The Living Daylights

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For the short story collection that inspired the film, see Octopussy and The Living Daylights.

The Living Daylights is the fifteenth James Bond film made by EON Productions. It is the first of two portrayals for Timothy Dalton as the British Secret Service agent, Commander James Bond. Produced by Albert R. Broccoli, his stepson Michael G. Wilson, and his daughter Barbara Broccoli, it was released in 1987.

The film's title is taken from Ian Fleming's short story "The Living Daylights," first published in The London Sunday Times colour section on February 4, 1962. The first American publication was in the June 1962 issue of Argosy under the title "Berlin Escape". In 1966 it was the second story to be added to the short story collection Octopussy and The Living Daylights, published two years after Fleming's death.

This was the last film to make use of an Ian Fleming story title until 2006's Casino Royale.

Contents

1 Plot summary
2 Cast & characters
3 Crew
4 Soundtrack

4.1 Track listing

5 Vehicles & gadgets
6 Locations

6.1 Film locations
6.2 Shooting locations

7 Trivia
8 External links

Plot summary

[Spoiler warningSpoiler warning]: Plot and/or ending details follow.

In the prologue, Agents 002, 004, and 007 parachute onto Gibraltar to test its defences. 002 is captured almost immediately by the SAS, while James Bond and 004 start scaling the cliffs to the base. As they ascend an assassin appears and sends a tag reading Smert' Shpionam down the rope before cutting it, sending Agent 004 agent to his death. Bond witnesses the incident and gives chase to the assassin, ending in an explosives-laden Land Rover careening down Gibraltar's narrow roads and then into the air. Bond escapes with his reserve parachute while the assassin is killed when the Land Rover explodes in mid-air.

The early part of the film has much of the original short story's plot dealing with Bond assisting in the defection to the West of a devious KGB General, Georgi Koskov (Jeroen Krabbé), covering his intermission escape from a concert hall in Bratislava, Czechoslovakia. Bond notices that the sniper protecting Koskov is a beautiful cellist from the orchestra, Kara Milovy (Maryam d'Abo). Suspecting she is not an assassin, he shoots the rifle out of her hands, sparing her life, whilst facilitating Koskov's escape from the hall.

In England, General Koskov informs MI6 that the KGB is being run by power-hungry General Leonid Pushkin (John Rhys-Davies). According to Koskov, Pushkin has revived the old policy of Smert' Shpionam — literally, Death to Spies (SMERSH), a programme of Western spy assassinations — and as such Pushkin needs to be eliminated. This story is credible given the recent murder of Bond's partner in the Gibraltar training exercise. Shortly afterwards a group then believed to be KGB agents, led by the assassin Necros (Andreas Wisniewski), raids the safe-house where British Intelligence have Koskov and snatch him back East.

Bond leaves to kill General Pushkin. Q supplies him with a new Aston Martin and an electric key-finder able to both release stun gas or explode. Bond discovers that Kara Milovy is in fact General Koskov's girlfriend, and begins suspecting that Koskov's defection and recapture were staged. He returns to Bratislava, posing to Milovy as Koskov's friend; shortly afterwards the pair flee to Vienna, Austria, in the Aston Martin. They are pursued by KGB, but Bond and Milovy escape using the Aston Martin's weapons. Bond, however, is forced to destroy the car, whereupon he and Milovy sled down a snow-covered hill in the girl's cello case.

At the opera in Vienna Bond excuses himself from Milovy to meet his MI6 contact, Saunders, in a café. Saunders has investigated Koskov's story and discovered a tenuous link between him and a greedy arms dealer, "General" Brad Whitaker (Joe Don Baker). Later in the film, it is revealed that Whitaker was merely a self-styled general, as he had been expelled from West Point for cheating, and had never served as a military officer. The Stradivarius cello Milovy owns, though bought by Koskov, was funded by Brad Whitaker. Whitaker had arranged to supply the KGB with Western high-technology weapons through Koskov, and Koskov is attempting to deliver the down payment in diamonds. Pushkin is in fact investigating Koskov, and so Koskov wants him dead. Unable to use Necros as the Soviets are too familiar with him, which would only jeopardize their plans, Koskov intends to deal with Pushkin by having the British kill him. After Whitaker learns about Koskov's plan, he agrees to it but wants Necros to ensure that Pushkin is dead.

