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Ray Bradbury

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Ray Bradbury in 1945.
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Ray Bradbury in 1945.

Ray Douglas Bradbury (born August 22, 1920) is an American fantasy, horror, science fiction, and mystery writer known best for The Martian Chronicles, a 1950 book which has been described both as a short story collection and a novel, and his 1953 dystopian novel Fahrenheit 451.

Contents

Beginnings

Ray Bradbury (his given name is not Raymond) was born in Waukegan, Illinois to a Swedish immigrant mother and a father who was a telephone lineman.Certificate of Birth, Ray Douglas Bradbury, August 22, 1920, Lake County Clerk's Record #4750. Although he was named after Rae Williams, a cousin on his father's side, Ray Bradbury's birth certificate did indeed spell his first name as "Ray." His paternal grandfather and great-grandfather were newspaper publishers, and not surprisingly, Bradbury was a reader and writer throughout his youth, spending much time in the Carnegie Library in Waukegan. His novels Dandelion Wine and Something Wicked This Way Comes depict the town of Waukegan as "Green Town" and are semi-autobiographical. The Bradbury family lived in Tucson, Arizona, in 1926–1927 and 1932–1933, each time returning to Waukegan, and eventually settled in Los Angeles in 1934, when Ray was thirteen.

Bradbury graduated from Los Angeles High School in 1938 but chose not to attend college. Instead, he sold newspapers at the corner of South Norton Avenue and Olympic Boulevard. He continued to educate himself at the local library, and having been influenced by science fiction heroes like Flash Gordon and Buck Rogers he began to publish science fiction stories in fanzines in 1938. His first paid piece was for the pulp magazine Super Science Stories in 1941. He became a full-time writer by the end of 1942. His first book, Dark Carnival, a collection of short works, was published in 1947 by Arkham House. He married Marguerite McClure (1922–2003) in 1947, and they had four daughters.

Works

Ray Bradbury in 1976.
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Ray Bradbury in 1976.

For Bradbury, there is some blurring of categories, and the distinctions in his works are somewhat subjective, for he frequently has written multiple short stories about a set of characters or a subject, making minor edits or adding supplemental material, and calling the results a "novel". Although he is often described as a science fiction writer, Bradbury does not box himself into a particular narrative categorization:

:"First of all, I don't write science fiction. I've only done one science fiction book and that's Fahrenheit 451, based on reality. Science fiction is a depiction of the real. Fantasy is a depiction of the unreal. So Martian Chronicles is not science fiction, it's fantasy. It couldn't happen, you see? That's the reason it's going to be around a long time — because it's a Greek myth, and myths have staying power." [link]
Besides his fiction work, Bradbury has written many short essays on serious subjects concerning the arts and culture, attracting the attention of serious critics in this field. Bradbury was a consultant for the American Pavilion at the 1964 New York World's Fair and the exhibit housed in EPCOT's Spaceship Earth geosphere at Walt Disney World.

Adaptations of his work

Oskar Werner and Julie Christie in Fahrenheit 451 (1966), a movie directed by François Truffaut and based on the novel.
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Oskar Werner and Julie Christie in Fahrenheit 451 (1966), a movie directed by François Truffaut and based on the novel.

Many Bradbury stories and novels have been adapted to films, radio, television, theater and comic books. In 1951–1954, twenty-seven of Ray Bradbury's stories were adapted by Al Feldstein for EC Comics, sixteen of which were collected in the books The Autumn People (1965) and Tomorrow Midnight (1966). Also in the early 1950s, adaptations of Bradbury stories were televised on a variety of shows including Tales of Tomorrow, Lights Out, Out There, Suspense, CBS Television Workshop, Jane Wyman's Fireside Theatre, Star Tonight, Windows and Alfred Hitchcock Presents.

An outstanding, well-remembered production from this period, praised by Variety, was the half-hour film, "The Merry-Go Round," adapted from "The Black Ferris" and shown on both Starlight Summer Theater in 1954 and NBC's Sneak Preview in 1956. For The Ray Bradbury Theater, first seen on TV from 1985 to 1992, Bradbury adapted 65 of his stories. The Martian Chronicles became a 1980 TV miniseries starring Rock Hudson.

Director Jack Arnold first brought Bradbury to movie theaters in 1953 with It Came from Outer Space, a Harry Essex screenplay developed from Bradbury's screen treatment, "The Meteor". Three weeks later came the release of Eugène Lourié's The Beast From 20,000 Fathoms (1953), based on Bradbury's "The Fog Horn," about a sea monster mistaking the sound of a fog horn for the mating cry of a female. Bradbury's close friend Ray Harryhausen produced the stop-motion animation of the creature. Over the next 50 years, more than 35 features, shorts and TV movies were based on Bradbury stories or screenplays.

Recently, Peter Hyams' film version of Bradbury's 1953 story, A Sound of Thunder (2005) brought an almost unanimous negative reaction from film critics. Reviewing for The New York Times, A.O. Scott observed that "it illustrates the dangers of turning a lean, elegant short story into a loud, noisy, incoherent B movie."

A new film version of Fahrenheit 451 is being planned by director Frank Darabont; an earlier version was directed by François Truffaut in 1966. In 2002, Bradbury's own Pandemonium Theatre Company production of Fahrenheit 451 at Burbank's Falcon Theatre combined live acting with projected digital animation by the [Pixel Pups]. Bradbury and director Charles Rome Smith co-founded Pandemonium in 1964, staging the New York production of The World of Ray Bradbury (1964), adaptations of "The Pedestrian," "The Veldt" and "To the Chicago Abyss."

Controversy over titles

In 2004 it was reported that Bradbury was extremely upset with filmmaker Michael Moore for using the title Fahrenheit 9/11, which is an allusion to Bradbury's Fahrenheit 451, for his documentary about the George W. Bush administration. Bradbury called Moore "a screwed asshole" and "a horrible human being," but stated that his resentment was not politically motivated.[link] Bradbury asserts that he does not want any of the money made by the movie, nor does he believe that he deserves it. He pressured Moore to change the "stolen" name nonetheless, but to no avail. Moore called Bradbury two weeks before the film's release in 2004 to apologize, saying that the film's marketing was set in motion a long time ago, and it was too late to change the title. However, Bradbury has similarly appropriated other authors' titles and phrases in his own works: Beyond 1984 (Orwell), Another Tale of Two Cities (Dickens), —And the Moon be Still as Bright (Byron), The Golden Apples of the Sun (Yeats), I Sing the Body Electric (Whitman), Something Wicked This Way Comes (Shakespeare) and The Machineries of Joy (Blake), though none of these authors were alive at the time Bradbury used their words.

Honors and awards

2004 award recipient Ray Bradbury with President George W. Bush and his wife Laura Bush.
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2004 award recipient Ray Bradbury with President George W. Bush and his wife Laura Bush.

Trivia

List of Bradbury works

Novels

Short story collections

In addition to these collections, many of the stories have been published in multi-author anthologies. Almost 50 additional Bradbury stories have never been collected anywhere after their initial publication in periodicals.

Screenplays and teleplays

This list does not include adaptations by others of Bradbury's published stories.

Radio

This list does not include adaptations by others of Bradbury's published stories.

Poetry

Plays

Children

Fable

Non-fiction

Further reading

Documentaries about Ray Bradbury

References

External links

 

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