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Michael Nyman

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Michael Nyman (born March 23, 1944) is a British minimalist composer, pianist, librettist and musicologist, perhaps best known for the many scores he wrote during his lengthy collaboration with the British filmmaker Peter Greenaway.

Biography

Nyman studied composition at the Royal Academy of Music in London.

Nyman, who had studied with the noted Baroque music scholar Thurston Dart at King's College London, drew frequently on early music sources in his scores for Greenaway's films: Henry Purcell in The Draughtsman's Contract and The Cook, The Thief, His Wife & Her Lover, Heinrich Ignaz Franz von Biber in A Zed and Two Noughts, Mozart in Drowning by Numbers, and John Dowland in Prospero's Books.

Nyman's popularity increased significantly after he wrote the score to Jane Campion's award-winning 1993 film The Piano. The album became a classical music best-seller. Although Nyman's score was central to the movie he did not receive an Academy Award nomination despite being nominated for both a British Academy Award and a Golden Globe. He has scored numerous other films, the vast majority of them art films from Europe. His few forays into Hollywood composing have been Gattaca, Ravenous (with musician Damon Albarn), and The End of the Affair. He wrote settings to various texts by Wolfgang Amadeus Mozart for "Letters, Riddles, and Writs", part of Not Mozart.

Among Nyman's better known non-film works are the opera Noises, Sounds & Sweet Airs (1987), for soprano, alto, tenor and instrumental ensemble (based on Nyman's score for the ballet La Princesse de Milan); Ariel Songs (1990) for soprano and band; MGV (Musique à Grande Vitesse) (1993) for band and orchestra; concertos for piano (based on The Piano score), violin, harpsichord, trombone and saxophone; the opera The Man Who Mistook His Wife for a Hat (1986), based on a case-study by Oliver Sacks; and several string quartets. He has also produced a soundtrack for the silent film Man with the Movie Camera. Recently, he produced a new opera on the subject of cloning on a libretto by Victoria Hardie titled Facing Goya, an expansion of their one-act opera Vital Statistics. The lead, a widowed art banker, is written for contralto and the role was first created by Hilary Summers. His newest opera is titled [[Man and Boy: Dada]].

On children's television shows, Michael has created the music for Katie and Orbie and Titch.

Many of Nyman's works are written for his own ensemble, the Michael Nyman Band, a group formed for a 1976 production of Carlo Goldoni's Il Campiello. Originally made up of old instruments such as rebecs and shawms alongside more modern instruments like the saxophone in order to produce as loud a sound as possible without amplification, it later switched to a fully amplified lineup of string quartet, three saxophones, bass trombone, bass guitar and piano. This line up has been variously altered and augmented for some works.

Nyman also wrote an influential book in 1974 on experimental music called Experimental Music: Cage and Beyond, which explored the influence of John Cage on classical composers. He is generally acknowledged to have been the first to apply the term "minimalism" to music, in a 1968 article in The Spectator magazine about the English composer Cornelius Cardew.

In the 1970s, Nyman was a member of the infamous Portsmouth Sinfonia — the self-described World's Worst Orchestra — playing on their recordings and in their concerts. He created a similar group called Foster's Social Orchestra, which specialized in the work of Stephen Foster. One of their tracks appeared in the film Ravenous and an additional track, not used in the film, appeared on the soundtrack album.

He has also recorded pop music, with the Flying Lizards.

He is married to Aet Nyman and has two daughters, Molly and Martha. His first string quartet quotes "Unchained Melody" in homage to Aet, who appears in Greenaway's The Falls, for which he also composed music.

Career highlights

Key works

Nyman's Music On Television

Selected recordings

External links

Listening

 


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