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Planet of the Apes (1968 film)

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Planet of the Apes is a 1968 science fiction film in which an astronaut finds himself more than 2,000 years in the future stranded on an Earth-like planet, in which humans are enslaved by apes. The film is based on the novel by Pierre Boulle.

Plot details

Astronauts Taylor, Landon and Dodge are in deep hibernation when their spaceship crash lands in a lake on an unknown planet in 3978 A.D. They awaken to find a fourth astronaut, Stewart, has died in space and their ship has started to sink. They use the inflatable raft from the ship to safely reach shore. Once on shore, Dodge performs a soil test and pronounces the soil incapable of sustaining life.

The three astronauts set off through the desert, finding first a single plant and then others. They find an oasis at the edge of the desert where they decide to take a swim. While swimming, their clothes are stolen by unknowns. Pursuing the unknowns, the astronauts find that humans, who are apparently mute, had stolen their clothes. But shortly, the astronauts and other humans are being pursued by gorillas on horseback, hunting the humans for sport and capture. Dodge is shot and killed during the pursuit while Taylor and Landon are captured; Taylor is shot in the throat, an injury that prevents him from talking to the apes for some time. The captives are taken back to Ape City, where Taylor is thrown into a cage with a woman who was captured on the same hunt, the beautiful Nova.

Taylor discovers that the apes, who can talk, are in control and are divided into three classes: gorilla police and military, orangutan administrators and politicians, and chimpanzee intellectuals and workers. Humans, who cannot talk, are wild animals, hunted or used for scientific experimentation. This latter fact is illustrated when Taylor eventually finds Landon, who has been lobotomized after revealing his speaking ability. Taylor had already found Dodge in a museum, stuffed as an exhibit (as Dodge is of African descent, and dark-skinned, he is an anomaly in a world of Caucasian light-skinned humans. Therefore, the apes put him on display).

Cornelius and Zira are scientists who take an interest in Taylor because of his lip movements that resemble talking. In one scene, Taylor writes in the dirt and attempts to call Cornelius and Zira's attention to it, but he becomes frustrated when they do not notice the writing. Dr. Zaius sees some letters on the dirt and realizes that Taylor possesses verbal intelligence. Taylor's voice eventually heals sufficiently that he can talk to Cornelius and Zira, who take a liking to him.

The political leader, Dr. Zaius, soon discovers Taylor's ability to talk and puts him on trial when he tries to escape. But Cornelius and Zira execute a plan (with the help of Zira's nephew) to free Taylor, who insist that Nova be brought along. The five of them flee to the Forbidden Zone, where Cornelius (an archeologist) had, a year earlier, discovered a cave with artifacts of human technology. Zaius and a band of gorillas manage to find them and after a brief battle, Taylor and Nova are allowed to escape on horseback. Zaius lets them go without further confrontation as he thinks it best for everyone if Taylor and Nova both just disappear.

But his experiences so far still do not give Taylor the "why" on how apes became intelligent, talking creatures and humans the slaves (a question we eventually would find the answer to throughout the film series). Soon after his escape, however, in probably the most well-known scene from the film, Taylor discovers the Statue of Liberty half buried in the sand on a beach. He realizes that he's really back on Earth (albeit in the far distant future) and that mankind has finally destroyed civilization by a nuclear war.

This scene frequently makes 'best moments in film' and 'best endings' lists. In its few seconds length, it turns the viewer's whole concept of the film completely on its head (it is only retrospectively that the many clues throughout the film as to how it shall end become apparent). Dr Zaius' increasingly obvious motives for deliberately keeping the population ignorant of his findings and knowledge turn out to be benign, not malignant ones, and Taylor's ego and arrogance are shattered in a second as he comes across the ruined Statue of Liberty, the signal that his race - which up to that point he had always assumed superior to the apes - had managed to destroy its own planet.

Credits and awards

The movie was adapted by Michael Wilson and Rod Serling from the novel La planète des singes by Pierre Boulle. It was directed by Franklin J. Schaffner.

Academy Awards

Award Person
Honorary Award for outstanding achievement in Makeup in the movie John Chambers
Nominated:
Best Costume Design Morton Haack
Best Score Jerry Goldsmith

It won an honorary Academy Award for John Chambers for his outstanding make-up achievement. It was nominated for Best Costume Design (Morton Haack) and Best Original Score for a Motion Picture (not a Musical).

In 2001 the United States Library of Congress deemed the original film "culturally significant" and selected it for preservation in the National Film Registry.

Themes

The film uses the depiction of ape society to attack notions of human superiority. In particular, the apes' prejudice against humans, based on religion, can be seen as an attack both on creationism (Taylor's trial bearing some resemblance to the real-life Scopes Monkey Trial, and the apes' religious texts to the King James Version of the Bible) and on the idea of an "evolutionary ladder" with humans at the top. This reaches its dramatic climax near the end of the movie when Cornelius reads directly from the Sacred Scrolls at the now-captured Dr. Zaius' request:

The story of the Tower of Babel is reflected in the nuclear war that, the movie implies, abases the human population and elevates the apes — human arrogance and self-assurance cause the humans' downfall (attributes that - as the viewer retrospectively realises after watching the film - Taylor displays himself throughout the story).
The famous last shot of the film.
Enlarge
The famous last shot of the film.

The contrast between the mute and primitive humans and the cultured apes echoes the relationship between the Yahoos and the Houyhnhnms in Gulliver's Travels. Both the apes and Swift's Houyhnhnms possess reason and speech, and use those capabilities to oppress a more primitive humanoid population; both works satirize human-centric biases by having the speaking creatures commit "reasonable" acts which the audience can perceive as blatantly immoral (the apes' lobotomizing of Landon, the Houyhnhnms' hunting of Yahoos).

Sequels

Planet of the Apes was followed by four sequels: and two television series: The movie was 'reimagined' in 2001 - see Planet of the Apes (2001 movie).

Modifications from the novel

There have been modifications from the original French novel:

Famous quotes

Influence in other works

References in The Simpsons

Other references

''"Im startin to feel a lot like Charlton Heston stranded on a primate planet apes and orangutans that ran it to the ground with generals and the armies that obeyed them followers following fables philosophies that enable them to rule without regard..."''

''"Escape From the Planet of the Apes. Go forth, ad infinitum. Return the relics to the Elephant. And Atlantis rises.''

Trivia

Cast

External links


Planet of the Apes movie series
Planet of the Apes | Beneath the Planet of the Apes | Escape from the Planet of the Apes | Conquest of the Planet of the Apes | Battle for the Planet of the Apes

 


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