Old school hip hop
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Old school hip hop is the very first hip hop music to come out of the block parties of New York City in the 1970s and early 1980s. It began in the early 1970s in New York with the advent of breakbeat DJing, in which DJs including Kool DJ Herc and Grandmaster Flash extended the breaks (short percussion interludes) of funk records, creating a more "danceable" sound. The old school era ended and the golden age began with the popularity of Run-DMC's 1986 album, Raising Hell. In modern usage, the term is often used to refer to hip hop from the early 1990s by numerous radio stations and television channels, including BET.[[Citing sources citation needed]]
History
Hip hop music began in the early 1970s in New York City with the advent of breakbeat DJing. Kool DJ Herc, Grandmaster Flash and other DJs extended the breaks (short percussion interludes) of funk records, creating a more "danceable" sound. This use of extended percussion breaks led to the development of mixing and scratching techniques, and later to the popularization of remixes.
As hip hop's popularity grew, performers began speaking while the music played, and became known as MCs or emcees. Performers often emceed for hours at a time, with some improvisation and a simple four-count beat and basic chorus. Teams of emcees (many of whom were former gang members) sprang up throughout the country, led by the first emcee team, Kool Herc & the Herculoids. The MCs grew more varied in their vocal and rhythmic approach, incorporating brief rhymes, often with a sexual or scatological theme. These early raps incorporated rhyming lyrics from African American culture (see roots of hip hop music), such as the dozens.
Old school hip hop would often sample disco, soul, and funk tracks. In the case of the Sugarhill Gang, a live band was used for samples. However, the old school sound soon became based largely on drum machines and popular "break" samples. This use of extended percussion breaks led to the development of mixing and scratching techniques. Scratching was invented by Grandwizard Theodore in 1977, and was found on DJ records such as Grandmaster Flash's "Adventures on the Wheels of Steel." Scratching later resulted in the popularization of remixes in hip hop. Also important were electronic recordings such as "Planet Rock" by Afrika Bambaataa and Run DMC's "Sucker MC's" and "Peter Piper," the latter of which contains genuine cutting by Run DMC member Jam Master Jay. In 1984, Marley Marl accidentally caught a drum machine snare hit in the sampler; this innovation was vital in the development of electro and other later types of hip hop.
As hip hop's popularity grew, performers began speaking while the music played, and became known as MCs or emcees. Performers often emceed for hours at a time, with some improvisation and a simple four-count beat and basic chorus. Teams of emcees (many of whom were former gang members) sprang up throughout the country, led by the first emcee team, Kool Herc & the Herculoids. The MCs grew more varied in their vocal and rhythmic approach, incorporating brief rhymes, often with a sexual or scatological theme. These early raps incorporated rhyming lyrics from African American culture (see roots of hip hop music), such as the dozens. In contrast with the later rhymes of new school hip hop, old school rap was relatively simple in its rhythms and cadences.
Old school rap was often focused on good times, parties and friendship. An exception was "The Message", a rap song written by Melle Mel for his hip hop group, Grandmaster Flash and The Furious Five. The popularity of "The Message" led the "message rap" to gain a place in the hip hop canon.
The first steps towards the commercialization of hip hop came with the release of what are usually called the first two commercially issued hip hop recordings: "King Tim III (Personality Jock)" by the Fatback Band, and "Rapper's Delight" by The Sugarhill Gang. While "King Tim III" is widely regarded as the first recorded hip hop song, it was the Sugarhill Gang that won hip hop its first mainstream popularity. Though neither the Fatback Band nor the Sugarhill Gang had significant roots in the DJ culture, "Rapper's Delight" became a Top 40 hit on the U.S. Billboard pop singles chart. After the releases of follow ups by acts such as Kurtis Blow ("The Breaks"), The Sequence ("Funk You Up"), and Grandmaster Flash & the Furious Five ("Freedom"), hip hop was pegged as a successful, yet temporary, trend in music.
