Madonna of Bruges
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| Madonna and Child |
| Michelangelo, 1501-1504 |
| marble, height 128 cm |
| Church of Notre Dame, Bruges |
Michelangelo's depiction of the Madonna and Child differs significantly from earlier representations of the same subject, which tended to feature a pious Vigin smiling down on an infant held in her arms. Instead, Jesus stands upright, almost unsupported, only loosely restrained by Mary's left hand, and appears to be about to step away from his mother and into the world. Meanwhile, Mary does not cling to her son or even look at him, but gazes down and away, as if she knows already what is to be her son's fate.
Madonna and Child shares certain similarities with Michelangelo's Pietà, which was completed shortly before, namely, the chiaroscuro pattern and the movement of the drapery. The long, oval face of Mary is also reminiscent of the Pietà.
The work is also notable in that it was the only sculpture by Michelangelo to leave Italy during his lifetime. It was bought by Giovanni and Alessandro Moscheroni, from a family of wealthy cloth merchants in Bruges, then one of the leading commercial cities in Europe. The sculpture, which was sold for 4,000 florins, was to adorn the Moscheroni family chapel in the Church of Notre Dame, Bruges.
The statue was moved to France when Belgium was occupied during the French Revolution, and was looted by the retreating German army in 1944. However, today it is back on display at the Church of Notre Dame.
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