As Saunders leaves the café he is killed by Necros, who detonates a bomb slamming the sliding front door of the café on to Saunders. Necros leaves behind a balloon with the words Smert' Shpionam on it, unaware that Bond already suspects the true motives behind the trail of clues lain for him. Bond returns to Milovy, and they immediately leave for Tangier, Morocco.

Bond and Pushkin meet. Pushkin says the KGB abandoned Smert' Shpionam decades earlier, confirming Bond's suspicions a third party is behind the plot. Bond and Pushkin decide to fake Pushkin's assassination, forcing Whitaker and Koskov to progress with their scheme; Bond "kills" Pushkin as he speaks to a trade convention in Tangier. Ironically, Bond saves Pushkin; Necros was about to kill Pushkin before Bond appeared and shot him first. Bond escapes from the police and is picked up by Felix Leiter (again, the CIA man is a different actor; first-time viewers of The Living Daylights are tricked into, at first, thinking he is an enemy).

Thinking Pushkin dead, Koskov contacts Milovy, convincing her that Bond is KGB looking to kill him. She assists in capturing Bond for him, grasping too late that Koskov has fooled her, and had intended killing her in his defection. After being captured by Koskov, Bond and Milovy are flown to a Soviet air base in Afghanistan, at the height of Soviet occupation. They escape, helped by Bond's key-finder, and free a prisoner to be hanged the next day. The prisoner is Kamran Shah, leader of the local Mujahideen. Bond discovers that Whitaker and Koskov are paying diamonds for a large shipment of opium, which would turn a profit within days of distribution in the streets of the US, and so continue supplying the Soviets with arms.

The Mujahideen help Bond and Milovy infiltrate the air base. Bond plants a bomb in the back of the cargo airplane transporting the drugs, but, Koskov recognises him. Bond hijacks the airplane, while the Mujahideen attack the airbase. Milovy, at the last minute, joins Bond in the airplane take off and assumes the controls while Bond leaves to defuse his bomb. Necros, however, has stowed away on board, and attacks Bond. Milovy accidentally opens the cargo door, and Bond and Necros are sucked out, on the cargo net holding the opium; Necros and Bond fight. Necros is left hanging from Bond's boot. As he pleads for mercy, Bond cuts his bootlaces, dropping Necros to his death.

Bond barely defuses the bomb, and Milovy flies over Kamran Shah's Mujahideen, who are being pursued by Soviet soldiers across a bridge. Bond drops his bomb onto the bridge, killing the Soviets, helping the Mujahideen win their battle.

Bond arrives at Whitaker's residence, and pops in as General Whitaker is playing a battle in his terms. When Bond tells him that the opium is burned, Whitaker is determined to kill him. He takes out a heavy assault rifle with a shield. When Bond uses up all of his bullets, Whitaker makes a glib remark: "Well, you've had your 8, now I'll have my 80!". Whitaker fires like crazy and taunts Bond with remarks about new technology with weapons.

In the final confrontation with Whitaker, Bond's key-finder saves him, again, when using the plastic explosive to topple a bust of Wellington onto Whitaker (an appropriate death for a man who styled himself in wax as Napoleon). The KGB save Bond's life when agents, led by General Pushkin, burst in and kill the Whitaker guard who had cornered Bond. General Koskov is there, too, and, while not killed, he is to be flown back to Moscow "in the diplomatic bag", per Pushkin's order.

Cast & characters

James Bond — Timothy Dalton
Miss Moneypenny — Caroline Bliss
M — Robert Brown
Q — Desmond Llewelyn
Felix Leiter — John Terry
Brad Whitaker — Joe Don Baker
Kara Milovy — Maryam d'Abo
Kamran Shah — Art Malik
General Georgi Koskov — Jeroen Krabbé
General Leonid Pushkin — John Rhys-Davies
Fredrick Gray (Minister of Defence) — Geoffrey Keen
General Gogol — Walter Gotell
Necros — Andreas Wisniewski
Saunders — Thomas Wheatley
Rosika Miklos — Julie T. Wallace
Rubavitch — Virginia Hey
Blayden Butler — Bill Weston
Blayden Male Secretary — Antony Carrick
Liz — Catherine Rabett
Ava — Dulice Liecier
Koskov's KGB Minder — Alan Talbot
Imposter 00 — Carl Rigg
Colonel Feyador — John Bowe
Jailer — Ken Sharrock
Tangiers Chief of Security — Nadim Sawalha
Chief of The Snow Leopard Brotherhood — Tony Cyrus

