Paranoia Agent
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is a Japanese anime television series about a social phenomenon in Musashino, Tokyo caused by a juvenile serial assailant named Lil' Slugger. The plot relays between a large cast of people affected in some way by the phenomenon; usually Lil' Slugger's victims or the detectives assigned to apprehend him. As each character becomes the focus of the story, disturbing details are often revealed about their secret lives.It was created by Japanese director Satoshi Kon and produced by Madhouse.
The series first aired on Japan's WOWOW between February 2, 2004 and May 18, 2004. A series of four English dubbed and subtitled DVDs produced by New Generation Pictures were released in North America and Europe between October 26, 2004 and May 10, 2005. The English dubbed version began airing in North America on Cartoon Network's Adult Swim on May 28, 2005 followed by an encore airing that began on June 6, 2006.
Creation
During the makings of his previous three films (Perfect Blue, Millennium Actress, and Tokyo Godfathers), Paranoia Agent creator Satoshi Kon was left with an abundance of unused ideas for stories and arrangements that he felt were good but did not fit into any of his projects. Not wanting to waste the material, he decided to recycle it into a dynamic TV series in which his experimental ideas could be utilized.
Characters
- One of the central characters of the series, she is a famous, but timid, character designer best known for a cartoonish dog named Maromi. She carries a plush toy copy of Maromi everywhere. She is the Li'l Slugger's first apparent victim in the series, and is the catalyst which jump-starts the plot.
- Lil' Slugger (Shōnen Bat in the subtitled version)
- The enigmatic figure which the series revolves around. He looks like a grinning, baseball cap-wearing juvenile who travels on golden inline skates and attacks people with a gold-colored metal baseball bat that is curiously bent.
- One of two police detectives assigned to investigate the attacks by the Li'l Slugger. He is extremely old fashioned and often yearns for the simpler, less hurried times but is often chastized for this by his young and idealistic partner Mitsuhiro Maniwa.
- Detective Mitsuhiro Maniwa
- Young, idealistic, and a flexible thinker, Maniwa is the perfect complement as well as foil to the more rustic Keīchi Ikari. He is open-minded and often unconventional in his methods.
- Maromi is a popular Sanrio-esque mascot created by Tsukiko Sagi. A pink dog with big black eyes and droopy ears, Maromi is considered rather cute in appearance.
Names
Many of the characters in Paranoia Agent are often referred to with animal names, especially in each "Prophetic Vision" (a segment at the end of each episode that previews the next) and the episode "The Holy Warrior," in which some characters are depicted as animal-like creatures. In many cases, their Japanese names translate directly to the type of animal they are referred to as: "sagi" means egret,[[Citing sources citation needed]] "kawazu" is an archaic term for frog,[link] "ushi" means cow,[link] "tai" means fish,[[Citing sources citation needed]] "chō" means butterfly[link] (chō-chō can also mean butterfly,[link] possibly alluding to her split personality), and "hiru" means leech.[link]. Kamome means seagull [link], Fuyubashi doesn't mean anything significant (Fuyuhashi is Winter Bee). Zebra is self-describing.Episodes
- Enter Lil' Slugger: Lil' Slugger attacks Sagi whose curious description of the assailant is met with skepticism.
- The Golden Shoes: A popular schoolboy is teased in school for being suspected to be Lil' Slugger.
- Double Lips: A woman with dissociative identity disorder attempts to defy her prostitute alter ego.
- A Man's Path: A corrupt police officer struggles to pay his debt to the yakuza.
- The Holy Warrior: A Lil' Slugger suspect role plays with detectives during his interrogation.
- Fear of a Direct Hit: Detectives question a witness to one of Lil' Slugger's attacks while a runaway teenager wanders through the stormy city.
- MHz: A detective explores the possibility of another Lil' Slugger and investigates the connections between the victims in a attempt to pinpoint the next victim.
- Happy Family Planning: An Internet suicide pact comes together to negotiate their fate.
