Symphony No. 94 (Haydn)
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Joseph Haydn's Symphony No. 94 in G major was composed in 1791. It is usually called by its nickname, the Surprise Symphony, and is still often played and recorded.
Haydn was well known for including jokes in his music, and the 'Surprise' Symphony includes what is probably the most famous one: a jolting chord sounds near the beginning of the second movement after a relatively tranquil opening. The chord "disappears" as quickly as it arrives, and the music immediately returns to its original dynamic, as if nothing had happened.
Composition and premiere
Haydn wrote the symphony in London for a concert series he gave during the first of his two visits to England (1791-1792). The premiere took place on March 27, 1792, with Haydn leading the orchestra seated at a fortepiano.
As with Haydn's England visits in general, the premiere was greatly successful. One reviewer wrote that the symphony was "equal to the happiest of this great Master's conceptions." In his feeble old age Haydn remembered the premiere with nostalgia, recounting to his biographer Griesinger:
- ...it was my wish to surprise the public with something new, and to make a debut in a brilliant manner, in order not to be outdone by my pupil Pleyel
[ who was leading a rival series of concerts] ...the first Allegro of my Symphony was received with countless bravos, but the enthusiasm reached its highest point in the Andante with the kettledrum stroke. Ancora, ancora! sounded from every throat, and even Pleyel complimented me on my idea.
Instrumentation
The Surprise Symphony is scored for a Classical-era orchestra consisting of 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani, and the usual string section consisting of first and second violins, violas, cellos, and double basses.
In recent decades performances of the work on historical instruments have become popular. Many listeners feel that the older instruments increase the effectiveness of this music by offering greater dynamic and timbral contrasts.
A typical performance of the Surprise Symphony lasts about 23 minutes.
Movements
Like all of Haydn's "London" symphonies, the work is in four movements, marked as follows:
A lyrical 3/4 introduction precedes a highly rhythmic main section in 6/8 time. As with much of Haydn's work, the first movement is written in so-called "monothematic" sonata form; that is, the movement to the dominant key in the exposition is not marked by a "second theme".
Andante
This is the surprise movement, a theme and variations in 2/4 time and the subdominant key of C major. The theme is in two eight-bar sections, each repeated. Haydn sets up the surprise, which occurs at the end of the repeat of the first section, by making the repeat pianissimo with pizzicato in the lower strings.
Four variations of the theme follow, starting with embellishment in sixteenth notes by the first violins, moving to a stormy variation in C minor with trumpets and timpani, then solos for the first oboist and flutist, and concluding with a forte lyrical repeat in triplets.
In the coda section, the opening notes are stated once more, this time reharmonized with gently dissonant diminished seventh chords over a tonic pedal.
[Listen to the "Surprise" Movement]
Menuetto:
A minuet and trio, in ternary form. The key returns to G major. The tempo marking marks the historical shift away from the old minuet and toward the scherzo; by the time of his last quartets Haydn had started to mark his minuets presto.
Finale:
A characteristically rhythmically propulsive Haydn finale. Formally, the movement is an example of sonata rondo form, the opening bars appearing both at the beginning and in the middle of the development section. The stirring coda emphasizes the timpani.
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All text is available under the terms of the GNU Free Documentation License See Wikipedia Copyrights for details.
A minuet and trio, in ternary form. The key returns to G major. The tempo marking marks the historical shift away from the old minuet and toward the scherzo; by the time of his last quartets Haydn had started to mark his minuets presto.
Finale:
A characteristically rhythmically propulsive Haydn finale. Formally, the movement is an example of sonata rondo form, the opening bars appearing both at the beginning and in the middle of the development section. The stirring coda emphasizes the timpani.
From Wikipedia, the Free Encyclopedia. Original article here. Support Wikipedia by contributing or donating.
All text is available under the terms of the GNU Free Documentation License See Wikipedia Copyrights for details.
All text is available under the terms of the GNU Free Documentation License See Wikipedia Copyrights for details.