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The Lord of the Rings: The Fellowship of the Ring (film)

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The Lord of the Rings: The Fellowship of the Ring is a film, released on December 19, 2001, directed by Peter Jackson, with a runtime of 178 minutes. It is the opening installment of the Lord of the Rings film trilogy, and relates the adventures of the Fellowship of the Ring that are contained in the similarly titled first volume of J. R. R. Tolkien's epic literary fantasy, The Lord of the Rings. The screenplay was written by Fran Walsh, Philippa Boyens and Peter Jackson. It was filmed in New Zealand simultaneously with its two sequels, having a combined budget of U.S. $270 million. Principal photography took 15 months and post-production continued for a year afterwards.

Cast

Actor/Actress Role
Alan Howard The Ring (voice)
Noel Appleby Everard Proudfoot
Sean Astin Sam Gamgee
Sala Baker Sauron
Sean Bean Boromir
Cate Blanchett Galadriel
Orlando Bloom Legolas Greenleaf
Billy Boyd Peregrin "Pippin" Took
Marton Csokas Celeborn
Ian Holm Bilbo Baggins
Christopher Lee Saruman
Brent McIntyre Witch-King
Ian McKellen Gandalf the Grey
Peter McKenzie Elendil
Sarah McLeod Rosie Cotton
Dominic Monaghan Meriadoc "Merry" Brandybuck
Viggo Mortensen Aragorn
Craig Parker Haldir
John Rhys-Davies Gimli
Andy Serkis Gollum
Harry Sinclair Isildur
Liv Tyler Arwen
Hugo Weaving Elrond
Elijah Wood Frodo Baggins

Synopsis

Map of the route taken in The Fellowship of the Ring shown in red
Enlarge
Map of the route taken in The Fellowship of the Ring shown in red

Sauron, the Lord of the Rings, has awakened and threatens to conquer Middle-earth. To stop this ancient evil once and for all, Frodo Baggins must destroy Sauron's One Ring in the fires of Mount Doom. Men, hobbits, a wizard, an elf and a dwarf form a fellowship to help him on his quest.

He travels from his home in the Shire with Sam, Merry and Pippin to Bree where they meet Aragorn. Pursued by Black Riders, they must get to Rivendell where they decide to take the ring to Mordor, and where they are joined by Gandalf, Gimli, Legolas and Boromir. They try to cross the mountains but are defeated because of Saruman's magic and travel underneath, through the mines of Moria, where Gandalf falls into a chasm while fighting a Balrog. They then travel to the country of the elves in Lothlórien, and down the Great River on boats, where the company splits during an attack by Uruk-hai. Boromir is killed, and Aragorn, Gimli and Legolas split off to track the Uruk-hai who have captured Merry and Pippin. Frodo and Sam head east in the direction of Mordor.

Special effects

The Fellowship of the Ring makes extensive use of digital, practical and make-up special effects throughout. One noticeable illusion that appears in almost every scene involves setting a proper scale so that the characters are all the correct height. Elijah Wood, who plays Frodo, is 5ft 6in (1.68 m) tall in real life, but the character of Frodo Baggins is barely four feet in height. Many different tricks were used to depict the hobbits (and Gimli the Dwarf) as being of diminutive stature. (As a matter of good fortune, John-Rhys Davies — who played Gimli — is as tall compared to the hobbit actors as his character needed to be compared to theirs, so he did not need to be filmed separately as a third variation of height.) Large and small scale doubles were used in certain scenes, while entire duplicates of certain sets (including Bag End in Hobbiton) were built at two different scales, so that the characters would appear to be the appropriate size. At one point in the film, Frodo runs along a corridor in Bag End, followed by Gandalf. Elijah Wood and Ian McKellen were filmed in separate versions of the same corridor, built at two different scales, and a fast camera pan conceals the edit between the two. Forced perspective was also employed, so that it would look as though the short hobbits were interacting with taller Men and Elves. Surprising the makers of the film, the simple ruse of kneeling down was used to great effect.

For the battle between the Last Alliance and the forces of Sauron that begins the film, an elaborate CGI animation system, called Massive, was developed by Stephen Regelous that would allow thousands of individual animated "characters" in the program to act independently. This helped give the illusion of realism to the battle sequences.

