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Telenovela

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For the band Telenovela, see Telenovela (band).
A telenovela is the term used to describe Spanish and Portuguese television serials derived from the terms tele short for television and novela ("novel"). In spite of their many differences, telenovelas can be compared to soap operas. While most English-language soap operas run indefinitely - that is until the ratings no longer justify the production costs - most telenovelas run for a fixed period of time, but there are some long-running exceptions.

Spanish-language prime time serials, or telenovelas, are produced in all Spanish-speaking countries, Brazil (Portuguese-speaking country, where they are called just novelas), Portugal and the United States. Portuguese-language novelas made in Brazil are also dubbed into Spanish for the Latin American market. They are usually aired during prime time.

The first drama serials were first produced in Brazil, Cuba and Mexico with Sua vida me pertence ("Your life belongs to me", Brazil, 1950) showing twice a week, Senderos de amor ("Love paths", Cuba, 1951) and Ángeles de la calle ("Angels from the street", Mexico 1951) which was shown once a week. Mexico produced its first drama serial in the modern Telenovela format of Monday through Friday showing between 1957 and 1958 called Senda prohibida ("Forbidden path") of Fernanda Villeli and Brazil in 1963 with 2-5499 Ocupado ("2-5499 busy"). Venezuela produced its first telenovela in 1954 titled La criada de la granja ("The farmer's servant"). Puerto Rico produced its first telenovela in 1955 titled Ante la ley ("Before the law"). The first Colombian telenovela was El 0597 está ocupado ("Extension 0597 is busy", 1959). Peru produced its first telenovela in 1959 titled Bar Cristal ("Cristal Bar") and Panamá did so with En la esquina del Infierno ("On Hell's corner") in 1964. The first telenovela viewed in different countries was Simplemente María ("Simply Mary", Perú, 1969) The first global telenovela was Los ricos también lloran ("The rich cry too", Mexico, 1979) and was exported to Russia, China, United States, etc. A great success was also experienced with the Brazilian production Escrava Isaura ("The Slave Isaura", 1976), because it was watched by 450 million people in China, and actress Lucélia Santos became one of the more famous personalities in that country.

Currently, the most famous telenovelas have come from Mexico, Brazil, Colombia and Venezuela. In Spain they are also called culebrón ("long snake") because of the convoluted plots and large number of episodes, of which the standard is 180.

Worldwide appeal

Telenovelas are not only immensely popular in Hispanic America, Brazil, Spain, Portugal, and in Hispanic communities in the United States, but also have a wide following in Russia, Eastern Europe, France, Malaysia, Singapore, Indonesia, China, Israel, the Philippines, and Japan as well.

In Argentina, they are usually produced by Telefe, Ideas del Sur and Pol-ka; in Brazil, usually by Rede Globo, SBT, TV Record or Bandeirantes; in Chile by TVN and Canal 13; in Colombia by Caracol TV, RTI Colombia, or RCN TV; in Venezuela by Venevision or Radio Caracas Television; and in Puerto Rico, they were produced by WAPA-TV or Telemundo Puerto Rico. In the United States, Telemundo and Univision, mostly importers of Latin American telenovelas, have started producing telenovelas with Latin American casts and, in the case of Telemundo, Mexican producers Producciones Argos.

In Mexico telenovelas are produced by the two main networks Televisa, which is the largest producer and exporter of Telenovelas and Spanish-language media, TV Azteca, and by the independent company Producciones Argos; these telenovelas are more traditional and one of the four main types is the stereotypical aimed at the working class, which explains their worldwide popularity—they are easy to understand and appropriate family viewing. The plots are often based on stories about a poor girl who falls in love with a rich man whose family spurns her. Four telenovelas are shown on Mexico's most-watched channel alone. Another type of telenovelas in Mexico are "era telenovela" and based on the early 20th century or before, during the colonial period (Martín Garatuza), the independence (El carruaje), the late 1800s (El vuelo del águila) and the revolution (Bodas de odio). A third type of telenovelas started with (Quinceañera) in the late 1980s, this is the "teen telenovela" which portrays the lives of high-school teenagers and their issues with sex, drugs and other coming-of age topics. The fourth type is the "musical telenovela" which portrays the lives of aspiring musicians such as in Alcanzar una estrella and its sequel Alcanzar una estrella II and the new batch of "Rebelde" telenovelas, which started with "Rebelde way" in Argentina and have licenced copies in many other countries, including Israel.

