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The Seven Samurai

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"7 Samurai" redirects here. For the recording artist, see 7 Samurai (artist).

The Seven Samurai (七人の侍 Shichinin no samurai, 1954 also known as Seven Samurai in the UK) is a movie co-written, edited, & directed by Akira Kurosawa starring Takashi Shimura and Toshiro Mifune. The film takes place in the war-ridden Japan of the 16th century (specifically, 1587/1588), where a village of farmers looks for ways to ward off a band of marauding robbers. Since they do not know how to fight, they hire seven ronin (masterless samurai) to fight for them. Kurosawa made The Seven Samurai because he wanted to make a real jidaigeki, a period-film that would present the past as meaningful, while also being an entertaining film.

The Seven Samurai is widely regarded as a significant film in many respects. It is also considered by many as one of Akira Kurosawa's greatest achievements. Both on a national and international level, it is regarded as one of the greatest Japanese films ever made, and has been declared the best Japanese movie by many organizations and polls. It is also one of the few Japanese films to become widely known in the West, and is the subject of both popular and critical acclaim; it consistently ranks in the top ten movies on the IMDb Top 250 List and was voted onto Sight & Sound's list of the ten greatest films of all time in 1982 and '92.

The movie was also an important milestone in film history. The single largest undertaking by a Japanese filmmaker at the time, it was a technical and creative watershed that became Japan's highest-grossing movie and set a new standard for the industry. Many regard it as the epitome of the action movie, defining such plot elements as the recruiting/gathering of heroes who each display a select talent to form a team that is expected to perform a particular task, a device since used in many other action movies (such as Ocean's Eleven). Film critic Roger Ebert mentioned in his [review] that the sequence introducing the leader Kambei (the samurai shaves off his symbolic hairstyle in order to pose as a priest to rescue a girl from a kidnapper) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot. Other plot devices such as the reluctant hero, romance between a local girl and youngest hero, and the nervousness of the common citizenry had appeared in other films before this but meshed perfectly in this film. Its use of such cinematographic elements as slow motion and panning battle shots helped to create a movie that would influence cinema worldwide. After the earlier success of Rashomon, this movie solidified Kurosawa's reputation as a talent in worldwide film circles. In the decades after its release, The Seven Samurai would inspire many screenwriters and directors, particularly in Hollywood.

Perhaps the most remarkable aspect of the film is Kurosawa's use of the camera. In one scene, the samurai form a vignette, grouped around a campfire. There is long exchange and the characters move about and interact. At the end of the scene they become still and a new vignette is presented. This is all achieved in a single shot, a tribute to the skill of director, actors, cameraman and all the other technicians.

Plot

Six of The Seven Samurai.  From left to right, Katsushiro, Kikuchiyo, Shichiroji, Kyuzo, Heihachi, and Kambei. Not Shown: Katayama
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Six of The Seven Samurai. From left to right, Katsushiro, Kikuchiyo, Shichiroji, Kyuzo, Heihachi, and Kambei. Not Shown: Katayama

At the start of the film, a village of Japanese farmers are under constant attack by marauding bandits. Desperate to rid themselves of the threat, they enlist the assistance of samurai to defend the village. The seven are:

The story unfolds gradually, and the heroes are not the cardboard cutouts popular in some action movies. There is a chemistry developing between the villagers and their helpers, and a fairly continuous role reversal. For instance, to attract the samurai into helping them cheaply, the villagers have to act dumb and poor. Later, when the samurai find out what the villagers are really like and think of rebelling against their clients, the clownish samurai Kikuchiyo turns around and shows his real intelligence by convincing his fellow warriors of their need to fight for their clients. At the same time, when the samurai learn that they were getting all the best food while the peasants were subsisting on inferior supplies, they share their food with their employers.

The film's climax is a battle scene, in which the samurai and villagers successfully drive off the attackers. However, four of the hired defenders do not survive the victory, and the remaining three are left to contemplate the village's victory celebration while ruefully noting that the villagers, while grateful for having preserved their land and their families, will not have much use for the warriors now that the fighting is done.

Original and edited cuts of film

While the initial Japanese release of the film ran 207 minutes long, edited versions were shown in international markets. An edited version of 160 minutes was shown in many countries except the UK and U.S. which originally showed 150 minute and 141 minute versions respectively. A rerelease version of 190 minutes long was shown in the UK in 1991 and near-complete 203 minute version was re-released in the U.S. in 2002. A Criterion DVD version of the film is currently available containing the complete original version of the film (207 minutes).

Trivia

The Seven Samurai.
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The Seven Samurai.

Academy Awards

Award Person
Nominated:
Best Art Direction-Set Decoration, Black-and-White So Matsuyama
Best Costume Design, Black-and-White Kôhei Ezaki

Legacy

Screenshots

Image:SAMURA~4-cmyk-sml.jpg Image:Samurai4-charge.jpg Image:Sevensamurai.jpg.asset cmyk.jpg Image:Film-Seven-Samurai-1-rain.jpg

See also

External links


{| style="margin:0 auto;" align=center width=75% class="toccolours" |align=center| Films by Akira Kurosawa |- |align=center| Sanshiro Sugata (1943) | The One Most Beautiful (1944) | Sanshiro Sugata Part II (1945) | They Who Step on the Tiger's Tail (1945) | Those Who Make Tomorrow (1946) | No Regrets for Our Youth (1946) | One Wonderful Sunday (1947) | Drunken Angel (1948) | The Quiet Duel (1949) | Stray Dog (1949) | Scandal (1950) | Rashomon (1950) | The Idiot (1951) | Ikiru (1952) | The Seven Samurai (1954) | I Live in Fear (1955) | Throne of Blood (1957) | The Lower Depths (1957) | The Hidden Fortress (1958) | The Bad Sleep Well (1960) | Yojimbo (1961) | Sanjuro (1962) | High and Low (1963) | Red Beard (1965) | Dodesukaden (1970) | Dersu Uzala (1975) | Kagemusha (1980) | Ran (1985) | Dreams (1990) | Rhapsody in August (1991) | Madadayo (1993)

 


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