Filming locations

Arwen faces the Ringwraiths at the Fords of Bruinen (Arrowtown Recreational Reserve)
Enlarge
Arwen faces the Ringwraiths at the Fords of Bruinen (Arrowtown Recreational Reserve)

A list of filming locations, sorted by appearance order in the movie:
Fictional
Location
Specific Location
in New Zealand
General Area
in New Zealand
Hobbiton Matamata Waikato
Gardens of Isengard Harcourt Park Upper Hutt
The Shire woods Otaki Gorge Road  
Bucklebury Ferry Keeling Farm Manakau
Forest near Bree Takaka Hill Nelson
Trollshaws Waitarere Forest  
Ford of Bruinen Arrowtown Recreational Reserve Queenstown
Rivendell Kaitoke Regional Park Upper Hutt
Eregion Mount Olympus Nelson
Dimrill Dale Lake Alta The Remarkables
Dimrill Dale Mount Owen Nelson
Lothlórien Lake Wakatipu Queenstown
River Anduin Rangitikei River  
River Anduin Poet's Corner Upper Hutt
Parth Galen Paradise Glenorchy
Amon Hen Mavora Lakes Milford Sound

Deviations from the source material

A small but vocal minority of admirers of the original book raised some concerns when the film was released, complaining that the movie's screenplay made a number of changes to Tolkien's work. Many of these protests seemed to be rather minor concerns and were largely ignored by general movie-going audiences. However, more than a few people expressed surprise when the movie diverged from the book in what might be considered more fundamental ways.[[Citing sources citation needed]]

Some fans explain that, compared to the many film adaptations of literary works over the years, many of which bear little or no resemblance to the source material (e.g., Blade Runner), this film and its sequels are still very faithful versions, with some changes necessary due to the nature of the medium. (Books can explain their characters' motivations through thoughts and musings and advance the plot through internal struggles, whereas films can only use external visual and audio within set time and budget limitations.) Critics argue that while condensation of such a long narrative was an inevitable consequence of adapting the books for the screen, Jackson and his co-creators erred in substituting their own standards of character and plot construction for Tolkien's. [link]

Linguistic elements

Some fans also felt that movie producers missed the linguistic basis of the work (as Tolkien invented the world to bring his languages alive and not the other way around):

In particular, Namárië, Galadriel's lament in Lórien that begins "Ai! laurië lantar lassi súrinen", did not appear in the film, although Tolkien considered it one of the highest points of The Fellowship of the Ring. A few lines of the poem do, however, make it into the soundtrack at the departure from Lórien. Other samples of Elvish language from the books are treated similarly. However, Elvish (most often Sindarin) is spoken extensively in the film, with and without subtitles. The Elvish lines were, for the most part, devised specifically for the film version, sometimes based on English text written by Tolkien.

The movie features numerous books and artifacts with Tengwar inscriptions. Even though they were researched for accuracy, they still show a couple of peculiarities and inconsistencies not found in Tolkien's own Tengwar samples.

Another idiosyncrasy of the films is that hobbit writing is shown in the Latin alphabet, while the books state that the hobbits used the Tengwar. However, the Latin calligraphy is written in such a way that it bears resemblance to the Tengwar, including tehtar above their corresponding vowels. This refers visually to the Tengwar while allowing the audience to immediately recognise the text.

Time Allotment

One can perform a comparative analysis of the film and the book by comparing scenes to chapters and comparing time to pages. Those chapters that have low pages per minute values are chapters that have been given focus in the movie.

