The Kingdom (comics)
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The Kingdom is a two-issue comic book limited series and crossover event published by DC Comics in 1999, written by Mark Waid and drawn by Ariel Olivetti/Mike Zeck. This is both a sequel and, in some ways, prequel to Kingdom Come, also by Mark Waid. Both books form an Elseworlds saga, and have nothing to do with the current DC Comics storylines. The storyline extended into one-shot books entitled Gog, The Kingdom: Kid Flash, The Kingdom: Nightstar, The Kingdom: Offspring, The Kingdom: Planet Krypton, and The Kingdom: Son of the Bat. The entire storyline was later collected into a trade paperback.
Plot summary
Twenty years after the events of Kingdom Come, a survivor of the Kansas disaster is granted power by the Quintessence (Shazam, Ganthet, Zeus, Izaya Highfather, and the Phantom Stranger), who dub him Gog. The power drives him mad, and he takes out his anger on Superman, killing him and carving his "S" shield on the ground. He then travels a day backward in time and kills him again...and again. The Stranger opposes this action, as Gog now intends to accelerate the Kansas Holocaust, but the other four are prepared to let things unfold; Shazam hopes that Captain Marvel will no longer have to die, Ganthet hopes that Green Lantern will avert the catastrophe and become more renowned that Superman, and Zeus and Highfather hope that they may be 'worshipped' once more as Earth seeks something to believe in.As Gog travels closer to the modern DC universe, the Linear Men panic when they see that their ordered index of time is unravelling; Superman is dead in the 21st century, yet alive in the 853rd. When Rip Hunter tries to stop Gog from killing Superman on the day his and Wonder Woman's child is born, Gog manages to steal the infant (named Jonathan), whom he plans to raise and name Magog, setting the paradox in motion. (In issue #2 this was revealed to be a red herring. The child did not grow up to become Magog, instead he became a Hypertime-travelling super-hero wearing a costume based on the costumes of his parents and his godfather, Batman.)
Rip Hunter recruits Superman, Batman, and Wonder Woman from the Kingdom Come era to stop Gog in 1998. Four young heroes - Kid Flash, Offspring, Nightstar, and Ibn al Xu'ffasch- come together to try and stop Gog on their own. Superman, Batman and Wonder Woman team up with their 'past selves' and battle Gog to a final confrontation in a restaurant outside of reality. During the fight, the future Wonder Woman reveals to the Superman of the present why Gog is after him, and Superman vows that the timeline of Kingdom Come will never happen in his universe, as he strikes back at Gog, finishing the battle once and for all. As the heroes return to their proper places in time, Rip Hunter explains that there actually are alternate timelines, so the Kingdom Come reality still exists, but it will no longer be the future of the DC universe we know.
The Kingdom introduced a new element to the DC Universe: Hypertime. This appears to be a variation on the multiple earth/universe concept from prior DC canon, which was eliminated in 1985's 12-issue limited series Crisis on Infinite Earths. (The seeds are also sown for Infinite Crisis, as there is a brief scene where Kal-L reflects on how he has come to regard his new reality as a prison, but is aware of an exit that he may use at some future date)
The Kingdom does not utilize the same visual style created by Alex Ross, which was used in the four issue Kingdom Come series. The storyline in The Kingdom is a direct continuation and extension of the original storyline fleshing out areas of the future that were not explored in the original four-part series. While Kingdom Come can easily exist as a stand-alone story, The Kingdom is not a complete storyline in and of itself and exists only as a continuation of the previous storyline.
The Kingdom received some criticism at its time of publication: originally intended to be simply a prequel bridging the gap between the mainstream DC Universe and that portrayed in Kingdom Come, co-creators Mark Waid and Alex Ross had a falling out which lead to Ross's exclusion in the project. Furthermore, a primary theme by the close of Kingdom Come is the elimination of the need for costumes and secret identities; this seems to have been dropped by the beginning of The Kingdom.
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