Brazil's novelas are both more racy and apt to broach controversial subjects—many Brazilians can relate, because of the novelas' realistic depiction of the middle class, working class and upper class. Brazilian productions are the most expensively produced in Latin America. A teenage novela, Malhação ("Working Out") is the longest-running novela in Brazil. Novelas usually last 8 months at most in Brazil, but Malhação has been on the air since 1995. Four novelas are shown on Globo, Brazil's leading channel.

Venezuelan, Peruvian and Peruvian-Venezuelan co-productions are watched all over the world and have been dubbed into Russian, Greek, Filipino, Thai, Chinese, Japanese, Korean, and Arabic, among other languages.

Puerto Rico no longer produces telenovelas, although there are negotiations to reopen production there. One of the new productions is going to be called "Dueña y señora" which will be co-produced with Venevision Internacional and a 90% Puerto Rican cast.

Telenovelas are the most-watched shows in Latin America and are the top-rated shows in all Latin-American countries. Each telenovela runs 30, 60 or 90 minutes per episode.

The most-widely marketed telenovelas are Televisa's, from Mexico, followed by Globo's from Brazil. They are more popular worldwide than American, British and Australian soap operas combined.

United States

In the United States, plans are underway to adapt the telenovela concept to English-language television networks, with ABC planning to turn Betty La Fea into a dramedy titled "Betty the Ugly," which just made the Fall 2006-2007 TV season lineup as a weekly series, while My Network TV, an upstart network being launched by News Corporation, has announced that two popular telenovelas, Desire and Secrets, will be adapted into English prior to its debut in September 2006. The sudden interest in telenovelas among the major TV networks can be attributed to the appeal and successful ratings of this genre, which has beaten several popular English-language shows on each of the major networks. The networks also see this as a way to attract the fast-growing Hispanic population, most notably the female sector of this demographic. In addition, telenovelas break the traditional United States television format, where a show runs for 24-30 episodes a season, once a week.

Telenovela World Summit

The Third World Summit of the Telenovela and Fiction Industry ("3ra. Cumbre Mundial de la Industria de la Telenovela y la Ficción") will be held in Madrid, Spain on October 13th and 14th with the participation, for the first time, of Televisa, the #1 and oldest company in the Telenovela industry.

Other countries attending the conference are Argentina, Brazil, China, Croatia, Colombia, Dominican Republic, Germany, Hungary, India, Israel, Italy, Japan, Portugal, Russia, Serbia, Spain, Syria, Turkey, United States, Venezuela.

Awards

The most important Telenovela award show is hosted by the Televisa TVyNovelas magazine in Mexico and the one presented by Contigo in Brasil. [TVyNovelas]]' also has editions in Chile, Puerto Rico, United States and Contigo' has edition in Chile.

Comparison with soap operas

The technical difference

Unlike American, UK and Australian soap operas, which are invariably designed to theoretically continue indefinitely and indeed sometimes do endure for decades with an ever-rotating cast of players and characters (such as Coronation Street and Emmerdale in the UK, Guiding Light, All My Children,Days of Our Lives, One Life To Live, and General Hospital in the USA, and Neighbours in Australia), most Latin American telenovelas have an average run of eight months to a year. The show's duration is pre-planned at the show's inception, with the overall story-arc and conclusion also known by the show's makers at its inception. Mundo de Juguete is the exception to the rule, with a total of 605 chapters (19741977), and a few cast changes within the course of the serial. Some earlier argentine telenovelas (most of them penned by Alberto Migré) endured a few years, as well as some dramedies.

The conceptual difference

Telenovelas also have a different type of story from English-language soaps. A popular plot is that of a poor, beautiful girl that meets a rich and handsome guy. He breaks up with his rich, evil and frivolous girlfriend to be with the heroine, at first to simply annoy his rich and callous relatives, but eventually falling in love because of her kind, caring heart and beautiful soul. The evil ex-girlfriend (usually accompanied by the rich guy's mother, sister or other close relative) stands in their way to happiness. Sometimes the struggle is ethnic (such as in Gitanas and Yesenia with gypsies, or in María Isabel with people of indigenous origin). A popular plot twist is also the discovery of the real father or mother of the poor heroine, who almost always turns out to be incredibly wealthy. The story usually ends with the villains meeting spectacularly violent, gruesome, painful and gory end and the two heroes end up getting married and with a child, sometimes, even twins.

There are also stories in Brazilian novelas that have never been shown on American soap operas, such as stories about people who have been cloned (O Clone) as well as women who have risen above poverty and slavery through prostitution (Xica da Silva).

Telenovelas comprise the great majority of the dramatic productions by South American TV networks whereas in the US other formats like sitcoms or TV dramas are more popular.

