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Restless (Buffy episode)

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"Restless" is the 22nd and last episode of season 4 of the television series Buffy the Vampire Slayer, characterized by bizarre dream settings which illustrate the four main characters' overall themes as well as providing extensive hints about future developments.

Plot synopsis

Summary

"Restless", follows the Scooby Gang's victory over the villain Adam by magically joining in "Primeval". Like many other episodes in the series, its starting point is the unintended side effects of magic: The joining has summoned the essence of the first Slayer, and she is not happy about how Buffy is handling the job.

Buffy, Xander, Willow, and Giles meet at Buffy's to relax with videos, one of them Apocalypse Now. They fall asleep before they even get through the FBI warning and are confronted by the first Slayer in their dreams. Each of the four Scoobies experience vivid dreams.

Tara Maclay
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Tara Maclay

Willow's dream

The episode begins with Willow painting a Sapphic love poem in Greek on Tara's back; she is then faced with the opening performance of Death of a Salesman, with a cowboy in it for some reason, as part of a drama class she signed up for. Willow realizes with increasing uneasiness that she neither knows her lines nor her role. Buffy then takes Willow to stand in front of her old school class in her nerd clothes from the first season with Xander putting her down for her book review. She is killed by The First Slayer in front of the class.

Xander's dream

In the longest dream, Xander wakes on Buffy's couch to find a bizarrely altered version of Apocalypse Now playing on the television. After excusing himself to use the restroom, he finds himself the object of Joyce's attraction. He then meets Buffy, Giles, and Spike in a playground where Giles tells him that Spike is being trained as a Watcher, switches to an ice-cream truck with Anya where Willow and Tara make a pass at him in the back. Xander comes across Giles, who starts revealing the reason for the dream, but then starts speaking French. A reenactment of the Apocalypse Now scene with Walter Kurtz turned into a discussion between Xander and Principal Snyder follows. Finally, Xander is killed by the first Slayer who takes the guise of his father.

Giles' dream

Giles starts out in a family scene with Buffy and his girlfriend Olivia at a fairground. Quicker than the others to understand that something is wrong, he confronts Spike, who is posing for a photo-shoot in his crypt, as to the matter. In The Bronze, he meets Anya failing as a stand-up comedian and Xander and Willow, who warn him of their attacker. He breaks out into song, giving suggestions on how to deal with what hunts them, but when the sound system breaks down, he crawls backstage. He begins to realise his pursuer is the First Slayer, only for her to scalp him.

An interesting speculation regards his hypnotizing Buffy. She asks if this is old-fashioned. He replies, "This is how men and woman have behaved since the dawn of time," and she bursts out laughing. This may imply that Giles's feelings for Buffy is more than paternal, fearing rejection due to his age and ways, the scene immediately changes to one where he represses his earlier feelings by playing her father figure. Olivia, his ex, helps him but she is soon crying in the background as Giles wanders off.

Buffy's dream

In the final dream sequence, Buffy is woken by Anya in Buffy & Willow's dorm room, only to switch to her own room at home where she talks to Tara. At the old school, Buffy talks to her mother who lives in the walls, then meets Riley at the Initiative. He has been promoted to Surgeon General and is drawing up plans with the human Adam for world domination through intelligent coffee makers. The three of them are interrupted by a demon attack, and Riley and Adam leave to create a pillow fort for protection. When Buffy finds her weapons bag, the only thing in it is mud, which she smears on her face. Transported to the desert, she finally confronts The First Slayer, who uses Tara's voice. The First Slayer tells Buffy that she cannot have friends and must work alone, which Buffy rejects. The Slayers fight in the desert and then in Buffy's living room next to her dying friends until Buffy realizes that she can stop the fight mentally. The First Slayer vanishes and everybody wakes up when Buffy starts talking about hair care.

Special characters and interactions

During the dream phases, the characters are able to communicate with each other to some extent and warn each other. Tara, usually in the background of the group's activities, here acts as sort of a guide in each dream. "I was borrowed," she tells Buffy. However, the most distinctive and probably nonsensical character of "Restless" is the Cheese Man, appearing in all the dreams and offering slices of cheese to the dreamers and then disappearing.

Writing and acting

"Restless" is one of the most layered episodes of the whole series, with a wealth of self-references, quotes of things past and hints of future occurrences, as well as literary allusions. While this amount of self-referential content is exactly what has lead to it becoming a favourite among Buffy fans, it also makes "Restless" hard to understand or appreciate for viewers who are not familiar with the characters' themes and the show's nature.

Compared with the other two dreams, Xander's seems somewhat long and Giles's somewhat short. Giles, however, is quick to understand what the group is facing and has to be dispatched quickly: We cannot be sure that his claim "I can defeat you with my intellect" is not in fact true. In comparison, Xander's has more hang-ups to deal with and also has no direct confrontation with the First Slayer.

Cast

Production details

Music

Quotes and trivia

Xander: Sometimes I think about two women doing a spell… [beat] …and then I do a spell by myself.

