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String Quartets Nos. 7 - 9, Opus 59 - Rasumovsky (Beethoven)

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The three "Rasoumovsky" (or "Razumovsky") String Quartets, Opus 59, are the quartets Ludwig van Beethoven wrote in 1805-1806, as a result of a commission by Count Andreas Razumovsky:

*String Quartet No. 7 in F major, Opus 59, no. 1
*String Quartet No. 8 in E minor, Opus 59, no. 2
*String Quartet No. 9 in C major, Opus 59, no. 3
They are the first three of what are usually known as the "Middle Period" string quartets, or simply the "Middle Quartets." The other two are Opus 74 and Opus 95. Many quartets record all five as a set.

A peculiarity of the Razumovsky set of quartets is that Beethoven uses a characteristically "Russian" theme in the first two quartets in honor of the prince who gave him the commission. In Opus 59 No. 1, the "Thème russe" is the principal theme of the last movement; in Opus 59 No. 2, the "Thème russe" is in the "B" section of the third movement, the scherzo (and happens to be a tune which Mussorgsky also used in Boris Godunov). In the quartet Opus 59 No. 3, there is no "Thème russe" explicitly called out in the score, but many commentators have heard a "Russian" character in the subject of the second movement, the Andantino.

All three quartets were published as a set in 1808 in Vienna.

References and further reading

String Quartets by Ludwig van Beethoven
String Quartets Nos. 1 - 6, Opus 18 (Beethoven)>String quartets, Op. 18 | Op. 18 No. 1 | Op. 18 No. 2 | Op. 18 No. 3 | Op. 18 No. 4 | Op. 18 No. 5 | Op. 18 No. 6
String Quartets Nos. 7 - 9, Opus 59 - Rasumovsky (Beethoven)>String quartets, Op. 59 ("Rasumovsky") | Op. 59 No. 1 | Op. 59 No. 2 | Op. 59 No. 3
String Quartets Nos. 10 - 11, Opus 74 "Harp" and 95 "Serioso" (Beethoven)>Middle period quartets | Op. 74 ("Harp") | Op. 95 ("Serioso")
String Quartets Nos. 12 - 16 and Grosse Fuge, Opus 127, 130 - 135 (Beethoven)>Late quartets | Op. 127 | Op. 130 | Op. 131 | Op. 132 | Grosse Fuge, Op. 133 | Op. 135
Arrangement by Beethoven of Op. 14 No. 1

 


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