Famous telenovelas/novelas

From Argentina

From Brazil

From Chile

From Colombia

From Dominican Republic

From Ecuador

From Mexico

''See list of Mexican telenovelas

From Perú

  • Besame Tonto (2004-2005)
  • Girasoles Para Lucia (1999)
  • Soledad(2001)
  • Eva Del Eden(2004)
  • Luz María
  • Milagros - Miracles
  • Pobre Diabla - Poor Devilwoman
  • Isabella, mujer enamorada - Isabel, woman-in-love
  • María Emilia, Querida (1999) - María Emilia, my beloved

From Portugal

  • Amanhecer
  • Anjo Selvagem
  • Baía das Mulheres
  • Bons Vizinhos
  • Coração Malandro
  • Dei-te Quase Tudo
  • Fala-me de Amor
  • Floribella
  • Filha do Mar
  • Ganância
  • Jardins Proibidos
  • Mistura Fina
  • Morangos com Açúcar
  • Mundo Meu
  • Ninguém Como Tu
  • Nunca Digas Adeus
  • O Teu Olhar
  • O Último Beijo
  • Olhos de Água
  • Queridas Feras
  • Saber Amar
  • Sonhos Traídos
  • Tempo de Viver
  • Todo o Tempo do Mundo
  • Tudo Por Amor

From Spain

From Venezuela

Actors and actresses

Some of the famous actors and actresses who have made their mark in these shows include:

Argentina

Arnaldo André
  • Facundo Arana
  • Gustavo Bermúdez
  • Grecia Colmenares
  • Gabriel Corrado
  • Andrea Del Boca
  • Araceli González
  • Daniel Guerrero
  • Luisa Kuliok
  • Jorge Martínez
  • Gianella Neyra
  • Natalia Oreiro
  • Romina Yan
  • Elluz Peraza

    Brazil

    Colombia

    Cuba

    Dominican Republic

    Mexico

    Alexis Ayala
    
  • Christian Bach
  • Kuno Becker
  • Belinda
  • Demián Bichir
  • Erika Buenfil
  • Itatí Cantoral
  • Eduardo Capetillo
  • Guillermo Capetillo
  • Kate del Castillo
  • Verónica Castro
  • Ana Colchero
  • César Évora
  • Juan Ferrara
  • Laura Flores
  • Andrés García
  • Gael García Bernal
  • Francisco Gattorno
    Saby Kamalich
    
  • Sergio Kleiner
  • Cynthia Klitbo
  • Saul Lisazo
  • Lucero
  • Diego Luna
  • Lucía Méndez
  • Bárbara Mori
  • René Muñoz
  • Adela Noriega
  • Mauricio Ochmann
  • Ludwika Paleta
  • Ana de la Reguera
  • Victoria Ruffo
  • Thalía
  • Ari Telch
  • Humberto Zurita
  • Peru

    Portugal

    • Adelaide Ferreira
    • Adelaide Sousa
    • Albano Jerónimo
    • Alexandra Lencastre
    • Alexandra Leite
    • Ana Zanatti
    • António Pedro Cerdeira
    • Benedita Pereira
    • Canto e Castro
    • Claúdia Vieira
    • Cristina Câmara
    • Cristina Homem de Mello
    • Custódia Gelego
    • Dalila Carmo
    • Dânia Neto
    • Daniela Ruah
    • Diana Chaves
    • Dina Félix da Costa
    • Diogo Infante
    • Diogo Morgado
    • Estrela Novais
    • Eunice Muñoz
    • Fernanda Serrano
    • Fernando Luís
    • Helena Isabel
    • Helena Laureano
    • Igor Sampaio
    • Inês Castel-Branco
    • Isabel de Castro
    • Joana Seixas
    • Joana Solnado
    • João Catarré
    • Joaquim Horta
    • Ricardo Carriço
    • Ricardo Pereira
    • Rita Blanco
    • Rita Pereira
    • Rita Salema
    • Rosa Lobato Faria
    • Rui Santos
    • Ruy de Carvalho
    • Sandra Faleiro
    • São José Correia
    • São José Lapa
    • Sara Moniz
    • Sílvia Rizzo
    • Simone de Oliveira
    • Sinde Filipe
    • Sofia Alves
    • Sofia de Portugal
    • Sofia Grillo
    • Susana Borges
    • Teresa Tavares
    • Tozé Martinho
    • Vera Alves
    • Vera Kolodzig
    • Virgílio Castelo
    • Vítor Norte

    Puerto Rico

    Venezuela

    Sonya Smith
    
  • Victor Camara
  • Catherine Fulop
  • Carlos Mata
  • Grecia Colmenares
  • Gabriela Spanic
  • Carolina Tejera
  • See also

    External links

    Sites

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