During the 1980s, hip hop began to diversify and develop into a more complex form. The simple tales of 1970s emcees were replaced by highly metaphoric raps over complex, multi-layered beats. Some rappers even became mainstream pop performers, including Kurtis Blow, whose appearance in a Sprite commercial made him the first hip hop musician to be considered mainstream enough to represent a major product, but also the first to be accused by the hip hop audience of selling out.
Samples
- ["Planet Rock"] by Afrika Bambaataa & Soulsonic Force (1982); the old school electro hop track used portions from Kraftwerk, Captain Skyy and Ennio Morricone.
- ["The Message"] by Grandmaster Flash & the Furious Five (1982); This old school hip hop song gained popularity for "message raps."
Artists
- Afrika Bambaataa
- Beastie Boys
- Busy Bee
- Captain Rapp
- Cold Crush Brothers
- Cowboy
- Cybotron
- Darkstar
- Davy DMX
- Dee Dee King
- Dimples D.
- Disco Daddy & Captain Rapp
- DJ Cheese
- DJ Dr. Shock
- DJ EZ Rock
- DJ Flash
- DJ Hollywood
- DJ Kool
- Kool DJ Herc
- DJ Matrix
- DJ Mike B Hartford, CT
- DJ Red Alert
- Doctor Ice
- Doctor Jeckyll and Mr. Hyde
- Doug E. Fresh
- The Educated Rapper
- Eric B. & Rakim
- The Fat Boys
- Freeez
- Fresh Gordon
- Full Force
- Funky Four Plus One
- The Furious Five
- The Future MC's
- Grandmaster Flash & the Furious Five
- Grandmaster Melle Mel
- Hashim
- Herbie Hancock
- Howie Tee
- Hurt 'Em Bad
- Jimmy Spicer
- Juice Crew
- Just Ice
- K Love
- Kangol Kid
- Kaos & Mystro
- Kid Frost
- Kid Solo
- Kimberly Ball
- King MC and DJ Flash
- Knights of the Turntables
- Kool Moe Dee
- Kurtis Blow
- L.A. Dream Team
- Lightnin' Rod
- Madrok
- Man Parrish
- Mantronix
- Marley Marl
- M.C. Fosty & Lovin' C.
- M.C. Shan
- THE MEAN MACHINE
- The Moments
- Newcleus
- Next School
- Nice & Smooth
- Old School Players
- P.A.N.I.C.
- Paul Hardcastle
- Positive Force
- Pumpkin
- The Rappers Rap Group
- Real Roxanne
- Rob Base
- Rock Master Scott & the Dynamic Three
- Rock Steady Crew
- Rocky Padilla
- Rodney O.
- Ron Hudson
- Run-DMC
- Salt-N-Pepa
- Scor
- The Sequence
- Shawn Brown
- Skinny Boys
- Slamm Syndicate
- Soul Sonic Force
- Sparky D
- Spoonie Gee
- Spyder-D
- The Sugarhill Gang
- Super Nature
- Symbolic Three
- T La Rock
- Timex Social Club
- Toddy Tee
- Treacherous Three
- Triple Threat Three
- Trouble Funk
- Two-Bigg M.C.
- Ultramagnetic MCs
- UTFO
- West Street Mob
- Whodini
- Word of Mouth
See also
| Hip hop/Rap |
| Artists (Beatboxers - Rappers - DJs and Producers - Groups) - Beatboxing - Breakdance - Collaborations - Culture - DJing (Turntablism) - Fashion - Feuds - Graffiti - History (Roots - Old school - Golden age - Modern) - Production - Rapping - Slang |
| Genres |
| African - American (East - West - South - Midwest) - British - French - Japanese - |
| Abstract - Alternative - Bounce - Chopped & Screwed - Christian - Conscious - Country-rap - Crunk - Electro - Freestyle music - Gangsta - G-funk - Ghettotech - Golden age - Hardcore - Hip hop soul - Hip house - Horrorcore - Hyphy - Instrumental - Jazz rap - Latin rap - Mafioso - Miami bass - Mobb - Neo soul - Nerdcore - New jack swing - Old school - Political hip hop - Pop - Rapcore - Ragga - Reggaeton - Snap - Urban Pasifika |
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