Crew

Directed by: John Glen
Produced by: Albert R. Broccoli, Michael G. Wilson, Barbara Broccoli
Written by: Ian Fleming (stories)
Screenplay by: Michael G. Wilson, Richard Maibaum
Composed by: John Barry
Production design by: Peter Lamont

Soundtrack

Original The Living Daylights soundtrack cover

The title song of the film, "The Living Daylights", was recorded by pop group a-ha. The Living Daylights is the final Bond film to be scored by composer John Barry. a-ha and Barry reportedly did not collaborate well, resulting in two versions of the theme song. Barry's film mix is heard on the soundtrack and the a-ha greatest hits collection Headlines and Deadlines. The a-ha preferred mix can be heard on their 1988 album Stay on These Roads. The original soundtrack only had 12 tracks, later re-releases by Rykodisc and EMI added 9 additional tracks.

Track listing

The Living Daylights — a-ha
Necros Attacks
The Sniper Was A Woman
Ice Chase
Kara Meets Bond
Koskov Escapes
Where Has Everybody Gone — The Pretenders
Into Vienna — Not used in film
Hercules Takes Off
Mujahadin And Opium
Inflight Fight
If There Was A Man — The Pretenders
Exercise At Gibralter
Approaching Kara
Murder At The Fair
"Assassin" and Drugged
Airbase Jailbreak
Afghanistan Plan
Air Bond
Final Confrontation
Alternate End Titles — Not used in film

In addition to the above, the film features a number of pieces of classical music — naturally, since it involves an international-standard cellist in Kara Milovy. Mozart's 40th Symphony in G minor (1st movement only) is being performed by the orchestra at the Conservatoire in Bratislava when Koskov defects. As Moneypenny relates to Bond, Kara is next to perform Borodin's String Quartet in D minor — 007 joins a small audience and tells Kara afterwards that her performance was "exquisite". Tchaikovsky's Rococo Variations and an opera (in Vienna) also feature. And at the end of the film, Kara performs the Concert for cello in Ut minor by Dvorák before a rapturous audience including M, General Gogol (but not Kamran Shah, who arrives too late) and Bond — though she does not know it until he surprises her in her dressing room afterwards.

Vehicles & gadgets

Main articles: List of James Bond vehicles and List of James Bond gadgets

Aston Martin V8 Vantage (Series 2) — Equipped with the usual weapons, including side skis, spiked tires, missiles, lasers, rocket propulsion, a self-destruct device and a modified radio to tune in to police/military bands.
Keychain — Bond's keychain, designed by Q-Branch, also is an explosive triggered by a wolf whistle. It also could deploy stun gas (when the user whistles the first few bars of "Rule Britannia"), and contains lockpicks capable of opening 90% of the world's locks.
Ghetto Blaster — Never used by James Bond; it is seen tested in Q-Branch for American allies. The ghetto blaster is an '80s–style rocket-firing, stereophonic, cassette tapedeck.
Scouring Pig — Used to initially to clean and check the natural gas pipeline from USSR to West Europe. It's converted here specially to smuggle a man out of the Eastern bloc, with Koskov being the first.
Harrier — This V/STOL aircraft evacuates Koskov after his defection to the west.

Locations

Film locations

Shooting locations

Trivia

Timothy Dalton had originally been considered for the role of James Bond as a replacement for Sean Connery, but had ruled himself out as being too young.

British actor Mark Greenstreet — star of the hit BBC1 television drama Brat Farrar — told Terry Wogan on his chat show that he unsuccessfully screen-tested for the part of James Bond. During his love scene with Tatiana Romanova, his towel got caught on the door, slamming it shut and causing him to react in an un-Bond-like manner. He believes that cost him the part.

Australian actor and former model Antony Hamilton, at the time a well known face in the US for appearing in the TV-series Cover Up (1984), was in the initial stages seriously considered and screen tested for the part of Bond. When the producers however learned that Hamilton was openly homosexual in his personal life, they decided to go with someone else, afraid that the audience would not accept a gay actor in the role of the womanising James Bond.

