Paul Williams (Architect)

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Paul Williams

Paul Revere Williams (February 18, 1894 – January 23, 1980) was an African American architect who based his practice largely in Los Angeles, California and the Southern California area. Orphaned at the age of four, he was the only African American student in his elementary school. He studied at the Los Angeles School of Art and Design and at the Los Angeles branch of the New York Beaux-Arts Institute of Design Atelier, subsequently working as a landscape architect. He went on to attend the University of Southern California designing several residential buildings while still a student there. Williams became a certified architect in 1921, and the first certified African American architect west of the Mississippi. On June 27, 1917 he married Della Mae Givens at the First AME Church in Los Angeles. The couple had three children, who were as follows:

Paul Revere Williams, Jr., born and died, June 30, 1925. Buried at Evergreen Cemetery in Los Angeles, California.
Marilyn Frances Williams, born December 25, 1926.
Norma Lucille Williams, born September 18, 1928.

He won an architectural competition at age 25 and three years later opened his own office. Known as an outstanding draughtsman, Williams perfected the skill of rendering drawings "upside down". This skill was developed so that his clients (who may have been uncomfortable sitting next to a "Black" architect) would see the drawings rendered right side up across the table from him. Fighting to gain attention, he served on the first Los Angeles City Planning Commission in 1920. Williams was the first African American member of the American Institute of Architects (AIA). In 1939 he won the AIA Award of Merit for his design of the MCA Building in Los Angeles (now headquarters of Litton Industries). During World War II Williams worked for the Navy Department as an architect. Following the war he published his first book, The Small Home of Tomorrow (1945), with a successor volume New Homes for Today the following year. In 1957 became the first African American to be voted an AIA Fellow.

In 1951 he won the Omega Psi Phi Man of the Year award and in 1953 Williams received the Spingarn Medal from the NAACP for his outstanding contributions as an architect and member of the African American community. Williams also received honorary doctorates from Howard University (doctor of architecture), Lincoln University (doctor of science), and the Tuskegee Institute (doctor of fine arts). In 2004, USC honored him by listing him among its distinguished alumni, in the television commercial for the school shown during its football games.

Williams famously remarked upon the bitter irony of the fact that most of the homes he designed, and whose construction he oversaw, were on parcels whose deeds included segregation covenants barring blacks from purchasing them.

Contents

1 Works
2 Quotes
3 References
4 External links

Works

Los Angeles Airport "Jet-Age" postcard showing the Theme Building

Williams designed more than 2,000 private homes, most of which were in the Hollywood Hills and the Mid-Wilshire portion of Los Angeles (including his own home in the Mid-City district). His most famous homes were for Hollywood celebrities, and he was well regarded for his mastery of various architectural styles. Modern interpretations of Tudor-revival, French Chateau, Regency and Mediterranean were all within his vernacular. One notable home he designed was later used for exterior scenes of the Clampett mansion on television's "The Beverly Hillbillies" (750 Bel Air Rd. Bel Air, Ca.), another Williams design was later used for exterior scenes of the Colby mansion on television's "The Colbys" (1060 Brooklawn Dr. Bel Air, Ca.) His client list included Frank Sinatra (the notorious pushbutton house), Lon Chaney, Sr., Lucille Ball, Tyrone Power (two house), Barbara Stanwyck, Bert Lahr, William S. Paley, Charles Cottrell, Will Hays, Zasu Pitts and Danny Thomas. In contrast to these splendid mansions, Williams co-designed the first federally funded public housing projects in the post-war period (Langton Terrace, Washington, D.C.) and later the Pueblo del Rio project in southeast Los Angeles.

Noted public buildings that Williams designed or contributed to (in Los Angeles, unless otherwise noted) include:

Shrine Auditorium (Williams helped prepare construction drawings as a young architect)
The Theme Building restaurant at Los Angeles International Airport (with Welton Becket)
Hollywood YMCA
Los Angeles County Courthouse[link]
Los Angeles County Hall of Administration
United Nations Building (Paris), Paris, France
Saks Fifth Avenue, Beverly Hills, California
Beverly Hills Hotel, Beverly Hills, California
the concrete paraboloid La Concha Motel in Las Vegas (razed 2004)

Williams retired his practice in 1973.

Quotes

"If I allow the fact that I am a Negro to checkmate my will to do, now, I will inevitably form the habit of being defeated."

"Planning is thinking beforehand how something is to be made or done, and mixing imagination with the product – which in a broad sense makes all of us planners. The only difference is that some people get a license to get paid for thinking and the rest of us just contribute our good thoughts to our fellow man."

References

Hudson, Karen E. Paul R. Williams, Architect: A Legacy of Style. New York: Rizzoli, 1993.(the author is Williams' granddaughter and curator of his estate)

Architecture; Leavey NA737.W527H84 1993

Hudson, Karen E., The Will and the Way: Paul R. Williams, Architect, Rizzoli International Publications, Inc., NY 1994

Yenser, Thomas (editor), Who's Who in Colored America: A Biographical Dictionary of Notable Living Persons of African Descent in America, Who's Who in Colored America, Brooklyn, New York, 1930-1931-1932 (Third Edition)

External links

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