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Saving Private Ryan

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Saving Private Ryan is a 1998 Academy Award winning film, directed by Steven Spielberg and written by Robert Rodat, set in World War II.

This film is particularly notable for the intensity of the scenes in its first thirty minutes or so, which depict the Omaha beachhead assault of June 6, 1944. Thereafter it takes a heavily fictionalised route built around the search for a paratrooper of the United States 101st Airborne Division (yet inspired by a true story).

Spielberg later pursued his interest in the liberation of Europe with the television mini-series Band of Brothers which he co-produced with Tom Hanks.

Awards

The film was nominated for 11 Academy Awards, and won five: for Best Director, Best Film Editing (Michael Kahn), Best Cinematography, Best Sound, and Best Sound Effects Editing. The film was widely considered to be picked as winner of the Best Picture award, but lost to Shakespeare in Love. Saving Private Ryan's failure to win a Best Original Screenplay award is sometimes blamed on an Screen Actors Guild investigation into Steven Spielberg's statements that such notable writers as Steven Zaillian and William Goldman had worked on the script, despite the fact that Robert Rodat had received sole credit as screenwriter.

Historical background

The real "Ryan" was Sgt. Frederick (Fritz) Niland, who, with some other members of the 101st, was inadvertently dropped too far inland. They eventually made their own way back to their unit at Carentan, where the Chaplain, Lt. Col. Father Francis Sampson, told Niland about the death of his three brothers, two at Normandy and one in the Far East.

Under the US War Department's Sole Survivor Policy, brought about after the death of five Sullivan brothers serving on the same ship, Fr. Sampson arranged passage back to Britain and thereafter to his parents, Augusta and Michael Niland, in Tonawanda, New York. There was no behind-the-lines rescue mission, and his mother was not a widow, although it is believed that she did receive all the telegrams at the same time (Ambrose, Stephen E., D-Day, Simon & Schuster, 1997). Additionally, the brother believed to be killed in the Far East turned out to have been captured and later returned home. Fr. Francis Sampson wrote about Niland and the story of the 101st, in his 1958 book, Look Out Below (ISBN 1877702005).

Main cast

See Cast of Saving Private Ryan for a more comprehensive cast list.

  • Tom Hanks - Captain John H. Miller, a former school teacher from Pennsylvania who keeps his life private from his squad.
  • Edward Burns - Private Richard Reiben, from Brooklyn. BAR Gunner.
  • Tom Sizemore - Technical Sergeant Michael Horvath, Miller's senior non-commissioned officer.
  • Matt Damon - Private James Francis Ryan, Paratrooper Rifleman.
  • Jeremy Davies - Corporal Timothy E. Upham -- not originally in Miller's company, he is attached to the squad to function as a language translator. Upham is supposed to represent the viewer - exposed to the horror of war for the first time.
  • Adam Goldberg - Private Stanley Mellish, a Jewish Rifleman.
  • Nathan Fillion - Minnesota Private James Fredrick Ryan, Rifleman mistaken for the real Private Ryan

Filming locations

Locations for the film include:

Influence

Film

While researching the film, director Steven Spielberg met the military historian Stephen E. Ambrose. Spielberg subsequently adapted Ambrose's 1992 book Band of Brothers into a television miniseries for HBO, which premiered on September 9, 2001. The series was closely related to Saving Private Ryan, with a similarly mature style, a frank approach to battlefield violence, and a desaturated color scheme and cinéma vérité-style cinematography. Tom Hanks, star of Ryan, co-produced the series and even directed one episode.

The film's realistic approach to battlefield action influenced subsequent war films, notably Ridley Scott's 2001 Black Hawk Down and Jean-Jacques Annaud's 2001 Enemy at the Gates.

Video games

The amphibious assault and other battles shown in the movie have inspired many PC and video games, such as the WW2-themed Battlefield 1942, the Half-Life modification Day of Defeat, Return to Castle Wolfenstein, ', ', and Call of Duty 2. Several attempted to re-create the famous D-day landing. Although only Omaha Beach was portrayed in Saving Private Ryan, these games often include elements from another D-day assault point, Juno Beach, which had a higher sea wall and heavy gun batteries. The games Conker's Bad Fur Day and include a chapter called "It's War!" and a multiplayer mode, both of which parody Saving Private Ryan. Both the Call of Duty series and the "Brothers in Arms series copies the slow-motion action and muted audio used occasionally in the film when an explosion occurs near the player.

Trivia

Historical inaccuracies

Criticism

Some critics have claimed that the film is too patriotic and too focused on the American contribution to D-Day. Commonwealth forces are not really mentioned in the movie and when they are shown in a negative light (Miller's conversation with Ted Danson's character regarding Montgomery). The portrayal of the normal German soldier, as "yelling, nameless killing machines", has also been claimed as unfair.

Counterbalancing these arguments are the scenes of American troops killing surrendering Czech-speaking soldiers (members of what the Germans called Ost [East] Battalions, men taken prisoner in eastern European countries invaded by Germany and forced into the German army) after the breakout from Omaha beach. Supporters of the film have observed that the actual plot of the film is not about D-Day but about a group of American soldiers trying to find another American soldier. D-Day is merely the backdrop to the plot and as such the exclusion of Commonwealth (Great Britain and Canada) forces was dictated by the story line (US and Commonwealth forces did not mix during the invasion). The views expressed by Miller and the Airborne captain were reflective of the opinions of some American soldiers of the time.

Finally, the movie was shot from the perspective of the American soldier on D-Day and immediately after. The essential humanity of the enemy is not evident to the soldiers involved in battle, thus the portrayal of German soldiers as "yelling killing machines" may be a valid one from the standpoint of the film. On the other hand, a particularly gruesome and possibly gratuitous scene of a German soldier slowly killing one of the main characters later in the film undermines this argument, as does the color saturation of the film. While the colouring of the film is desaturated with high contrast to give the impression of the bleak tone of war, the American soldiers are shot with warm-toned faces while the German soldier's faces are "washed out", making them less appealing.[link]

See also

External links and references

 


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