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Peter Greenaway

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Peter Greenaway (b. April 5, 1942) is a British filmmaker trained as a painter and famous for his movies and exhibitions.

Contents

Career

Greenaway was born in Newport in Wales (his mother is Welsh), but grew up in England. The family left Wales when Greenaway was three years old and moved to Essex, England. At an early age he decided he wanted to be a painter. He developed an interest in European cinema, focusing first on the films of Bergman, and then on the nouvelle vague film-makers Godard, and most especially Resnais.

In 1962 he started studying at the Walthamstow College of Art, where amongst his fellow students was musician Ian Dury (whom Greenaway would later cast in The Cook, The Thief, His Wife & Her Lover). Greenaway would spend the next three years there, training to be a mural painter, and making his very first film there, Death of Sentiment an essay of church yard furniture, filmed in four large London cemeteries. In 1965 he joined the Central Office of Information (COI), where he remained for the next fifteen years as a film editor and then a director, starting to build up a personal filmography of experimental films, starting with Train, made in 1966, composed of footage of the last steam trains at Waterloo station (directly behind the COI), edited to a musique concrete track. Tree made in 1966, was a homage to the embattled tree growing in concrete outside the Royal Festival Hall on the South Bank in London. In the 1970s Greenaway, becoming more confident and ambitious, made Vertical Features Remake and A Walk Through H. The former is an examination of variations of arithmetical editing structure, and the latter a journey through the various maps of a fictitious country.

A hallmark of many of Greenaway's films is the heavy influence of Renaissance and, in particular Flemish, painting in his scene composition and lighting, with its concomitant contrasts of costume and naturalized nudity, nature and architecture, furniture and person, sexual pleasure and painful death.

Greenaway has often worked with composer Michael Nyman, who has scored a number of Greenaway's films.

In 1980 Greenaway delivered The Falls – a mammoth, fantastical, absurdist encyclopedia of flight-associated material all relating to 92 victims of the Violent Unknown Event (VUE). The 1980s would see some of Greenaway's best known films, The Draughtsman's Contract in 1982, A Zed & Two Noughts in 1985, The Belly of an Architect in 1987, Drowning by Numbers in 1988, and his most successful (in the mainstream) film in 1989, The Cook, The Thief, His Wife & Her Lover. He collaborated with the artist Tom Phillips (also in 1989) on a television mini-series called A TV Dante, dramatizing the first few cantos of Dante's Inferno. The 1990s brought the visually spectacular Prospero's Books in 1991, the controversial The Baby of Mâcon in 1993, The Pillow Book in 1996, and 8½ Women in 1999.

Greenaway is working on an ambitious film project, The Tulse Luper Suitcases, a multimedia extravaganza featuring innovative film techniques.

Greenaway also teaches cinema studies at the European Graduate School in Saas-Fee, Switzerland, where he conducts Intensive Summer Seminars. In 2002 he received an honorary doctorate from the Media and Communications department.

He has also contributed to Visions of Europe, a collection of short films from different directors around the European Union. His entry for Britain is called The European Showerbath.

In early 2005 it was announced that he would be making a film about the Dutch painter Rembrandt van Rijn. The film, apparently to be released in 2007, is entitled Nightwatching.

On June 17 2005 Peter Greenaway demonstrated in Amsterdam his first VJ performance during an art club evening. On music by DJ Serge Dodwell (aka Radar), ‘VJ’ Greenaway used for his set a special VJ system consisting of a large plasma screen with laser controlled touchscreen. Utilizing this system, Greenaway projected the 92 Tulse Luper ‘stories’ on the 12 screens of Club 11 in a multi-screen way and mixed the images 'live'. The result was amazing: Greenaway rocked the crowd in Amsterdam's VJ temple "11", blending his avantgarde cinematographic imagery (taken from the Tulse Luper Suitcases movie) with the heavy movie score remix by DJ Radar. Mastering the giant touch screen the newborn 'realtime image conductor' Greenaway provided a totally new experience to the audience: true Live Cinema. The VJ debut of Peter Greenaway did not go unnoticed. As "real time image conductor" he finally freed himself from classic cinematographic linearity. With his outstanding cinematographic eye and energetic approach Greenaway won the respect of fellow VJs worldwide and hereby set the pace in the toplevel international VJ scene. The success of this performance made NoTV and Peter Greenaway decide to take the performance to a next level, and bring it to the international audience by starting an official VJ Tour (more info on www.notv.com).

Films

Television

External links

 

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