Opentopia Directory Encyclopedia Tools

The Mists of Avalon

Encyclopedia : T : TH : THE : The Mists of Avalon


The Mists of Avalon is a novel by Marion Zimmer Bradley.

Plot introduction

The Mists of Avalon is the 1983 novel by Marion Zimmer Bradley, in which she relates the Arthurian legends from the perspective of the female characters. The plot focuses on Morgaine (often called Morgan Le Fay in other works), who is portrayed as a woman fighting for her matriarchal Celtic culture in a country where patriarchal Christianity threatens to destroy the druidic way of life. The book also describes the lives of Gwenhwyfar, Viviane, Morgause, and other women who are often marginalized in other Arthurian retellings. King Arthur and the Knights of the Round Table are supporting, rather than main, characters.

The Mists of Avalon is a stark contrast to other retellings of the Arthurian tales, which consistently paint Morgaine as an evil witch or sorceress. The typical battles, quests, and feuds of King Arthur's reign are described as supporting elements to the women's lives. The story is told in four large parts, Book One: Mistress of Magic , Book Two: The High Queen, Book Three: The King Stag, and Book Four: The Prisoner in the Oak.

The novel was a best-seller upon its publication in 1983 and has remained popular to this day. Bradley later expanded the book into a series (see "allusions").

Plot summary

As High King and Queen, Arthur and Gwenhwyfar reign supreme across the many kingdoms of Great Britain. Still, Gwenhwyfar secretly mourns the loss of her beloved Lancelet, who has returned to the Sacred Lake of his boyhood, hoping to restore his faith in chivalry in the place where he learned to be a knight. In a glittering Pentecost ceremony, new knights are sworn to the Round Table, including Arthur's cousins, Agravain and Gawain. After many years of strife, peace is restored to Gwenhwyfar's realm.

But betrayal, jealousy, and ancient blood feuds fester unseen. Morgaine, now the mother of Arthur's only son, Mordred, has become the focus of the Merlin's age-old quest to ensure the survival of the house of Pendragon. From the east comes the shattering news that Gwenhwyfar may have a rival for Lancelet's love. A bleak shadow falls again across Camelot--and across the sacred isle of Avalon, where Roman priests threaten the life of the Lady herself. At the center of the storm is Gwenhwyfar, torn between her love for her husband, her people, and Sir Lancelet of the Lake.

Characters in \"The Mists of Avalon\"

Major themes

Literary significance & criticism

The Mists of Avalon is lauded as one of the most original and emotional retellings of the familiar Arthurian legend. Bradley received much praise for convincing portrayal of the main protagonists, her respectful handling of the pagan ways of Avalon and for telling a story in which there is neither black and white or good and evil, but several truths.

Some critics #redirect claim that The Mists of Avalon shows a romanticized version of a "pagan culture" which never existed in that way. One example some of these critics give is #redirect that she omitted human sacrifices from the books entirely. However the claim that pagans engaged in human sacrifice is possibly nothing more than propaganda by their enemies, as evidence of sufficient backing has never been found in favor (or out of) human sacrifices #redirect .

Some also argued that the book arguably reads like thinly-veiled feminist propaganda; the main male cast arguably comes off badly. Arthur and Lancelot are depicted as so tortured, insecure and brooding that it is hard to suppose that they are two of the finest warlords ever, Gwenhwyfar's father is a prototypical family tyrant, Gorlois is perceived as a typical wife-batterer, Taliesin as near-senile and Patricius as a rabid religious zealot. In addition, to provide a contrast to clever, strong-willed Morgaine, Gwenhwyfar is cast as a dumb, spineless simpleton (i.e. the prototypical "weak woman"), although she was a queen for several decades in an unstable era. All this contributes to the argument that Bradley uses her story to promote an agenda rather than to tell a story.

Film, TV or theatrical adaptations

The Mists of Avalon was adapted for television into a TNT miniseries in 2001.

See also List of films based on Arthurian legend

Allusions/references from other works

Bradley, along with Diana L. Paxson, later expanded the book into a series, including Ancestors of Avalon, The Forest House, Lady of Avalon, and Priestess of Avalon.

Release details

Sources, references, external links, quotations

 


From Wikipedia, the Free Encyclopedia. Original article here. Support Wikipedia by contributing or donating.
All text is available under the terms of the GNU Free Documentation License See Wikipedia Copyrights for details.

Search Titles
0123456789
ABCDEFGHIJ
KLMNOPQRST
UVWXYZ?

E-mail this article to:

Personal Message: