Media influence
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Media influence refers to the way in which the mass media in all their forms (television, film, advertising and similar forms) affect the way we, as an audience, behave and act in our everyday lives.
The growth of media as an industry has accelerated over the past few years with new forms such as DVD and the internet changing the way we, the audience, consume and receive media. This has caused some media theorists to call into question the influence that the media have over our attitudes and beliefs.
The hypodermic needle model is a theory that has been held by media theorists since the early 19th century and suggests that the media can be seen as an 'intravenous injection' of message. In other words, any message conveyed by the media is willingly and unquestioningly accepted for its preferred reading by the audience. Certain events support this theory, such as the 1938 radio play of The War of the Worlds by Orson Welles that was broadcast in the United States, its realistic tone and execution inciting panic within the audience and causing riots in towns. However, this theory is discredited by common sense observation. If this theory is nomothetic as it suggests, then we would all respond immediately to any media text we consume. Therefore, the theory's flaw lies in the vast number of intervening variables that alter a person's perception of media messages.
Another example of a passive audience theory is the Inoculation model which is a long term effect model. This states that upon being exposed to a media message, the audience becomes immediately 'immune' to them. So, for example, long term exposure to a violent message will result in a desensitization to that degree of violence. This theory was used to explain the case of James Bulger, in which two boys murdered a child. This invoked a moral panic that saw the film Child's Play 3 being blamed for the violent behaviour. However, there was no evidence that the Inoculation effect had led to this. In fact, there was little to suggest that boys had even seen the film. However, this theory suffers from the same shortfalls as the Hypodermic syringe effect. It sees the audience as entirely passive and impressionable. Therefore, it is commonly discredited by media theorists.
It has been suggested that the extent to which an audience engages with a media text can be roughly split into three degrees. The first of these is primary involvement, in which the audience is solely concentrating on consuming the media text. For example, they are sitting down solely to watch their favourite programme on television. Secondary involvement is when an audience's concentration is split between the media text and another distraction. For example, working on the computer while watching television. Tertiary involvement is when the media text is merely in the background, with no real concentration upon it at all. For example, glancing at a newspaper on a crowded train. While this theory is somewhat simplistic, it provides a clear and probable explanation as to the changes in audience reception.
Perhaps the most widely accepted theory on audience reception is Dennis McQuail's Uses and Gratifications model. This places emphasis on why audiences consume media. The first reason outlined in the model are the need to reinforce your own behaviour by identifying with roles and values presented in the media. Secondly, we need to feel some kind of interaction with other people; this is offered by text such as soap operas and lifestyle magazines. The third reason is the need for security in our lifes. Media offer us a window to the world that allows education and the acquisition of information. The final reason is the need for entertainment through both escapism and the need for emotional release, such as laughter. A strength of this theory is the emphasis on the audience as active in the reception of media. However, this would suggest no passivity within the audience whatsoever. A person may, for example, be too lazy to turn off their television and so consume any media that is available. This theory also pays little attention to the short term and long term effects of media on the audience.
See also
- Media and ethnicity
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