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Tibetan script

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This page contains Indic text. Without rendering support, you may see irregular vowel positioning and a lack of conjuncts. [Enabling complex text support for Indic scriptsMore...]
Om Mani Padme Hum Polychrome text left of center is the primary mantra of Tibetan Buddhism. Monochrome text right of center reads "Om Vajrasattva Hum", an invocation to the embodiement of primeval wisdom. Written in Tibetan script, on a rock outside the Potala Palace in Lhasa, Tibet.
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Om Mani Padme Hum
Polychrome text left of center is the primary mantra of Tibetan Buddhism. Monochrome text right of center reads "Om Vajrasattva Hum", an invocation to the embodiement of primeval wisdom. Written in Tibetan script, on a rock outside the Potala Palace in Lhasa, Tibet.

The creation of the Tibetan script is traditionally ascribed to Thonmi Sambhota in the mid-7th century. However, no Old Tibetan texts mention such a person. The Tibetan script was most likely introduced for administrative purposes in 650 (the first dated year in the Old Tibetan Annals).

The form of the letters is based on an Indic alphabet of that period, but which specific Indic script inspired the Tibetan alphabet remains controversial.

The printed form of the script is called uchen script (; "with a head") while the hand-written cursive form used in everyday writing is called umé script (; "headless").

Although the Tibetan script is assumed to accurately reflect the pronunciation of Tibetan at the time of its invention, in all modern dialects, in particular Lhasa, the pronuncation and spelling differ significantly, due to phonetic change. This is why some people are in favour of transliterating Tibetan "as it is pronounced". One thus often sees Kagyu instead of Bka'-rgyud.

This article employs the Wylie transliteration system.

The 30 consonants, which are deemed to possess an inherent sound a, are the following (with alternative transliterations in parentheses):
ཀ ka ཁ kha (k’a) ག ga ང nga (n̄a)
ཅ ca ཆ cha ཇ ja ཉ nya (ña),
ཏ ta ཐ tha (t’a) ད da ན na,
པ pa ཕ pha (p’a) བ ba མ ma,
ཙ tsa ཚ tsha (ts’a) ཛ dza,
ཝ wa ཞ zha (ža) ཟ za,
འ 'a ཡ ya ར ra ལ la,
ཤ sha (s’a) ས sa,
ཧ ha ཨ a

The h or apostrophe (’) usually signifies aspiration, but in the case of zh and sh it signifies palatalization and the single letter h represents a voiceless glottal fricative.

Old Tibetan had no letter w, which was instead a digraph for 'w.

Consonantal letter variations include:

The vowels are a, i, u, e, o. As in other Indic scripts, each consonant letter includes an inherent a, and the other vowels are indicated by marks; thus ཀ ka, ཀི ki, ཀུ ku, ཀེ ke, ཀོ ko (again, these marks may not display properly). Old Tibetan included a gigu 'verso' of uncertain meaning. There is no distinction between long and short vowels in written Tibetan, except in loanwords, especially transcribed from the Sanskrit.

Syllables are separated by a tseg ་; since many Tibetan words are monosyllabic, this mark often functions almost as a space. Spaces are not used to divide words.

Although some Tibetan dialects are tonal, because the language had no tone at the time of the scripts invention, tones are not written. However, since tones developed from segmental features they can ususlly be correctly predicted by the spelling of Tibetan words.

Tibetan in Unicode

The Unicode Tibetan block is U+0F00 – U+0FFF. It includes letters, digits and various punctuation marks and special symbols used in religious texts (you will need Unicode fonts covering this block installed to view the table properly in your web browser):

    0 1 2 3 4 5 6 7 8 9 A B C D E F
F00  
F10  
F20  
F30   ༿
F40   གྷ ཌྷ
F50   དྷ བྷ ཛྷ
F60   ཀྵ
F70   ཱི ཱུ ྲྀ ླྀ ཿ
F80   ཱྀ
F90   ྒྷ ྜྷ
FA0   ྡྷ ྦྷ ྫྷ
FB0   ྐྵ ྿
FC0  
FD0  
FE0  
FF0   ࿿

Besides Tibetan, the Dzongkha language and Ladakhi language is written in the Tibetan script.

See also

External links

 


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