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Michael Powell (director)

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Michael Latham Powell (September 30, 1905-February 19,1990) was a British film director, renowned for his partnership with Emeric Pressburger which produced a series of classic British films.

Powell was born in Bekesbourne, Kent, and educated at The King's School, Canterbury and then at Dulwich College. He worked in a bank before becoming an actor and entering the film industry through working with Rex Ingram in France. He developed his skills directing 'quota quickies', sometimes making up to 7 films a year. In 1939 he met Emeric Pressburger whilst they worked together on The Spy in Black. Working together as co-producers, writers and directors in a partnership they dubbed "The Archers", they made nineteen feature films, many of which received critical and commercial success, and their best films are still regarded as classics of 20th century British cinema.

Although proponents would argue that Powell ought to rank alongside Hitchcock and Lean as one of the greatest British film directors, his career suffered a severe reversal after the release of the confronting psychological thriller film Peeping Tom in 1960 as a solo effort. The film was excoriated by British critics, who were offended by its Freudian overtones and challenged by its reflexive subtext, and Powell was ostracised by the film industry and found it almost impossible to work thereafter. His offence, it seemed, was to have made a horror movie that was genuinely horrific. However, his reputation was restored over the years, and by the time of his death he and Pressburger were recognised as one of the foremost film partnerships of all time - and cited as a key infuence by many noted film-makers such as Martin Scorsese and Francis Ford Coppola.

He was married to Thelma Schoonmaker from May 17, 1984 until his death.

Filmography

For his films with Emeric Pressburger, see Powell and Pressburger and

Early work

Many of his early film are disparigingly referred to as 'quota quickies'. Not all of them were actually quota films, and of the ones that are they are often a much higher standard than most other quota films. Some of his early films are now missing, believed lost. But those that have survived often show some very sophisticated techniques and early versions of ideas that were used again, done better, in his later films.

Those marked with a * are "Missing, believed lost"

Other films

From late 1930s onwards, most of Powell's films were in collaboration with Pressburger. His solo films were:

Powell also directed episodes of the TV series The Defenders, Espionage and The Nurses.

Other works

Books

Theatre

Awards, nominations and honours

Legacy

References

External links


Powell and Pressburger
The films of Michael Powell and Emeric Pressburger
1930s The Spy in Black | The Lion Has Wings
1940s Contraband | An Airman's Letter to His Mother | Forty-Ninth Parallel | One of Our Aircraft is Missing | The Life and Death of Colonel Blimp | The Volunteer | A Canterbury Tale | I Know Where I'm Going! | A Matter of Life and Death | Black Narcissus | The Red Shoes | The Small Back Room
1950s The Elusive Pimpernel | Gone to Earth | The Tales of Hoffmann | ''Oh... Rosalinda > The Battle of the River Plate | Ill Met by Moonlight''
1960s Peeping Tom (not Pressburger) | They're a Weird Mob | Age of Consent
1970s The Boy Who Turned Yellow

 


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