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Rudolph the Red-Nosed Reindeer (TV special)

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Rudolph the Red-Nosed Reindeer is a long-running Christmas television special produced in stop motion animation by Rankin-Bass. It first aired December 6, 1964 on the NBC television network in the USA and was sponsored by (eventual owner of NBC) General Electric. It is based on the famous song by Johnny Marks, and in turn taken from the 1939 poem of the same title written by Marks' brother-in-law, Robert L. May. Since 1972, the special has aired over CBS, who unveiled a high-definition, digitally remastered version in 2005.

Additional characters

In Romeo Muller's story of Rudolph (voiced by Billie Mae Richards) numerous new characters are introduced. From the original song lyrics, the show features Santa (voiced by Stan Francis) and Mrs. Claus (who speaks with a vaguely Irish brogue) and the reindeer mentioned in the song. Of them, Donner is identified as Rudolph's father, and Comet is presented as the coach of the reindeer team. (Donner and Comet are voiced identically by Paul Kligman.)

The show also introduces:

Several new members of Santa Claus' herd of reindeer include Clarice (voiced and sung by Janet Orenstein), a young doe with a crush on Rudolph, and Fireball. Fireball is a young buck with a distinctive shock of blond hair who befriends shy Rudolph at the 'Reindeer Games', the annual contest where Santa Claus evaluates the flight skills of his youngest reindeer. It is Fireball who encourages Rudolph to meet Clarice a young doe who has developed a crush on Rudolph. Clarice informs Rudolph that she finds him cute. Inspired by Clarice's affection, Rudolph impresses all the reindeer assembled with his flying ability. A playful scuffle with Fireball ensues and the rubber cap Rudolph has been wearing to hide his glowing nose comes loose. Fireball is the first to witness Rudolph's true appearance and is terrified by the sight.

Though Fireball does not appear on screen to be among the reindeer who mock Rudolph at the Reindeer Games, his voice is clearly heard doing so. He can be heard calling him "Rudolph the Red-Nosed Reindeer" and then some other bucks laugh.

The Island of Misfit Toys

The "Island of Misfit Toys," another canonical addition to the original story, is an island sanctuary where defective and unwanted toys are sent. Among its inhabitants:

It is during this scene that the Marks standard, "The Most Wonderful Day Of The Year" is performed by the inhabitants. Toy versions of nearly every character from this show were produced in the 1990s.

Viewers were so taken by these forlorn characters that were many complaints that Santa is not seen fulfilling his promise to include them in his annual delivery. In reaction, a new scene for subsequent rebroadcasts was produced with Santa, with Rudolph in the lead, making his first stop at the island to pick up the toys.

Additional background

The songs and incidental music were written by Johnny Marks. In addition to the songs previously mentioned, the score also includes the film's love theme "There's Always Tomorrow", sung by the reindeer Clarice after Rudolph is kicked out of the reindeer games. As previously discussed, the song "Fame And Fortune" replaced the "Misfits" reprise for later television broadcasts from 1965 until 1998.

Sequels

The special (which currently airs on CBS) inspired numerous television sequels made by the same studio. The best-known Rudolph sequel is "Rudolph's Shiny New Year" from 1976 which first aired on ABC and is still aired annually.

Rudolph and Frosty's Christmas in July paired Rudolph with another famous creation inspired by a song - Frosty The Snowman, and was released in the summer of 1979, which Arthur Rankin, Jr. would later acknowledge was a bad idea. It is notable as the final Rankin-Bass Christmas special and final use of their "Animagic" stop-motion animation.

A direct-to-video sequel, Rudolph the Red-Nosed Reindeer and the Island of Misfit Toys, was a CGI-animated release by Goodtimes Entertainment in 2001.

Parodies of, and homages to Rudolph

The television special's familiarity to American audiences through its annual rebroadcasts coupled with its primitive stop-motion animation that is easy to recreate with modern technology has lent itself to numerous parodies over the years:

External links

 


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