Neo-classical metal

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Neo-classical metal/Shred is a subgenre of the heavy metal music heavily influenced by classical music and can be considered a form of neoclassicism.

Contents

1 Definition

1.1 Elements
1.2 Sounds

2 Neo-classical metal/Shred performers

2.1 Bands
2.2 Musicians

Definition

Neoclassicism in music was a 20th century development, particularly popular in the period between the two World Wars, in which composers drew inspiration from music of the 18th century, though some of the inspiring canon was drawn as much from the Baroque period as the Classical period - for this reason, music which draws influence specifically from the Baroque is sometimes termed neo-baroque.

The classically trained Randy Rhoads displayed classical influencies in his playing and was one of the first to actually incorporate Classical ideas to innovate his guitar playing and overall technique. The shredding movement was made popular by guitarist Yngwie Malmsteen, who would tranpose classical music onto the guitar, a more simple approach than Rhoads, but effective nontheless. As a result, Neo-classical metal developed as a standalone metal subgenre.

Elements

Pedal point (repetition of a note or group, with a scalic, melody line played alternately),
Ostinato (strict repetition of a single phrase or idea),
Scale sequence (a stylised way of ascending or descending through a scale or mode, where a set pattern is observed),
Arpeggio (the notes of a chord played individually)
Tritone (musical interval that spans three whole tones or six semitones). This is common interval is common in many types of heavy metal music.

Sounds

Harmonic minor scale (Aeolian mode with a raised 7th tone),
Melodic minor which can be viewed two ways:
* Aeolian mode with a raised 6th and 7th tone or
* Ionian mode with a flattened 3rd,
Diminished (a series of minor 3rd intervals stacked one on top of the next),
cycle of fifths (a chord progression where each chord becomes the dominant of the next e.g.: Am, D, G, C, F, Bdim, E, Am),
suspensions (cadences or "chord progression endings" where the true harmony chord is pushed out or "suspended" by another, non-harmony note and then reasserts itself. Examples: 4th replaces 3rd; 6th replaces 5th; 9th replace 8th or octave).

The chord progressions, arpeggios, broken chords, and speedy scale runs of neo-classical metal are borrowed for the most part from Johann Sebastian Bach, Antonio Vivaldi, Niccolo Paganini, Wolfgang Amadeus Mozart and Ludwig van Beethoven, particularly the first three. The virtuosos who perform in this style are sometimes dubbed "Guitar Gods".

Although Yngwie J. Malmsteen is probably the form's best known proponent, classical elements used in heavy metal and hard rock date back to Ritchie Blackmore of Deep Purple, Uli Jon Roth and Randy Rhoads's innovations in the late 1970s and early 1980s.

Neo-classical metal/Shred performers

Bands

Musicians

Heavy metal
Black metal - Classic metal - Death metal - Doom metal - Folk metal - Glam metal - Gothic metal - Grindcore - Industrial metal - Neo-classical metal - Nu metal - Power metal - Progressive metal - Speed metal - Stoner metal - Symphonic metal - Thrash metal
Scandinavian death metal - New Wave of British Heavy Metal - Bay Area thrash metal
Other topics
Fashion - History - Bands - Umlaut

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