Both Sam Neill and Pierce Brosnan were screen-tested for the role of James Bond in The Living Daylights. Brosnan was successfully signed for the role, but his contract to the television programme Remington Steele forced him to withdraw; he would wait seven years for his second chance, in GoldenEye. Maryam d'Abo, however, earned her Kara Milovy role with her screen test with Brosnan; she was not in the running for a role in the film, but had been hired to act opposite the 007 contenders; impressed, the producers gave her the part.

Richard Maibaum and Michael G. Wilson wrote a first draft of a script portraying Bond as a young lieutenant in the Royal Navy; Cubby Broccoli rejected the idea on the grounds that people in general didn't want to see Bond starting out in his career. EON Productions later revisited this idea, in part, almost 20 years later for their adaptation of Casino Royale. Some have also noted that Casino Royale, like The Living Daylights, features a Soviet operative misusing State funds in an illicit investment scheme.

In the opening sequence in Gibraltar, Timothy Dalton's stunt double Simon Crane plays the first SAS man killed by the imposter and the film's stunt co-ordinator Paul Weston plays the officer who shoots Bond (“'old on, you're dead!”). Originally a stunt man was cast in the crucial part of the villainous imposter but it soon became apparent they needed a real actor. Carl Rigg was cast at the last minute — a house-husband awaiting his next acting gig, he had to leave his baby with a neighbour to fly to Gibraltar.

Georgi Koskov is a rare villain who is arrested at the end of the movie instead of being killed off by Bond (though some have speculated that the line “in the diplomatic bag” implies he is to be executed and his corpse flown home). Jeroen Krabbe has said in an interview with Empire magazine that he would love to return as Koskov.

This film marked Caroline Bliss's first of two appearances as Miss Moneypenny.

According to an Afghan press, this was Ahmad Shah Massoud's favourite Bond film.

Originally, the KGB general set up by Koskov was to be General Gogol; however, actor Walter Gotell was too sick to handle the major role, and the character of Leonid Pushkin replaced Gogol, who appears briefly at the end of the film, having transferred to the Soviet diplomatic service. This is Gogol's final appearance in a James Bond film (Gotell died in 1997). The similarity between Pushkin and Gogol is emphasized by the fact that Pushkin is seen accompanied by a beautiful blonde, much as Gogol was in his early appearances.

Joe Don Baker would reappear in GoldenEye and Tomorrow Never Dies, as a different character, Jack Wade, Bond's CIA liaison and semi-replacement for Felix Leiter.

a-ha's lead vocalist, Morten Harket, was offered a small role as a villain's henchman in the film, but declined, because of lack of time and because he felt they wanted to cast him due to his popularity rather than his acting. Instead, a-ha co-composed and sang the title song.

In a cameo role, series composer John Barry conducts the orchestra in Vienna at the end of the film. Producer Michael G. Wilson also continues his string of Bond film cameo appearances; he can be seen as a member of the opera house audience.

The principal artwork for this film — a woman in a sheer white dress, holding a pistol as James Bond stands in the gun barrel pose — was controversial in some parts of the world, with complaints raised that it glorified violence against women (though no such action occurs in the film). A student newspaper at the University of Saskatchewan in Canada was nearly shut down, sparking debate about censorship and images of violence against women, after it refused to run the advert when the film was scheduled to play at the university's student cinema.

The use of the Russian phrase "Smert' Shpionam" ("Death to Spies") is a reference to SMERSH, the Russian spy agency James Bond combated in the early Ian Fleming novels. It was mentioned in only one previous Bond film, From Russia with Love, although it played a large role in the novelisation of The Spy Who Loved Me (replaced by the KGB in the actual film).

The Living Daylights is the first Bond film since Moonraker to not have its title announced in the end credits of the previous film, nor has any Bond film since had its title announced in the end credits of the previous film.

To save the production money, a C-123 Provider was used in place of the larger — and therefore more expensive to hire — C-130 Hercules. However the C-123 is a two-engined plane so John Richardson's remarkably realistic C-130 model was used for most flying shots. The C-123 was also used for the "net fight" between Bond and Necros — when Necros falls away, it is possible to see two engines instead of four.

External links

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