Section Pages Minutes pages/minute
Book One 180pp 64:10 2.8ppm
 Chapter I - A Long-expected Party 22pp 19:30 1.1ppm
 Chapter II - The Shadow of the Past 23pp 9:40 2.4ppm
 Chapter III - Three is Company 21pp ~4:20 ~4.8ppm
 Chapter IV - A Short Cut to Mushrooms 13pp ~4:20 ~3.0ppm
 Chapter V - A Conspiracy Unmasked 12pp ~4:20 ~2.8ppm
 Chapter VI - The Old Forest 14pp 0:00
 Chapter VII - In The House of Tom Bombadil 12pp 0:00
 Chapter VIII - Fog On The Barrow-downs 15pp 0:00
 Chapter IX - At the Sign of The Prancing Pony 14pp 5:30 2.5ppm
 Chapter X - Strider 13pp 0:30 26.0ppm
 Chapter XI - A Knife in the Dark 21pp 10:00 2.1ppm
 Chapter XII - Flight to the Ford 18pp 6:00 3.0ppm
Book Two 180pp 95:10 1.9ppm
 Chapter I - Many Meetings 21pp 12:50 1.6ppm
 Chapter II - The Council of Elrond 33pp 6:50 4.8ppm
 Chapter III - The Ring Goes South 23pp 9:40 2.4ppm
 Chapter IV - A Journey in the Dark 27pp 10:00 2.7ppm
 Chapter V - The Bridge of Khazad-dum 12pp 17:40 0.7ppm
 Chapter VI - Lothlorien 21pp 2:30 8.4ppm
 Chapter VII - The Mirror of Galadriel 15pp 10:10 1.5ppm
 Chapter VIII - Farewell to Lorien 13pp 0:50 15.6ppm
 Chapter IX - The Great River 15pp 3:10 4.7ppm
 Chapter X - The Breaking of the Fellowship 12pp 21:30 0.6ppm
extra in movie 0pp 4:00 0.0ppm
Total 375pp 170:00 2.2ppm

Score

The musical score for the Lord of the Rings films was composed by Howard Shore. Two original songs, including the end title theme, "May It Be", were composed and sung by Enya, who allowed her label, Reprise Records, to release the soundtrack to this and its two sequels.

Awards

In 2002 the movie won four Academy Awards out of thirteen nominations. The winning categories were for Best Cinematography, Best Effects (Visual Effects), Best Makeup and Best Music (Original Score). Despite its praise by fans, the other nominated categories of Best Actor in a Supporting Role (Ian McKellen), Best Art Direction-Set Decoration, Best Costume Design, Best Director, Best Editing, Best Music (Best Song) (Enya, Nicky Ryan and Roma Ryan for "May It Be"), Best Picture, Best Sound and Best Writing (Best Screenplay Based on Material Previously Produced or Published) were not won.

The movie won the 2002 Hugo Award for Best Dramatic Presentation.

After the close of its theatrical run, it ranked in the top ten highest grossing movies worldwide, with takings of $860,700,000 USA dollars from world-wide theatrical box office receipts (movie ticket sales). (Source: [IMDB Top Movies Chart]).

The success of the theatrical cut of the film brought about an Extended Edition (208 minutes), with new editing, added special effects and music. This version was released on DVD November 12, 2002 along with four commentaries and hours of supplementary material. It was so successful that the sequels were each given similar releases.

Notable among the restored scenes is a new beginning to the film (following the prologue) and many character-building elements, showing sides of various protagonists (notably Aragorn and Galadriel) that were absent from the theatrical cut, which was largely edited around the character of Frodo.

The extended edition of The Fellowship of the Ring had limited theatrical runs before each of its sequels were released.

Extended Edition

Some scenes were either removed or shortened for the theatrical release of the movie. These were later released as a part of the extended edition DVD. Additional scenes included:

An Easter Egg is present on the first DVD of some editions of the extended edition. It can be accessed by going to the final page of the chapter menu and then scrolling down until a golden ring appears. The Easter Egg is a parody of the Council of Elrond scene and stars Jack Black and Sarah Michelle Geller.

See also

Following movies

Previous versions

Other articles

External links


The Lord of the Rings by J. R. R. Tolkien
Books: The Fellowship of the Ring | The Two Towers | The Return of the King
Live-action: ' | ' |
Animation: J. R. R. Tolkien's The Lord of the Rings | The Return of the King (TV special)
Radio: The Lord of the Rings (1955 radio series) | The Lord of the Rings (1979 radio series) | The Lord of the Rings (1981 radio series)
Characters: Frodo | Sam | Merry | Pippin | Bilbo |Gandalf | Aragorn | Legolas | Gimli | Boromir | Sauron | Saruman | Arwen | Elrond | Galadriel | Théoden | Éomer | Éowyn | Wormtongue | Faramir | Denethor | Gollum | Witch-king | Treebeard
Miscellanea: Works inspired by J. R. R. Tolkien | The Lord of the Rings in pop culture | Middle-earth in video games | Themes in The Lord of the Rings
See also: The Hobbit | The Silmarillion | Unfinished Tales | The History of Middle-earth | The History of The Lord of the Rings

 


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