The Reluctant Dragon
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The book
In Grahame's book, first published in 1898, a young boy tries to convince a shy, poetry-writing dragon to act ferocious and scary. The two eventually compromise by, with the help of an old knight, staging a simulated joust between the dragon and the knight.The film
The Reluctant Dragon was produced by Walt Disney, directed by Alfred J. Werker, and released by RKO Radio Pictures on June 20, 1941. Essentially a tour of the then-new Walt Disney Studios facility in Burbank, California, the film stars comedian Robert Benchley and many Disney staffers such as Ward Kimball, Fred Moore, Norman Ferguson, Clarence Nash, and Walt Disney, all as themselves.The first third of the film is in black-and-white, the remaining two-thirds are in Technicolor. Most of the film is live-action, with four short animation segments inserted into the running time: a black-and-white animated featuring Casey Junior from Dumbo; and three Technicolor animations: Baby Weems, Goofy's How to Ride a Horse, and the extended-legnth short The Reluctant Dragon, based upon Graham's book.
Studio operations toured by Benchley in the film
The loose plot of the film features Robert Benchley trying to find (or, rather, avoid finding) Walt Disney so that he can, at the insistence of his wife, pitch to him the idea of making an animated version of Kenneth Graham's book. Dodging a Nazi-like studio guide named Humphrey (played by Buddy Pepper), Benchley stumbles upon a number of the Disney studio operations and learns about the traditional animation process, some of the facets of which are explained by a staff employee named Doris (Francis Gifford):
- The life drawing classroom, where animators learn to caricature people and animals by observing the real thing.
- A film score and voice recording session featuring Clarence Nash, the voice of Donald Duck, and Florence Gill, the voice of Clara Cluck
- A foley session for a cartoon featuring Casey Junior from Dumbo. Doris demonstrates the sonovox in this scene, which was used to create the train's voice.
- The camera room, featuring a demonstration of the multiplane camera. Upon Benchley's entering the camera room, the film turns from black-and-white to Technicolor (ala The Wizard of Oz), prompting the droll Benchley to (breaking the fourth wall) examine his now red-and-blue tie and his yellow copy of the Reluctant Dragon storybook and comment, "Ahh...Technicolor!" When Doris arrives to show him around the camera room, she asks Benchley if he remembers her. His answer: "yes, but you look so much different in Technicolor!" Donald Duck appears on the camera stand to help explain the mechanics of animation and animation photography.
- The ink-and-paint department, including a Technicolor-showcasing montage of the paint-making process. Doris presents a completed cel of the titular character from Bambi.
- The maquette-making department, which makes maquettes (small statues) to help the animators envision a character from all sides. Some of the maquettes on display inclued Aunt Sarah, Si, and Am from Lady and the Tramp and Captain Hook and Tinkerbell from Peter Pan; both films were in development at this time, but would be delayed by World War II and not completed until the 1950s. Also on display is a black centaurette from Fantasia, which Benchley steals. The employee on duty makes Benchley a maquette of himself, which many years later was purchased and owned by Warner Bros. director Chuck Jones.
- The storyboard department, where a group of storymen (one of whom is portrayed by Alan Ladd) test their idea for a new short on Benchley: Baby Weems. The story is shown to the audience in the form of an animatic, or a story reel, using limited animation, and is considered among the Disney studio's best (if unsung) works. Alfred Weker, loaned out by 20th Century Fox to direct this film, later became the first outside film director to use the storyboard, which the Disney staff had developed from predecessive illustrated scripts during the early-1930s.
- The room of animators Ward Kimball, Fred Moore, and Norm Ferguson. Benchley watches Kimball animating Goofy, and Ferguson animating Pluto. He and the audiences are also treated to a preview of a new Goofy cartoon, How to Ride a Horse, the first of the many how-to parodies in the Goofy series. RKO released How to Ride a Horse as a stand-alone short on February 24 1950.
- Humphrey, who has been one step behind Benchley the entire film, finally apprehends him and delivers him in person to Walt Disney, who is in the studio projection room about to screen a newly completed film. Disney invited Benchley to join them; to Benchley's slight embarrassment yet relief, the film they screen is a two-reel (twenty minute) short based upon the very book Benchley wanted Walt to adapt, The Reluctant Dragon.
Release and reaction
The film was released in the middle of the Disney animators' strike of 1941. Strikers picketed the film's premiere with signs that attacked Disney for unfair business practices, low pay, lack of recognition, and favoritism. Critics and audiences were put off by the fact that the film was not a new Disney animated feature in the vein of Snow White and the Seven Dwarfs or Pinocchio, but essentially a collection of four short cartoons and various live-action vignettes. The Reluctant Dragon cost $600,000 to make, but only returned $400,000 from the box office.Disney released the film on VHS in 1991. In 2002, it was released on both VHS and DVD, alongside two 1937 short subject studio tours and three episodes of the Disneyland television show, as "Walt Disney Treasures: Behind the Magic at the Disney Studio".
See also
External links
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