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Red Barber

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Walter Lanier "Red" Barber (February 17, 1908October 22, 1992) was an American sportscaster. He was born in Columbus, Mississippi.

Barber, nicknamed "The Ol' Redhead", was primarily identified with radio broadcasts of Major League Baseball, calling play-by-play across four decades with the Cincinnati Reds (1934-38), Brooklyn Dodgers (1939-1953), and New York Yankees (1954-1966). Like his fellow sports pioneer Mel Allen, Barber also gained a niche calling college and professional football in his primary market of New York City.

Early years

Barber grew up in Mississippi, and was a distant relative of poet Sidney Lanier. He got his start in broadcasting in the 1920s while studying English education at the University of Florida. He filled in for an absent reporter on WRUF, the university's radio station, and read a scholarly paper on the air. After those few moments in front of a microphone, Barber decided to switch careers. The radio station hired him as a full-time employee in 1930, and during his tenure he announced Florida football games. Barber promptly dropped out of school to focus on his radio work. He held his position at WRUF for the next four years, eventually landing a job with the Reds.

On Opening Day in 1934, Barber broadcast his first play-by-play for a major league game, as the Reds lost to the Chicago Cubs 6-0. It was also the first major league game Barber had ever seen in person. He called games from the stands of Cincinnati's newly-named Crosley Field for the next four seasons.

Brooklyn Dodgers

Barber had been hired by Larry MacPhail, then president of the Reds. When MacPhail moved on to become President of the Dodgers in 1938, he took Barber with him.

At Brooklyn, Barber became an institution, widely admired for his folksy style of play-by-play and his signature catchphrases, which included:

To further his "Southern gentleman" image, Barber would often identify players as "Mister," "Big Fella" or "Old" (regardless of the player's age): A number of play-by-play announcers, including Chris Berman, picked up on his use of "back, back, back" to describe a long fly ball with potential to be a home run. Oddly, those other announcers are describing the flight of the ball, whereas Barber was describing the outfielder, in this famous call from the 1947 World Series with Joe DiMaggio at bat: The "Oh, Doctor" phrase was also picked up by some latter-day sportscasters, most notably Jerry Coleman, who was a New York Yankees infielder during the 1940s and 50s and later worked alongside Barber in the Yankees radio and TV booths.

In 1939, Barber broadcast the first major-league game on television. He later added to his Brooklyn duties a job as sports director of the CBS Radio Network, succeeding Ted Husing, and called college football and other events.

For most of his run with the Dodgers, the team was broadcast over radio station WMGM, also known at times as WHN, at 1050 on the AM dial. From the start of regular television broadcasts until their move to Los Angeles, the Dodgers were on WOR-TV, New York's Channel 9. Barber's most frequent broadcasting partner was Connie Desmond.

While running CBS Sports, he became the mentor of another redheaded announcer -- a young Vin Scully -- recruiting the Fordham University graduate for CBS's football coverage, and eventually inviting him into the Dodgers' broadcast booth.

Barber was the first person, outside of the team's board of directors, to be told by Dodger president Branch Rickey that the Dodgers had begun the process of racial desegregation in baseball, a process that led to the signing of Jackie Robinson as the first black player in major league baseball since the 1880s. As a Southerner, living with segregation as a fact of life written into law, Barber told Rickey that he wasn't sure he could broadcast the games, but said he would try. Observing Robinson's skill on the field and the way Robinson held up to the vicious abuse from opposing fans, Barber became an ardent supporter of Robinson and the black players who followed him, including Dodger stars Roy Campanella and Don Newcombe.

New York Yankees

Barber was determined to be a fair broadcaster, and not a "homer" who would seem to be cheering for his employer. By the end of the 1953 season, with Walter O'Malley having a controlling interest in Dodger ownership, Barber was pressured to become more of a homer. Fed up with O'Malley's demands, he left, and was hired the next season by the crosstown Yankees. The Yankees would usually be on radio station WINS, 1010 AM, and their television station for most of their history was WPIX-TV, New York's Channel 11.

Barber remained a seemingly neutral observer, compared to the Yankees' regular announcer, Mel Allen, often described as one of the biggest "homers" in baseball history, and Phil Rizzuto, the former Yankee shortstop who joined the broadcast booth in 1957 and who would also be renowned for excessive homerism.

Barber described one of the central differences between himself and Allen as how they described potential home runs. Allen would watch the ball, resulting in his signature call of "That ball is going, going, it is GONE!" sometimes turning into, "It is going, going, caught!" or "Going, going, foul!" Barber would watch the outfielder, his movements and his eyes, and would thus have a better idea of whether the ball would be caught. This is evident in his famous call of the Gionfriddo catch. Many announcers say "back, back, back" describing the ball's flight. It is clear from the Gionfriddo call that Barber is describing the action of the outfielder, not the ball.

Late in 1966, a season in which the Yankees finished in tenth and last place, their first time at the bottom of the standings since 1912 and after more than 40 years of dominating the American League, a paid attendance of 431 was announced at the 67,000-seat Yankee Stadium. Barber asked the TV cameras to pan the empty stands as he commented on the low attendance. He was fired at the end of the season.

Later life

After his dimissal by the Yankees in 1966, Barber retired from baseball broadcasting. He wrote several books, including his autobiography, Rhubarb in the Catbird Seat; contributed to occasional sports documentary programs on radio and television; and from 1981 until his death made weekly contributions to National Public Radio's Morning Edition program. He would talk to host Bob Edwards about sports or other topics, including the flora at Barber's home in Tallahassee, Florida. Barber would call Edwards "Colonel Bob", referring to Edwards' Kentucky Colonel award from his native state. In 1993, Edwards' book Fridays with Red: A Radio Friendship (ISBN 0671870130) was published, based on his Morning Edition segments with Red Barber.

Honors

In 1978, Barber joined former colleague Mel Allen to become the first broadcasters to receive the Ford C. Frick Award from the Baseball Hall of Fame. In 1979, he was recognized with a Distinguished Alumni Award from the University of Florida, given a Gold Award by the Florida Association of Broadcasters, and inducted into the Florida Sports Hall of Fame. He was inducted into the Radio Hall of Fame in 1995.

The Red Barber Radio Scholarship is awarded each year by the University of Florida's [College of Journalism and Communications] to a student studying sports broadcasting.

A WRUF [microphone] used by Barber during the 1930's is part of the National Baseball Hall of Fame and Museum's collection. It has been displayed in the museum's "Scribes and Mikemen" exhibit, and from 2002-2006 it will tour as part of the "Baseball as America" traveling exhibition.

External links

 


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