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For other uses of the name Vishnu, see Vishnu (disambiguation).

Vishnu (IAST viṣṇu, Devanagari विष्णु, with honorific Shri Vishnu; śrī viṣṇu, श्री विष्णु), is a form of God, in Hinduism. For Vaishnavas, he is the Ultimate Reality or God, as is Shiva for Shaivites. In Trimurti concept (sometimes called the Hindu Trinity), he is the second aspect of God (the others being Brahma and Shiva).

Known as the Preserver, he is most famously identified with his avatars, or incarnations, especially Krishna and Rama. He is also frequently referred to as Narayana.

For the followers of Vaishnavism, known as Vaishnavas, he is the Ultimate Reality and not just one form of God. Smartas, who follow Advaita philosophy, believe that deities such as Vishnu or Shiva are various forms of one ultimate higher power ("Brahman"), which has no specific form, name, face or features. Vaishnavism however believes that God can transcend all personal characteristics yet can also have personal characteristics for the grace of the human devotee. Personal characteristics are considered an aid for the devotee to focus on God. It also believes that it is not necessarily wrong to view a form of God as long as it is recognized that God is not limited to a particular form. Nonetheless, there are many Vaishnava sects, most notably Vadakalai Iyengars, who believe that Vishnu's actual form is not beyond human comprehension, and that his form is exactly as shown in pictures and idols.

Vaishnavite Hindus also worship Vishnu in an abstract form (i.e., God with vague form) as a saligrama stone. Use of the saligrama is similar to the use of lingam, a form of Shiva.

Hindus believe that Vishnu incarnates periodically for the establishment and protection of righteousness, good dharma and destruction of evil adharma; see avatar for more information.

Etymology

The traditional Hindu explanation of the name Viṣṇu involves the root viś, meaning "to settle, to enter", or also (in the Rigveda) "to pervade", and a suffix nu, translating to approximately "the All-Pervading One". The early commentator on the Vedas,Yaska, in his Nirukta, defines Vishnu as 'vishnu vishateh; one who enters everywhere', and 'yad vishito bhavati tad vishnurbhavati; that which is free from fetters and bondages is Vishnu.'

Adi Sankara in his commentary on Vishnu Sahasranama (Swami Tapasyananda's translation, Ramakrishna Math publications) states derivation from this root, with a meaning "presence everywhere" ("As he pervades everything, vevesti, he is called Visnu"). Adi Sankara states (regarding Vishnu Purana, 3.1.45): "The Power of the Supreme Being has entered within the universe. The root Viś means 'enter into.'"

Regarding the suffix, Manfred Mayrhofer (Indo-Aryan etymological dictionary, 1996, II.566f.) proposes that the nasal is analogous to jiṣṇu "victorious". Mayrhofer further suggests that the name goes back to an already Indo-Iranian *višnu, and was replaced by rašnu in Zoroastrian Iran.

The root viś is also associated with viśva "all" (possibly by popular etymology, the word is generally believed to derive from Indo-Iranian *vi-k'o-, influenced by sarva "all", but a minority opinion does, indeed, derive viśva as from vik'-so, (J. Knobloch (1980)).

Suggestions involving other roots include vi-ṣṇu "crossing the back", vi-ṣ-ṇu "facing towards all sides" and viṣ-ṇu "active", as well as attempts to explain Vishnu as an amalgate of two unrelated words, or as being derived from a non-Aryan root (see Mayrhofer, A Concise Etymological Sanskrit Dictionary (1976) III.231f., J. Gonda, Aspects of Early Visnuism (ISBN 8120810872, reprint 1993) for a collection of references). The name is continued in Prakrit veṇhu, viṇhu.

Pre-Puranic Vishnu

In the Vedas

In the Rigveda, Vishnu is mentioned 93 times. He is frequently invoked with other gods, especially with Indra, whom he assists in killing Vritra, and with whom he drinks Soma. His companionship with Indra is still reflected by his later epitheta Indrānuja and Upendra. His distinguishing characteristic in the Vedas is his association with Light, or even his identification with the Sun.

