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Rumba (dance)

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Rumba is a dance organically related to the rumba genre of Afro-Cuban music. Throughout the history one may trace several styles of dances called "Rumba".

Some dancers considered Rumba the most erotic and sensual Latin dance, for its relatively slow rhythm and the hip movement. Rumba is actually the second slowest Latin dance: the spectrum runs Bolero, Rumba, ChaChaCha, Mambo in order of the speed of the beat.

Cuban Rumba

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Rumba arose in Havana in the 1890s. As a sexually-charged Afro-Cuban dance, Rumba was often suppressed and restricted because it was viewed as dangerous and lewd.

Later, Prohibition in the United States caused a flourishing of the relatively-tolerated cabaret Rumba, as American tourists flocked to see crude sainetes (short plays) which featured racial stereotypes and generally, though not always, Rumba.

Rumba is thought to have contributed to the origin of the cha-cha-cha, and indeed most figures (if not all, somehow) can be reinterpreted in cha-cha-cha.

Traditional belief holds that the Rumba was originally contrived within the Afro-Cuban population in Cuba.

Early American Rumba

This kind of Rumba introduced into American dance salons at the beginning of the 20th century, characterized high tempo, nearly twice as fast as the modern ballroom Rumba, typical examples being the tunes The Peanut Ventor and Siboney.

Ballroom Rumba

American Style Rumba is characterized by the Latin motion (sometimes called Cuban motion or hip sway) arising from a knee being bent, as opposed to the straight leg style used in International.

Additionally, the same move in terms of footwork often goes by a different name in American versus International.

Steps

The Basic

The basic move in Rumba is known as a Box Step. It is similar in basic structure to Waltz and other box-step dances in step position, but uses a 4/4 timing versus the 3/4 timing found in Waltz. Assuming an eight count step (two measures of 4/4), steps occur on one, three, four, five, seven, and eight. This leaves a "slow--quick-quick-slow--quick-quick" pattern to the dance in its most basic form.
Description Image
Step 0, Starting position. Lead (represented in blue) and Follow (represented in pink) face each other, feet closed, roughly squarely in front of each other. Rumba0.png
Step 1. Beginning of movement. Lead steps forward with the left foot while Follow steps backward with the right foot. This begins slightly before the first count in the music, so that the foot comes down on the first count. Dancers hold this position through the second count. This is the first slow in the slow--quick-quick pattern described above. Rumba1.png
Step 2. Lead brings the right foot forward and then to the right, while Follow brings left foot back and to the left. This occurs for the third count. This is the first quick in the slow--quick-quick pattern. Rumba2.png
Step 3. Lead's left foot steps to the right to meet the right foot while Follow's right foot steps left to meet the left foot. This occurs for the fourth count of music. This is the second quick in the slow--quick-quick pattern. Rumba3.png
Step 4. Lead steps backward with the right foot while Follow steps forward with the left foot. This move is basically the reverse of Step 1, and occurs with the fifth count of music in the same manner that Step 1 occurred with the first count. Dancers hold this position through the sixth count of music. This is the first slow in the second part of the slow--quick-quick pattern. Rumba4.png
Step 5. Lead brings the left foot backward and then to the left, while Follow brings right foot forward and to the right. This occurs on the seventh count. This is the first quick in the second part of the slow--quick-quick pattern. Rumba5.png
Step 6. Lead's right foot steps to the left, meeting the left foot, while Follow's right foot steps to the right, meeting the left foot. This occurs on the eighth count of music. This is the second quick in the second part of the slow--quick-quick pattern, and leaves the Dancers in the position in Step 0, to begin again at Step 1 on the next count of music and with the next slow--quick-quick pattern. Rumba6.png
The basic is only to provide a framework for the rest of the dance. Mastering the dance requires learning additional steps that fall within this framework.

American Style

Under arm turn

Open Breaks

Fifth-position Breaks

International Style

Alemana

New Yorker

Spot Turn

The Fan

The Hockeystick

The Aida

Cucarachas

The Cuban Rocks

La Elenita

The Fencing Line

El Paseo

El Molinito

El Mojito

Manita a Mano

The Liquidizer

Sliding Doors

Rope Spinning

 


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