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Signals (album)

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Signals is the ninth studio album by the Canadian rock band Rush, released in 1982 (see 1982 in music).

Signals was the follow-up to the successful Moving Pictures. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s. Though there was an increased use of electronic instrumentation (keyboards, sequencers, electric violin), the album still followed the path Rush had laid out as far back as 1977's A Farewell to Kings album. However, in terms of song length and lyrical compression, Signals was the end of Rush's extended instrumentals. The album had eight songs, the longest of which is 6:24. The album reached #10 on the Billboard album charts and went Platinum (1,000,000 copies sold) in the US in 1982.

The album was an early full digital recording.

Song Notes

The opening track from Signals is "Subdivisions". The track would become a staple of the bands concert setlists for many years.

"Digital Man", a slightly reggae-based song, ultimately led to the end of the relationship between long-time producer Terry Brown and the band. Brown was reluctant to leave behind the bands progressive-rock past, while band members, especially Lee, wanted to explore new musical directions.[[Citing sources citation needed]]

"The Weapon" (Part II of the 'Fear' trilogy) would be featured in the album's supporting tour and would include a video opening hosted by Count Floyd of SCTV fame.

"New World Man" would become an FM radio hit for the band. The song was written and recorded at the end of the recording sessions with the intention of preserving the continuity of the then-popular cassette tape format. This allowed for two roughly 21-minute sides with as little "dead air" between them as possible.

"Losing It" includes a guest appearance by FM alumnus Ben Mink on electric violin. Neil Peart's lyrics reference, among other things, the latter years of writer Ernest Hemingway: "for you the blind who once could see, the bell tolls for thee..."

The lyrics in the final track, "Countdown", describe the launch of the Space Shuttle Columbia in 1981 which the band were present for. The song features audio clips of some of the radio talk recorded during the maiden flight.

Signals represented the band's last collaboration with producer Terry Brown, who had co-produced every Rush album since 1975's Fly by Night, and had engineered the eponymous first album in 1974.

Track listing

  1. "Subdivisions" – 5:33
  2. "The Analog Kid" – 4:46
  3. "Chemistry" – 4:56
  4. "Digital Man" – 6:20
  5. "The Weapon (Part II of Fear)" – 6:22
  6. "New World Man" – 3:41
  7. "Losing It" – 4:51
  8. "Countdown" – 5:49
(The Track Listing is from the CD Release. This album was originally released on LP and cassette.)

Personnel

Charts

Album - Billboard (North America)
Year Chart Position
1982 Pop Albums 10
Singles - Billboard (North America)
Year Single Chart Position
1982 New World Man Mainstream Rock Tracks 1
1982 Subdivisions Mainstream Rock Tracks 3
1982 The Analog Kid Mainstream Rock Tracks 19
1982 New World Man Pop Singles 21

Remaster Details

Mobile Fidelity Sound Labs issued a remaster in 1994. A remaster was issued in 1997.
Rush
Geddy Lee | Alex Lifeson | Neil Peart
John Rutsey
Discography
Albums: Rush | Fly by Night | Caress of Steel | 2112 | A Farewell to Kings | Hemispheres | Permanent Waves | Moving Pictures | Signals | Grace Under Pressure | Power Windows | Hold Your Fire | Presto | Roll the Bones | Counterparts | Test for Echo | Vapor Trails
Live albums: All the World's a Stage | Exit...Stage Left | A Show of Hands | Different Stages | Rush in Rio | | Rush Replay X 3
Compilations: Archives | Chronicles | Retrospective I | Retrospective II | [[The Spirit of Radio: Greatest Hits 1974-1987]] | Gold
Other records: Not Fade Away (Single) | Feedback (Cover album)
Related articles
[[Burning For Buddy: A Tribute To The Music Of Buddy Rich|Burning For Buddy]] | [[Burning For Buddy: A Tribute To The Music Of Buddy Rich, Vol. 2|Burning For Buddy, Vol. 2]] | Victor | My Favorite Headache | A Work In Progress | Anatomy of A Drum Solo
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