The most celebrated act of Vishnu in the Rigveda is the 'three steps' by which he strode over this (universe) and in three places planted his step. The 'Vishnu Sukta' of the Rig Veda (1.154) says that the first and second of Vishnu's strides (those encompassing the earth and air) are visible to men and the third is in the heights of heaven (sky). This last place is described as Vishnu's supreme abode in RV 1.22.20:

The princes evermore behold / that loftiest place where Visnu is / Laid as it were an eye in heaven. (trans. Griffith)
Griffith's "princes" are the sūri, either "inciters" or lords of a sacrifice, or priests charged with pressing the Soma. The verse is later quoted as expressing Vishnu's supremacy by Vaishnavites,

(In the Rigveda the Sun is not a high-ranking deity, c.f. e.g. RV 2.12.7,

He who gave being to the Sun and Morning, who leads the waters, he, O men, is Indra. (trans. Griffith)
where Indra appears as senior to the Sun.)

One early commentator, Aurnavabha, who is mentioned by Yaska in his Nirukta, interprets the three steps as the different positions of the sun at his rising, culmination, and setting. Though such solar aspects have been associated with Vishnu by tradition as well as modern-scholarship, he was not just the representation of the sun for in Rigveda he traverses in his strides both vertically and horizontally.

In hymns I.22.17, 1.154.3, 1.154.4 he strides across the earth with three steps, in VI.49.13 , VII.100.3 strides across the earth three times and in I.154.1,I.155.5,VII.29.7 he strides vertically, with the final step in the heavens. The same Veda also says he strode wide and created space in the cosmos for Indra to fight Vritra. By his stride he said to have made dwelling for men possible, the three being a symbolic representation of its all-encompassing nature. This all-enveloping nature, assistance to Indra and benevolence to men were to remain the enduring attributes of Vishnu. As the triple-strider he is known as Tri-vikrama and as Uru-krama for the strides were wide.(The reference to the three strides of Vishnu in the Rig Veda is most possibly a prototype for the later legend of Vamana.)

In the Vedas, Vishnu appears not yet included in the class of the Adityas (unless it is implied that he is identical with Surya, and included as the eighth Aditya), but in later texts he appears as heading them.

It is inexplicable how Vishnu (and Shiva) rose to the prominence enjoyed currently by referring only to the Vedic hymns as Indra and Agni are invoked far more. It must be remembered that these hymns are liturgical in nature and meant primarily for the Soma sacrifice, especially dear to Indra. They may not represent the popular religion of those times as Jan Gonda cautions. (he also gives an elaborate explantion of how the notion of Vishnu spread over various hymns contains the germs of future attributes.) In some Rgvedic hymns, Indra seeks the help of Vishnu in destroying Vritra, indicating that he is not sufficient to accomplish it on his own.(This story can be found in later epics and Puranas with ever increasing emphasis on Vishnu's role, till in the Bhagavata Purana, Vritra is a warrior, philosopher and devotee in whose comparison Indra is a pale figure.)

In another interpretation, the characteristic of Vishnu as the Supreme God appeared much earlier in the Vedic texts. For example, the following Vedic hymns express that point of view:

1. Purusha Sukta of Taittiriya Aranyaka (3.13.2) also refers master of Hri and Lakshmi (Vishnu) as Purusha, the Supreme God.

2. Visvakarma Sukta of Rig Veda (10.82) refers to Vishnu indirectly as the Supreme God.

In the By the age of the Brahmanas, various stories can be found associating Vishnu with the Sacrifice. The sacrifice being the core of interest for these texts, this association goes a long way in explaining the importance of Vishnu. How this association came about is not clear, but the various stories in the Brahmanas seem to explain a fait accompli. Visnu is said to have become the most important of all gods by truly 'understanding' the meaning of the sacrifice before all else. In the Shatapatha Brahmana he is described as winning the sacrifice back from Asuras as a dwarf, where the kernel of the Vamana incarnation can be seen. Aitareya Brahmana: 1:1:1 mentions Vishnu as the Supreme God.

In the The Upanishads that form the philosophical culmination of the Vedas are dated around 900 BCE. The oldest of these are the Chhandogya and Brhadaranyaka. The former does not name Vishnu and the latter mentions him as part of ritual to obtain an exceptionally wise and learned son along with other deities. The slightly later Katha-upanishad, however, has Vishnu in prominence -

He who has no understanding, who is unmindful and always impure, never reaches that place, but enters into the round of births. But he who has understanding, who is mindful and always pure, reaches indeed that place, from whence he is not born again.But he who has understanding for his charioteer (intellect), and who holds the reins of the mind, he reaches the end of his journey, and that is the highest place of Vishnu.

