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Paula Modersohn-Becker

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The German painter Paula Modersohn-Becker (February 8 1876 - November 21 1907) was one of the most important representatives of early expressionism.

 Self Portrait Die Malerin mit Kamelienzweig, 1907
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Self Portrait Die Malerin mit Kamelienzweig, 1907

Life

Paula Becker was born and grew up in Dresden-Friedrichstadt. In 1888 her parents moved to Bremen. While visiting an aunt in London, England, she received her first instruction in drawing. Apart from her education as a teacher in Bremen in 1893-1895, Paula took private instruction in painting. In 1896 she participated in a course for painting and drawing sponsored by the "Verein der Berliner Künstlerinnen" (Union of Berlin Female Artists) which offered art studies to women.

At the age of 22, she encountered the artistic community of Worpswede. In this "village", artists such as Fritz Mackensen (1866-1953) and Heinrich Vogeler (1872-1942) had retreated to protest against the domination of the art academy and life in the big city. At Worpswede, Paula Modersohn-Becker took painting lessons from Mackensen. The main subjects were the life of the farmers and the northern German landscape. At this time she began close friendships with the scupltor Clara Westhoff (1875-1954) and the poet Rainer Maria Rilke (1875-1926). She also fell in love during this period, and in 1901 she married a fellow Worpswede painter, Otto Modersohn. In marrying Otto, she also became a step-mother to Otto's daughter, Elsbeth Modersohn, the child from his first marriage to Helene Modersohn, then deceased.

Between 1901 and 1907, Paula made several extended trips to Paris for artistic purposes, sometimes living separately from her husband, Otto. During one of her residencies in Paris, she took courses at the École des Beaux-Arts. She visited contemporary exhibitions often, and was particularly intrigued with the work of Paul Cézanne. In her last trip to Paris in 1906, she produced a body of paintings from which she felt very great excitement and satisfaction. During this period of painting, she produced her initial nude self-portraits (something rather unprecedented by a female painter) and portraits of friends such as Rainer Maria Rilke and Werner Sombart. Some critics consider this period of her art production to be the strongest and most compelling.

In 1907, Paula Modersohn-Becker returned to her husband in Worpswede. Their relationship, which had been particulary strained in 1906, had taken a turn towards improvement. Paula's long-lived wish to conceive and bear a child was fulfilled. Her daughter Mathilde (Tillie) Modersohn was born on November 2nd, 1907. Paula and Otto were joyous. Sadly, the joy became soon overshadowed by tragedy, as Paula Modersohn-Becker died suddenly in Worpswede on November 20th from an embolism.

In 1908, Rainer Maria Rilke wrote the renowned poem, "Requiem for a Friend", in Paula's memory. The poem was born of the imprint that Paula's life, death and friendship left upon Rilke.

Work

Worpswede Landscape, about 1908
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Worpswede Landscape, about 1908

Foundation

Literature

Reference

The initial English site is a translation of the corresponding German wikipedia site from 6/20/2005

External links

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