Topiary

Traditional topiary fills the squares of the parterre at the Château de Villandry, France

Topiary is the art of creating sculptures in the medium of clipped shrubs and sub-shrubs. The word derives from the Latin word for an ornamental landscape gardener, topiarius.

The shrubs and sub-shrubs used in topiary are evergreen (or "evergray"), have small leaves or needles, produce dense foliage, and have compact and/or columnar (e.g. fastigiate) growth habits. Common plants used in topiary include cultivars of box (Buxus sempervirens), arborvitae, bay laurel (Laurus nobilis), holly (Ilex spp.), myrtle (Eugenia spp., Myrtus spp.), yew (Taxus spp.), and privet (Ligustrum spp.). Shaped wire cages are sometimes employed in modern topiary to guide untutored shears, but traditional topiary depends on patience and a steady hand; small-leaved ivy can be used to cover a cage and give the look of topiary in a few months.

Contents

1 History

1.1 Origin
1.2 Mediaeval Topiary
1.3 The decline of topiary in the eighteenth century

2 Topiary in the twentieth century

2.1 Notable Topiary Displays

3 See also
4 References

History

Origin

Topiary dates from Roman times. Pliny's Natural History and the epigram-writer Martial both credit Cneius Matius Calvena, in the circle of Julius Caesar, with introducing the first topiary to Roman gardens, and Pliny the Younger described in a letter the elaborate figures of animals, inscriptions and cyphers and obelisks in clipped greens at his Tuscan villa (Epistle vi, to Apollinaris). Within the atrium of a Roman house or villa, a place that had formerly been quite plain, the art of the topiarius produced a miniature landscape (topos) which might utilize the comparable art of stunting trees, also mentioned, disapprovingly, by Pliny (HN xii.6).

Mediaeval Topiary

From its European revival in the 16th century, topiary has historically been associated with the parterres and terraces in gardens of the European elite and as features in cottage gardens. Traditional topiary forms use foliage pruned and/or trained into geometric shapes: balls or cubes, obelisks, pyramids, cones, spirals, and the like. Representational forms depicting people, animals, manmade objects have also been popular.

Topiary at Versailles and its imitators was never complicated: low hedges punctuated by potted trees trimmed as balls on standards, interrupted by obelisks at corners were the vertical features of parterre gardens. Sculptural forms were provided by stone and lead sculptures. In Holland however, the fashion for more complicated topiary designs, spread to England after 1660.

The decline of topiary in the eighteenth century

In England topiary was all but killed in fashion by the famous satiric essay on "Verdant Sculpture" that Alexander Pope published in The Guardian, 29 September 1713, with its mock catalogue descriptions of

*Adam and Eve in yew; Adam a little shattered by the fall of the tree of knowledge in the great storm; Eve and the serpent very flourishing.

*The tower of Babel, not yet finished.

*St George in box; his arm scarce long enough, but will be in condition to stick the dragon by next April.

*A quickset hog, shot up into a porcupine, by its being forgot a week in rainy weather.

In the 1720s and 1730s, the generation of Charles Bridgeman and William Kent swept the English garden clean of its hedges and mazes, and its topiary. After topiary fell from grace in aristocratic garden, however, it continued to be featured in cottagers' gardens, where a single specimen of traditional forms, a ball, a tree trimmed to a cone in several cleanly separated tiers, meticulously clipped and topped with a topiary peacock, was passed on as an heirloom. The revival of topiary in English gardening parallels the revived "Jacobethan" taste in architecture, and John Loudon in the 1840s was the first garden writer to express a sense of loss at the topiary that had been removed from English gardens. The following generation, represented by Shirley Hibberd, rediscovered the charm of specimens as part of the mystique of the "English cottage garden", which was as much invented as revived from the 1870s:

It may be true, as I believe it is, that that the natural form of a tree is the most beautiful possible for that tree, but it may happen that we do not want the most beautiful form, but one of our own designing, and expressive of our ingenuity" (Shirley Hibberd).

Topiary, which had featured in a few 18th-century American gardens, came into favor with the Colonial Revival gardens and the grand manner of the American Renaissance, 1880–1920. The title character in Tim Burton's movie Edward Scissorhands is lauded for his skill in the art; a real-life topiary artist is one of the subjects of Errol Morris's Fast, Cheap and Out of Control.

The beginning of a concern with the revival and maintenance of historic gardens in the 20th century led to the replanting of the topiary maze at the Governor's Palace, Colonial Williamsburg in the 1930s.

Topiary in the twentieth century

Notable Topiary Displays

A topiary elephant at Bang Pa-In

A topiary dinosaur at Epcot

Asia

The Samban-Lei Sekpil in Manipur, India, begun in 1983 and recently measuring 18.6m (61ft) in height, is the world's tallest topiary, according to Guinness Book of World Records. It is clipped of Duranta erecta, a shrub widely used in Manipuri gardens, into a tiered shape called a sekpil or satra that honours the forest god Umang Lai.
Royal Palace at Bang Pa-In in Thailand

Europe

Cliveden (Buckinghamshire, England)

[Levens Hall and Topiary Gardens] (Cumbria, England)

A premier topiary garden started in the late 17th century by M. Beaumont, a French gardener who laid out the gardens of Hampton Court (which were recreated in the 1980s).

Canons Ashby, Northamptonshire

A 16th-century garden revised in 1708

Hidcote Manor Garden (Gloucestershire, England)

[Knightshayes Court] (Devon, England)

[Great Dixter Gardens] (East Sussex, England): Laid out by Nathaniel Lloyd, the author of a book on topiary, and preserved and extended by his son, the garden-writer Christopher Lloyd.

[Drummond Castle Gardens] (Perthshire, Scotland)

Portmeirion (Snowdonia, Wales)

Château de Villandry, France

Villa Lante (Bagnaia, Italy)

Castello Balduino (Montalto Pavese, Italy)

North America

Hunnewell Arboretum (Wellesley, Massachusetts)

100-year-old topiary garden of native white pine and arborvitae.

[Green Animals Topiary Gardens] (Portsmouth, Rhode Island)

One of the oldest topiary gardens in the United States, Green Animals combines geometric and animal topiary with other formal ornamental features.

[Ladew Topiary Gardens] (Monkton, Maryland)

A topiary garden in Maryland established by award-winning topiary artist Harvey Ladew in the late 1930s. Located approximately halfway between the north Baltimore suburbs and the southern Pennsylvania border. Ladew's most famous topiary is a hunt, horses, riders, dogs and the fox, clearing a well-clipped hedge, the most famous single piece of classical topiary in North America.

Topiary Garden at Longwood Gardens (Kennett Square, Pennsylvania)

[Columbus Topiary Park at Old Deaf School] (Columbus, Ohio)

A public garden in downtown Columbus that features a topiary tableau of Georges Seurat's famous painting Sunday Afternoon on the Island of La Grande Jatte.

At various Disney theme parks and hotels.

Outside the Tavern-on-the-Green restaurant in Central Park in New York.

References

Wikimedia Commons has media related to:

[media]

Curtis, Charles H. and W. Gibson, The Book of Topiary (reprinted, 1985 Tuttle), ISBN 0804814910

From Wikipedia, the Free Encyclopedia. Original article here. Support Wikipedia by contributing or donating.
All text is available under the terms of the GNU Free Documentation License See Wikipedia Copyrights for details.