver Church, collaborating with Church on the seminal Dewey Donnell Garden (El Novillero) in Sonoma County California and helping to develop the contemporary California Style garden concept, Halprin opened his own office in 1949. Since 1976 he has been a partner with Sue Yung Li Ikeda.

Halprin's wife, accomplished avant-grade dancer Anna Halprin, is a long-time collaborator, with whom he has explored the common areas between choreography and the way users move through a public space.

Halprin's work is marked by his attention to human scale, user experience, and the social impact of his designs, in the egalitarian tradition of Frederick Law Olmsted. Halprin was the creative force behind the interactive, 'playable' civic fountains most common in the 1970's, an amenity which continues to greatly contribute to the pedestrian social experience in Portland Oregon, where "Ira's Fountain" is loved and well-used, and which has been a chronic failure at the transient-ridden United Nations Plaza in San Francisco.

Recently many of Halprins works have become the source of some controversy. Some have fallen victim to neglect, and are in states of disrepair. Critics argue his pieces have become dated and no longer reflect the direction their cities want to take. Budgetary constraints and the urge to "revitalize" threaten some of his projects. In response foundations have been set up to improve care for some of the sites and to try to preserve them in their original state.

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