Continuity

Arc significance

"Restless" continues the main themes each characters face during the whole series: Willow's fear of failure and of coming out about her relationship with Tara, and her struggle to leave her nerd mindset behind; Xander's conflict with his immaturity, dysfunctional family and fear of being left behind in life by his friends; Giles's fatherly relationship with Buffy and current lack of direction in life; and Buffy's continued struggle with the loneliness of the Slayer.

Hints are given about each character's future, though in some cases they are not put into context until well into the next season. Tara takes the role of an oracle here, and through her words and other occasions make references to the future, namely:

Through these hints and the exploration of the gang's themes, the episode actually works more as an introduction to the forthcoming season than an actual fallout from what has developed throughout season 4 (that is, not taking in account the characters' evolutions) - the last words of the episode, a voice over from Tara, start Buffy on the next season's quest for her own identity, the quest that in the end will lead her to her (second) death. As such, the episode is a somewhat unusual choice for a season finale.

The bag from which Buffy removes the mud which she uses on her face is quite similar to the Emergency Kit Buffy receives from Robin Wood in "Get It Done".

Timing

Location, time
(if known)
Buffyverse chronology: January 2000 - Spring 2000
(non-canon = italic)
Sunnydale, 2000 B4.12 A New Man (Buffy episode)>A New Man
L.A., 2000 A1.12 Expecting (Angel episode)>Expecting
L.A., 2000 Angel graphic novel: Hunting Ground (Angel comic)>Hunting Ground
L.A., 2000 Angel comic: Strange Bedfellows (Angel comic)#Angel #10>Strange Bedfellows/Love for sale
Sunnydale, 2000 B4.13 The I in Team (Buffy episode)>The I in Team
L.A., 2000 A1.13 She (Angel episode)>She
Sunnydale, 2000 B4.14 Goodbye Iowa (Buffy episode)>Goodbye Iowa
Sunnydale, 2000 Buffy video game:
L.A., 2000 A1.14 I've Got You Under My Skin (Angel episode)>I've Got You Under My Skin
Sunnydale, 2000 B4.15 This Year's Girl (Buffy episode)>This Year's Girl
L.A., 2000 A1.15 The Prodigal (Angel episode)>The Prodigal
Sunnydale, 2000 B4.16 Who Are You? (Buffy episode)>Who Are You?
L.A., 2000 A1.16 The Ring (Angel episode)>The Ring
Sunnydale, 2000 Buffy comic: Giles (Buffy comic)>Giles
Sunnydale, 2000 Buffy comic: Jonathan (Buffy comic)>Jonathan (by Jane Espenson)
Sunnydale, 2000 B4.17 Superstar (Buffy episode)>Superstar
Sunnydale, L.A., 2000 Buffy/Angel graphic novel: Past Lives (Buffy/Angel comic)>Past Lives
Sunnydale, 2000 Buffy graphic novel: Out of the Woodwork (Buffy comic)>Out of the Woodwork
Sunnydale, 2000 Buffy book: These Our Actors (Buffy novel)>These Our Actors
L.A., 2000 A1.17 Eternity (Angel episode)>Eternity
Sunnydale, 2000 B4.18 Where the Wild Things Are (Buffy episode)>Where the Wild Things Are
L.A., 2000 A1.18 Five By Five (Angel episode)>Five By Five
Sunnydale, 2000 B4.19 New Moon Rising (Buffy episode)>New Moon Rising
L.A., 2000 A1.19 Sanctuary (Angel episode)>Sanctuary
Sunnydale, 2000 B4.20 The Yoko Factor (Buffy episode)>The Yoko Factor
L.A., 2000 A1.20 War Zone (Angel episode)>War Zone
Sunnydale, 2000 B4.21 Primeval (Buffy episode)>Primeval
L.A., 2000 A1.21 Blind Date (Angel episode)>Blind Date
Sunnydale, L.A., 2000 B4.22 Restless (Buffy episode)>Restless
L.A., 2000 A1.22 To Shanshu in L.A. (Angel episode)>To Shanshu in L.A.
L.A., 2000 Angel comic: Strange Bedfellows (Angel comic)#Angel #17>Cordelia special
Sunnydale, L.A., 2000 Buffy/Angel books: Unseen (Buffy/Angel novel)>Unseen [Trilogy]

External links

PLEASE DISCUSS CHARACTER ADDITTIONS/REMOVALS BEFORE MAKING CHANGES AT (http://en.wikipedia.org/wiki/Wikipedia_talk:WikiProject_Buffyverse#Buffyverse-box_character_inclusions)

This box cannot/shouldn't be including every Buffyverse character. Some suggested guidelines are:

"The people who appeared in the opening credits (Scooby Gang & Fang Gang/FG) appear in the box, and the most important villains/friends who had a significant emotional impact on multiple of those opening credits characters - as long as they have a significant episode count, and preferably if they appear in three or more seasons."

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