His rise to supremacy is apparent in the epics (Mahabharata, Ramayana, and from this period he may be considered a manifestation of the Singular God. Thus, according to this interpretation, the division of Hinduism in Vaishnavism and Shaivaism appeared only with the Puranas, where Vishnu's descents in ten principal Avatars become his distinguishing characteristic.

Theological attributes and more

Lord Rama (center) with wife Sita, brother Lakshmana and devotee Hanuman. Rama and Lakshman are always shown to be ready for battle (with bow and arrow) as it is their Kshatriya dharma to fight. Rama is shown having blue skin which is a characteristic of Vishnu
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Lord Rama (center) with wife Sita, brother Lakshmana and devotee Hanuman. Rama and Lakshman are always shown to be ready for battle (with bow and arrow) as it is their Kshatriya dharma to fight. Rama is shown having blue skin which is a characteristic of Vishnu

Vishnu takes form as an all-inclusive deity, known as Purusha or Mahāpurusha, Paramātma [Supreme Soul], Antaryāmi [In-dweller], and he is the Sheshin [Totality] in whom all souls are contained. He is Bhagavat or Bhagavan, which in Sanskrit means "possessing bhāga (Divine Glory)".

Vishnu possesses six such divine glories, namely,

However, the actual number of auspicious qualities of Vishnu is countless, with the above-mentioned six qualities being the most important. Other important qualities attributed to God are Gambhirya (inestimatable grandeur), Audarya (generosity), and Karunya (compassion.)

Vishnu has no particular material form but can be manifest in any form, whether animate or inanimate. According to Vaishnava belief, he, and whatever we cannot think of -- all are Vishnu. This description of the Lord was again emphasized by a Ramakrishna Mission scholar, Swami Tapasyananda, in his book, Bhakti Schools of Vedanta.

The Rigveda says: Vishnu can travel in three strides. The first stride is the Earth. The second stride is the visible sky. The third stride cannot be seen by men and is the heaven where the gods and the righteous dead live. (This feature of three strides also appears in the story of his avatar Vamana called Trivikrama.) The Sanskrit for "to stride" is the root kram; its reduplicated perfect tense is chakram (guņa grade) or chakra (zero-grade), and in the Rigveda he is called by epithets such as vi-chakra-māņas = "he who has made 3 strides". The Sanskrit word chakra also means "wheel". That may have suggested the idea of Vishnu carrying a chakra.

Relations with other Deities

Vishnu's consort is Lakshmi, the Goddess of wealth. Maya is the samvit (the primary intelligence) of Vishnu, while the other five attributes emerge from this samvit and hence Maya is his ahamata, activity, or Vishnu's Power. This power of God, Maya, is personified and is called Maya, Vishnumaya, or Mahamaya, and She is said to manifest Herself in, 1) kriyāshakti, (Creative Activity) and 2) bhütishakti (Creation) of Universe. Hence this world cannot part with his creativity i.e., ahamta, which is a feminine form and is called Maya.

His vehicle is Garuda, the eagle; who is a part of his creation. He needs no support for anything he does in and outside this world.

Iconography

According to various Purana, Vishnu is the ultimate omnipresent reality, is shapeless and omnipresent. However, a strict iconography governs his representation, whether in pictures, icons, or idols:
The bas-relief from Angkor Wat,Cambodia, shows Vishnu in the centre, his turtle avatar Kurma below, asuras and devas to left and right.
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The bas-relief from Angkor Wat,Cambodia, shows Vishnu in the centre, his turtle avatar Kurma below, asuras and devas to left and right.

Vishnu is always to be depicted holding the four attributes associated with him, being:

  1. A conch shell or Shankhya, named "Panchajanya", held by the upper left hand, which represents creativity. The Panchajanya is the originator of the five elements or Panchabhoota - water, fire, air, earth and sky or space. The sound that evolves from blowing this conch is the primeval sound of creation.
  2. The chakra, a sharp-spinning discus-like weapon, named "Sudarshana", held by the upper right hand, which symbolizes the mind. The name Sudarshana is derived from two words - Su, which means good, and Darshan, which means vision. The chakra as a weapon thus indicates the necessity of destroying one's ego and illusory self-existence and developing the vision to identify the eternal truth. The discus has six spokes and symbolizes a lotus with six petals, thus representing the power that controls all six seasons.
  3. A mace or Gada, named "Kaumodaki", held by the lower left hand, which represents individual existence. The mace symbolizes the primeval force from which all mental and physical strength is derived.
  4. A lotus flower or Padma, held by the lower right hand, which represents liberation or dispersion. The lotus symbolizes the power from which the universe emerges. It represents the concentration of truth or Satya, the originator of the rules of conduct or Dharma, and knowledge or Gyana in a single symbol.
In general, Vishnu is depicted in one of the following two forms
  1. Standing upright on a lotus flower, often with Lakshmi, his consort, beside him on a similar pedestal;
  2. Reclining on the coiled-up thousand-hooded Shesha Naga, with his consort Lakshmi, seated at his feet; the assemblage rests on the "Kshira Sagar" (ocean of Milk). In this representation, Brahma is depicted as sitting on a lotus that grows out of Vishnu's navel.
A slightly less seen depiction of Vishnu is the Vishwaroop representation. The Vishwaroop originates from the words Vishwa which means the cosmos and Roop which means form or manifestation. This grand depiction is the representation of his essence being magnified to contain the entire cosmos. The root for this depiction is probably derived from the ancient Hindu philosophy which indicates that through the diversities of creation there always is a connecting essence that threads everything into a unified whole. The Vishwaroop depiction shows Vishnu as having seven heads on each of his left and right. Each of these has its own cosmic function or represents an aspect of the cosmos. The gods depicted include Shiva, Brahma, Ganesha, Hanuman, Indra, Agni (Fire God), Surya (Sun God), Chandra (Moon God), Maruta (Wind God), Kubera (God of wealth), Varuna (God of water) and Yama (Time) and Brahma's three sons. Vishnu retains the central position. While Shiva, Brahma and Vishnu together form the Hindu Trinity, Ganesha and Hanuman represent faith and divinity. Agni or Fire represents life, energy and vitality. Maruta, the wind-god represents space, while Indra represents rains and cosmic balance. Yama depicts the infinite nature of time while Varuna the ocean God represents water. Kubera represents prosperity and riches. The Sun and Moon represent the cycle of birth, death, decay and finally dissolution. Brahma's three sons represent the entire mankind. Taken together as one entity they constitute the entire cosmos.

Sri Viswaroopa Panchamukha Hanuman is also shown as having five heads, each head potraying an incarnation of Vishnu. The east facing is Hanuman. The north facing in Lord Narasimha. The west facing is Lord Garuda. The south facing is Lord Varaha. The sky facing is Lord Hayagriva.

Note that Vishnu per se is never portrayed in anthropomorphic forms. Attributing anthropomorphic characteristics to Vishnu is a common misconception held by non-Hindus.

Worship

It is not clearly known when or how the worship of Vishnu began. In the Vedas, and the information on Aryan beliefs, Vishnu is associated with Indra. However, Shukavak N. Dasa, a Vaishnavite scholar, in reference [link] has commentated that Srivaishnavites would note that: Nevertheless, it was only later in Hindu history that Vishnu became a member of the Trimurti and hence is one of the most important forms of God in contemporary Hinduism.

Avatars

There are ten primary avatars of Vishnu (dashavatara), apart from other, less significant, incarnations.

They are (in order of avatar)

The order of the dashavatara has often, with no scientific basis, been linked to Darwin's theory of evolution, with the idea that it mirrors the development of life on Earth: from a fish (Matsya), to a reptile (Kurma), a land-based mammal (Varaha), a semihuman creature (Narasimha), a short man (Vamana), a hunter-type human (Parashurama), an ideal human (Rama), a human with expanded thinking and planning capacity (Krishna), and a human with greater spiritual capacity (Buddha). (Esoteric cosmologist Patrizia Norelli-Bachelet contends that the ten primary avatars are a parable of evolution related to the Astrological Ages of fixed Zodiac signs; this controversial teaching implies that an ancient zodiacal knowledge is embedded in the Hindu myth of the dashavatara.)

Names

An ancient statue of Vishnu as Narasimha, his fourth avatar
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An ancient statue of Vishnu as Narasimha, his fourth avatar

Vishnu has a number of names, collected in the Vishnu sahasranama ("Vishnu's thousand names"), which occurs in the Mahabharata. In Vishnu Sahasranama Vishnu is praised as the Supreme God.

The names are generally derived from the anantakalyanagunas (infinite auspicious attributes) of the Lord. Some names are:

Other names:

Theological beliefs and philosophy

Major branches of Vaishnavism include:- See also the articles on Vaishnavism, Vaishnava Theology, and Gaudiya Vaishnava Theology

See also

Wikimedia Commons has media related to:
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External links

General:

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