- ETC: A group of housewives share gossip about Lil' Slugger.
- Mellow Maromi: The production staff for a show called Mellow Maromi struggles to overcome shortages and meet its deadline.
- Entry Forbidden: A sickly housewife confronts Lil' Slugger and engages him in a conversation.
- Radar Man: A "superhero" called Radar Man battles Lil' Slugger and investigates his past.
- Final Episode: The series comes to its chaotic conclusion.
Synopsis
An elementary school boy on inline skates dubbed Lil' Slugger (Shōnen Bat in Japanese, meaning "Bat Boy") is said to be responsible for a series of mysterious street assaults in Tokyo. None of the victims can recall the boy's face and only two distinct details are left in their memories: golden inline skates and the weapon: a bent golden baseball bat.
Two police detectives, Keiichi Ikari and Mitsuhiro Maniwa, are assigned to the case to track down the perpetrator and put an end to his crimes. Starting with the first victim, Tsukiko Sagi, a shy character designer who created the immensely popular pink dog Maromi, the detectives follow what little clues they have and try to apprehend the mysterious boy. Just when they think they have solved the case, new evidence about the attacker leads them towards a frightening revelation.
Analysis
There are many intentional loose ends in Paranoia Agent and the ending is intentionally ambiguous to provoke thought and discussion.[[Citing sources citation needed]] Although often subtle, symbolism plays a vital part in the revelation of the plot, both on the episodic level and in the series overall, a better understanding of which provides more understanding of the characters and the story to the original Japanese audience, but not to those unfamiliar with Japanese folklore and mythology.[[Citing sources citation needed]] The series' ending and its loose ends are enthusiastically debated among the show's fans.
Social commentary
Satoshi Kon is famous for his use of social commentary and Paranoia Agent is no exception. (for baseball bat related crimes in Japan: http://news.bbc.co.uk/2/hi/asia-pacific/1074427.stm) Subtle commentary on his views of school peer pressure, loss of identity, prevalence of cultural icons (such as Maromi, often seen as a criticism of highly marketable anime mascots such as the poring from Ragnarok Online), ambiguity of morality, nature of social and personal growth, criticism of the harsh conditions of Japanese animators, and criticism of the otaku subculture is found throughout the show. Much of the commentary can be tied to Takashi Murakami's superflat manifesto, with the views of how reality and fantasy are being blurred in postwar Japan. Kon has been critically acclaimed for making social commentary a major and effective part of his work.
DVD
- Paranoia Agent Volume 1 - Enter Lil' Slugger (October 26, 2004, Geneon, DVD)
- Paranoia Agent Volume 2 - True Believers (January 11, 2005, Geneon, DVD)
- Paranoia Agent Volume 3 - Serial Psychosis (March 8, 2005, Geneon, DVD)
- Paranoia Agent Volume 4 - Sayonara Maromi (May 10, 2005, Geneon, DVD)
- Paranoia Agent Complete Collection (July 5, 2005, Geneon, 4-DVD set)
Soundtrack
The music in Paranoia Agent was composed by Japanese electronica pioneer Susumu Hirasawa.
Theme songs
Opening theme:
- by Susumu Hirasawa
- by Susumu Hirasawa
References
External links
- [Paranoia Agent] official website
- [Paranoia Agent] at adult swim
- #redirect [[Template:Ja icon]] [Paranoia Agent] official website
| Paranoia Agent |
|---|
| Characters from Paranoia Agent>Characters |
| Shougo Ushiyama > Misae Ikari | Tsukiko Sagi | Maromi |
| Episodes |
| Enter Lil' Slugger > The Golden Shoes | Double Lips | A Man's Path | The Holy Warrior | Fear of a Direct Hit | MHz | Happy Family Planning | ETC | Mellow Maromi | Entry Forbidden | Radar Man | Final Episode |
| Other |
| Paranoia Agent Original Soundtrack > Satoshi Kon | Susumu Hirasawa |
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