Purandara Dasa
Encyclopedia : P : PU : PUR : Purandara Dasa
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| Period : | 1494 to 1564 |
| Place of Birth : | Pandarapur, Maharashtra |
| Preceptor : | Sri Vyasatirtha |
| Names : |
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| Avatar (believed) : |
Sage Narada |
Sri Purandara Dasa (1494-1564) ("the follower (dasa) of Lord Purandara Vittala [Lord Vishnu in one of his many avatars.]") is known as the father (Pitamaha) of Carnatic music. The dasas, among them Sripadaraya, Sri Kanaka Dasa, Sri Jagannatha Dasa, Sri Vijaya Dasa, and Sri Kamalesha Vittala and others, propounded bhakti to the Lord through music over several years. Purandara Dasa is believed to be an avatar of Sage Narada, (see Vaishnava Theology). Sri Purandara Dasa always concluded his songs with a salute to Lord Purandara Vittala. He is believed to have composed around 475,000 songs, although only a thousand or so of them are known today. All his musical compositions are in Kannada, the state language of Karnataka. He was part of the Bhakti Movement in India and most of his compositions are designed to reach the common man, allowing him to comprehend the glory of God. Today in Carnatic music, no artist’s concert is fully complete without the rendering of a few of his compositions.
Life and work
Sri Purandara Dasa was born to a pawnbroker named Varadappa Nayaka. Varadappa Nayaka and his wife Lakshmi Saraswati Bai had been childless for several years, and finally, after praying to Lord Srinivasa of Tirupati, they became proud parents of a child whom they called Srinivasa. The family are supposed to have hailed from Pandarapur in modern day Maharashtra but Purandara Dasa lived in Hampi, Karnataka during the latter part of his life.Srinivasa Nayaka grew up and entered his father's business. However, unlike his father, he was a miser, so much so that he even balked at spending money on treatment for his father's illness. His wife Lakshmi was the opposite: always wishing to contribute to charity much to the displeasure of her husband.
Purandara dasa is among the great saints of India in his understanding of the power of music and its appeal to illiterate common folk. His songs are sung in every village of Karnataka irrespective of the community. He achieved a rare synthesis of music and poetry.
Transformation from Nayaka to Dasa
| Indian classical music | |
|---|---|
| Carnatic music | |
| Composers | |
| Purandara Dasa | |
| The Trimurti | |
| Tyagaraja | |
| Muthuswami Dikshitar | |
| Syama Sastri | |
| Swathi Thirunal Rama Varma | |
| Singers | |
| M. S. Subbulakshmi | |
| Hindustani music | |
| Concepts | |
| Śruti | |
| Raga | |
| Melakarta | |
| Katapayadi sankhya | |
| Swara | |
| Tala | |
| Mudra |
The poet and the composer
Purandara Dasa's songs are filled with rhyme and meaning. One song talks about how it is human nature to have desire for material objects, only for God to dispose of them, that the human has to suffer without them (kudure andhana aane bayasodhu nara chiththa paadhachaari aagodhu hari chiththavayya - to ride on a horse chariot or elephant is human desire, but to be a pedestrian is what God wills).See also
- Shri Madhvacharya
- Vyasathirtha
- Kanakadasa
- Dvaita Philosophy
External links
- [Biography of Purandara Dasa]
- [Lyrics of songs by Purandara Dasa]
- [Purandaradasa by Dr. Jyotsna Kamat]
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